There is peace in the forest and among all of the animals there, including a pair of ducks who befriend Molly Moo-Cow. A pair of hunters come on the scene, go hunting and hurt the ducks, so it's Molly to the rescue.
There is peace in the forest and among all of the animals there, including a pair of ducks who befriend Molly Moo-Cow. A pair of hunters come on the scene, go hunting and hurt the ducks, so it's Molly to the rescue.
1935-08-19
6.5
Although he hates dogs, Toni is engaged in finding lost animals and then sentimentally blackmails the masters in order to obtain beautiful large amounts of money. Because of an old and ugly Pekinese that Toni cannot succeed of getting rid of, feelings of affection awake in him that surprise even Toni.
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
A recap of Kimetsu no Yaiba episodes 15–21, with new footage and special end credits. Tanjiro, now a registered Demon Slayer, teams up with fellow slayers Zenitsu and Inosuke to investigate missing person cases on the mountain Natagumo. After the group is split up during a fight with possessed swordfighters, they slowly begin to realize the entire mountain is being controlled by a family of Demon spider creatures.
The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.
Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.
"MATRIX is a flicker film which utilizes 81 still photographs of my wife's head. It is a film dependent upon variation of intense light changes by calculated combinations of black and white frame alternations with exposure changes. Throughout, the light intensity rises and falls as the head rotates in varying directions within a 360 degree frontal area." — James Cagle
Feeling unhappy with his gun, Jigen is looking for the world’s best gunsmith. He finally finds out that Chiharu, who runs a watch shop, is the person he’s been seeking. Then, Jigen meets Oto, who comes to Chiharu’s shop looking for a gun. Jigen finds out about Oto's secrets and the mysterious organization that’s after her. After Oto is kidnapped, Jigen gets into a desperate battle to save her.
Renegade bounty hunter Ryan Swan must carve his way through the Hawaiian crime world to wreak vengeance on the kingpin who murdered his father.
A young actor's perfect life takes a madcap turn when she agrees to star in a commercial — and suddenly gets transported to her character's world.
Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.
The film is composed of receding planes in a landscape: a back garden and the houses beyond. The wooden lattice fence, visible in the image, marks the border between enclosed and open, private and public space, and forms both a fulcrum for the work and a formal grid by which the shots are framed and organised.
Toni, a grumpy in his fifties, avoids children at all costs. His life changes when he suddenly has to take care of his sister's five adopted children, each from a different country. Toni will have to deal with new parenthood and cultural differences.
In a world where no one speaks, a devout female hunts down a young woman who has escaped her imprisonment. Recaptured by its ruthless leaders, Azrael is due to be sacrificed to pacify an ancient evil deep within the surrounding wilderness.
When strange, supernatural murders suddenly become the talk a peaceful town, two detectives must solve a deadly game, but will the myth of this game reveal secrets too close to home.
Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.
Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.
The deconstruction of the Avatar scenes and sets
“The Talk” showcases the experiences of three LGBTQ+ youth learning about sex health under an inadequate Canadian sex-ed curriculum. Each subject opens up about their knowledge surrounding sexual health, gender identity, the not so honest information they were taught in their classrooms and its impact on their self-image.
In a rural Italian village, Antonio is asked to translate an English-speaking woman's confession, but when he starts disagreeing with the priest, he has to make a decision that might change the course of her life and maybe his too.
Answers questions such as "How many kinds of insects are there?" "Do insects have blood?" "How can a fly walk on the ceiling?"
Our plasticine pooch pal Rex welcomes us to his world, introduces us to his friends, and illustrates how Bad Bob caused dinosaurs' extinction (whoops!)
Our plasticine pooch pal Rex welcomes us to his dreamworld.
Their last dinner before he leaves to join the Army. The reality of the situation begins to break in through the four surrounding walls.
A happy, code-typing worker android falls in love with his human female supervisor. Just one problem: every time he sees her, his heart literally explodes.
Matt, a lonely mid 20's man, goes out to his balcony and has a brief connection with someone across the way.
On the hilly lands of Portugal, a fire breaks out. Right after the blaze come the ashes, and following the ashes, the forest begins its rebirth.
On a cork oak farm deep in the village of Aldeia Velha, the warm Portuguese sun beams down on the white walls of a family home. Life is sweet here. Cherish these moments spent together.
It is cold and dark. In between surreal waves and the morning haze, we catch a glimpse of the emerging glows. The sea breeze wiggles and writhes, twisting and turning, embracing the shore under its steady growl. And on the sand, a young man stares into the far end of the ocean.
In comedian Johnny Ray Gill's parody of the Universal horror flick, actor Daniel Rubiano has to face the music when he reports to work the next morning.
After exchanging glances between "good mornings" and "good afternoons", Marcelo realizes it's time to try to go further with Márcio, the doorman in his building. Two worlds will collide through these men's bodies.
Whilst doing their last concert before the Christmas Holidays, Busted find that their guitars have all disappeared mysteriously. With their only clue to there where-abouts being a mysterious note signed by 'Sinister Santa' the band take on London in hopes of finding their Guitars but learn the true meaning of Christmas along the way.
"An animated absurdist exploration of North American popular culture and fast food. Made for the 5th anniversary of the Bookmobile project." - Cartune Xprez