Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."
Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."
1969-03-27
0
Amélie is haunted by the memories of the last Black Friday as she returns to the scene.
A modern day parable intertwines several characters in one unforgettable night.
Nagisa is transgender. She grew up in Hiroshima as a man, but now lives in Shinjuku, Tokyo as a woman. Due to an incident, she begins to live with middle school student Ichika, who is a distant relative. Ichika has been neglected by her mother Saori. From living in solitude by herself, to now living with Ichika, Nagisa develops maternal instincts for the first time.
A graphic reproduction of Jules Verne's famous story under the above title. It deals with a secret mission in Russia
'Sharing the Floor' is the emotional story of three girls who find support in one another while each copes with the stress, anger, pain, and isolation from having a parent who is an addict. The film explores how a parent's addiction affects their children from the teen's perspective and focuses on the journey from isolation and anger to acceptance and comfort when the girls realize they aren't the only ones grappling with the fallout that each of their addict parents has left.
Dementia draws a woman into a world of memory loops, losing her love her spirit, her present her past.
A dark fable about a woman who kills herself with her imagination.
A moralist and surrealist fable in which a group of aristocrats have sole access to a private beach in the midst of Paris, where they enact strange games and stylized gestures.
5 Scenes displaying the varying effects of restriction. One talks senselessly under the pretense of being understood. One discovers the monsters under the bed. One finds his voice. One can't escape an ever-shrinking room. One hears voices of his own creation.
Official music video for "Love Me Like You Hate Me" by Rainsford.
The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.
While out with his friends for fun one night in São Paulo, Leandro is confronted with glimpses of his own violence. The film is loosely inspired by the homophobic attack that occurred in the Paulista Avenue area, in which teenagers used fluorescent lamps as a weapon.
The Ganso and Honke are two medical wholesalers which have had a long history of exchanges. They were originally a wholesaler set up by Tokiya Manemon who invented a drug. After he fell ill, he imparted the formula to his two beloved disciples. But the two were at loggerheads and the enmity between them caused a split into two factions, the ‘original’ (Ganso) and the ‘originator’ (Honke). One day, an incident finally occurred. Kiichiro (Endo Kaname), the eldest son of the Honke, launched an attack on the young master of the Ganso, Nagahiko (Oshinari Shugo).
A confirmed bachelor learns that he will inherit his late uncle's fortune only if he marries, which he does reluctantly. Shortly afterward he returns to his bachelor lifestyle but realizes he can't get his wife's face out of his thoughts.
Albertina is a celebrated dancer whose fame is widespread. However, she has overtaxed her strength, is forbidden to appear in public and is obliged to seek quiet and rest. She retires to her Aunt Mary's home, a beautiful and restful country place, where she secures the much-needed seclusion and comfort. Next door to Aunt Mary there lives a very handsome fellow who has often admired Aunt Mary's niece and to tell the truth she admires him. Growing restless under the enforced retirement, Albertina strolls down to the lake where the water-lilies grow. She pulls a number of them into a garland which she holds bewitchingly above her head. They give her an inspiration and involuntarily she pirouettes, bends and swerves her lithe and willowy form like a nymph of ethereal sweetness. The young man who lives next door is rowing upon the lake; He see Albertina dancing on the velvety field of grass, is charmed by her, and rushes toward her.