In Bettina Büttner’s exquisitely lucid documentary Kinder (Kids), childhood dysfunction, loneliness, and pent-up emotion run wild at an all-boys group home in southern Germany. The children interned here include ten-year-olds Marvin and Tommy. Marvin, fiddling with a mini plastic Lego sword, explains matter-of-factly to the camera, “This is a knife. You use it to cut stomachs open.” Dennis, who is even younger, is seen in a hysteric fit, mimicking some pornographic scene. Boys will be boys, but innocence is disproportionately spare here. Choosing not to dwell on the harsh specifics, Büttner reveals the disconcerting manner in which traumatic episodes can manifest themselves in the mundane — a game of Lego, Hide and Seek, or Truth or Dare. Filmed in lapidary black-and-white, Büttner’s fascinating film sheds light on childhood from the boys’ characteristically disadvantaged perspective — one not yet fully cognizant — leaving much ethically to ponder over.
Amitz Dolniker, an Israeli politician who speaks way to much has a heart attack in the middle of his speech. In the ambulance on the way to the hospital the doctor orders him to "go someplace quite, rest, and don't make speeches". His young assistant immediately suggest they go to Switzerland, however Dolniker had taken a vow not to leave Israel unnecessarily, so he comes up with a different idea - going to a remote village where they have never heard of him, so he would not be asked to make any speeches. As they arrive, it turns out that not only the villagers have never heard of Dolniker, but they have also never heard of running water, electricity, phones, and most importantly: TV, Radio, and newspapers... so its only a matter of time before Dolniker or the villagers go bananas...
Picture Abhi Baki Hai is the journey of Amar Joshi (Sunil Shetty) who runs a video library in banaras and aspires to be a film maker. Despite facing objection from his father Amar Joshi decides to sell his video library and joins a film Institute in London. After completing his course he lands in the city of dreams "Mumbai" to make his film. Suraj (Rajpal Yadav) is a struggling actor doing bit roles in T.V. serials, who Is Amar's only connection in Bollywood. Amar Joshi starts his struggle to make his film by meeting different type of producers who have their own take on Amar's story. After many failed attempts He finally bumps into Monty Chadda (Rakesh Bedi) a P.R. Publicity man who sees good potential in Amar and decides to produce his film. Amar & Monty take help of star secretary Guptaji (Akhil Mishra) to convince Mohini (Udita Goswami) & her starry mother Mummyji (Neena Gupta) who agrees to do the film.
Annisa, a cheerful 15 year old girl, is open and has a tomboyish style. Entering his early years at Tunas Bangsa High School, he met Ivan and eventually became friends with Jelita, a 15-year-old girl who wore a headscarf, beautiful but shy and quiet.
An ill fated young man who is destined for Hell tries to escape the Devils grasp.
Daisy is the love of Ken's life - she is also large... and very pretty... and on the dole. But Ken is a dreamer, all his dreams to make a fast buck ending up where they started - as dreams. With the rent unpaid, the bailiffs at the door and Ken's dreams in tatters, Daisy sets out to bring home the bacon and gets a job in the local factory. There she meets Marlene and half a dozen other large women who are all united in a secret passion - Sumo wrestling! Ken doesn't know what's hit him.
Then one day, her daily life suddenly changes. Unknown creatures fly out from a large number of spheres sent from outer space and begin to parasitize and manipulate human beings. The parasites not only move in strange ways, but some of them also exhibit extraordinary physical abilities. Trapped in a building at work, Shang and his colleagues discover that the space creatures are vulnerable to cigarette smoke. But that was only the beginning of the fight to the death. Smokers vs. space creatures, who will survive? Shang's cry echoes through the air. "Breathe in the smoke and go to hell!"
When the mayor of a crime-ridden city and his opponent are both assassinated while seeking election, two FBI agents, John Archer and Mila Driver, reluctantly join forces to investigate the murder only to discover that City Hall holds more secrets than the identity of the killer.
An eccentric wealthy man is murdered, and the police set out to find his killer.
David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
Photographer Francesca builds Maia's confidence while having to control her own obsessive and sexual desires towards Maia. As they spend more time together, Maia becomes the object of her obsession and things slowly spiral out of control.
Anna Q. Nilsson is the title character, Agnes Lane, a daring spy for the South during the Civil War. She delivers an important message regarding an attack on a Yankee fort, then infiltrates the fort and turns herself in, only to change into a Union soldier’s clothes and escape with more confidential information. The Confederate soldiers love her, and treat her with respect, despite her un-ladylike profession. During the attack, morale appears to flag, but she sneaks out a message that she has been captured by the Yankees and is due to be executed, urging the boys to greater heroism. As they capture the fort, she again infiltrates and pretends to be grateful to her “rescuers.”
Original 1973 short promotional documentary on the making of the 8th James Bond movie Live and Let Die (1973).
Probably part of the "Alaska and Yellowstone National Park Series" in the "Northern Pacific Railway Series"
Tod is an unemployed musician and Lydia is pregnant. They used to date each other and with a wedding as the reason, Tod and Lydia take a trip from South Dakota to Indiana. The trip is filled with detours, interesting strangers, and a physical injury that results in an eye patch.
Every morning, Pedro carefully prepares coffee for Tiago, but even with all his extraordinary efforts, he is unable to prevent the drink from getting cold.
By 2045, twenty localities in Germany will be resettled because of brown coal open pit mining. The film Waste Land follows the inhabitants of three villages in the Rhenish coal-mining district during their last years in their old home and documents how an entire region prepares for its collective relocation.
It’s 2020 and Minsk, the capital city of Belarus, is overflowing with anti-government protests. A dreamy figure – Mara – takes us on a journey alongside the protesting crowds. Mara’s symbolic presence is a stark contrast to the harsh reality of the street. There is a determination to Mara, but also a fragility – as if her persona reflects the collective mental state of the protesters witnessing their dream for freedom turn into a nightmare.
From Belgium, Jialai Wang maintains contact via smartphone and camera with her mother and grandmother in China. When her grandmother’s health deteriorates, Jialai returns to Shanghai, but when she arrives, her grandmother has already died, and she is left alone with her mother. A devout Buddhist, her mother seems to pay more attention to her daily prayers, Maoist past and dog Dongdong than she does to her daughter. She herself had been abandoned as a child by her own mother, when she divorced Jialai’s grandfather and moved to the city.
Seven-year-old Polina and her 13-year-old sister Nastia live and breathe ballet. Both of them are studying at the Boris Eifman Dance Academy in frigid Saint Petersburg. They’re currently awaiting their grades to find out if they’ve done well enough to be promoted to the next year, with Nastia lovingly guiding he little sister through the process. But in the meantime, Nastia also has to deal with the high demands that the academy places on its students. The gorgeously styled shots are sometimes calm, even clinical, and sometimes warm, lively and funny.
Tímamót, or Changes in English. An upbeat, heartwarming story about Gudjon, Sigurbjorn and Steinthor who lived together for decades along with several other inhabitants in the Tjaldanes Institution, in a peaceful valley close to Reykjavik. When a decision is made to close down the institution, their life takes an unexpected turn and they discover a new side to life and to themselves.
Shelley is a timid elderly lady who is competing in the Miss Senior USA pageant. Immersion in an extravagant world that also touches on the universal need for visibility, beauty and being included.
Filmmaker Sophie Dros enters into a dialogue with strong women in a powerfull document about being a woman in the Netherlands today. Inspired by Simone de Beauvoir's essay The second sex, filmmaker Sophie Dros (winner of the NFF Debut Competition 2017) talks to four women and a group of young girls. Together they go in search of universal stories; about dealing with expectations, empathy and connection, desires, fear, need for confirmation and losing control.
Documentary about a Finnish reporter, Hannu Karpo. The movie follows Karpo's decades-long career as a journalist, and how he became a phenomenon and known by the whole nation.
This documentary follows 8 teens and pre-teens as they work their way toward the finals of the Scripps Howard national spelling bee championship in Washington D.C.
This fascinating documentary chronicles the intense rivalry between high schools in Southern Indiana to win a prestigious festival performance with lavish student musical productions that often cost in the tens of thousands of dollars to produce.
It is like a miracle that has occurred five times a century since 1797. The Fête des Vignerons frees the character of the Vaudois from their legendary restraint. It turns an entire region into a gigantic drunken boat. The 2019 arena welcomes 20,000 spectators, the equivalent of the population of Vevey. Guarantor of tradition, the Confrérie des Vignerons ensures that it evolves and engages the artists who best stick to their time.
DETECTION. Consideration of past, present and future of a small village in Germany. For over a century — wars and states went by — the military is the largest employer. The everyday life of the community is inextricably linked to the events on the nearby military training area. Diaries, daily instructions, petitions, letters and photos tell about daily life at different times.
Eleven-year-old New York City public school kids journey into the world of ballroom dancing and reveal pieces of themselves and their world along the way. Told from their candid, sometimes humorous perspectives, these kids are transformed, from reluctant participants to determined competitors, from typical urban kids to "ladies and gentlemen," on their way to try to compete in the final citywide competition.
In southern Italy, stateless migrants pick the tomatoes the rest of the world will taste. But what about these workers’ European dreams? Will they be ground to a pulp? Our canned tomatoes are picked by migrant workers who have come to southern Italy to realise their dream of Europe. However, they never get beyond the tomato fields. This documentary shows how the tomato broaches a broader issue. Will the pickers keep believing in their dream, or fight against a Europe where others reap the sweet rewards of their disillusion?
A look at how climate change affects our environment and what society can do to prevent the demise of endangered species, ecosystems, and native communities across the planet.
Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two month time period during 1977 when a businessman was kidnapped, and later murdered, by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the orginal leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state.
A portrait of Jacques Ellul, a French theologian/sociologist & anarchist who first became well-known to American readers with the English publishing of his book The Technological Society in 1964. For Ellul, technique represented an entire way of life characterized by life fragmented so that efficiency ultimately rules over all ethical decisions. Ellul warned that technique was having drastic effects on all aspects of modern life. Many Green Anarchists have cited Ellul's work on technique as influential on their thought.