A film about borders and border checkpoints, poetically following the people that come into contact with them - one way or another. Borders is about men and women dreaming of a better life in Europe and the high price they often have to pay for it - if they succeed at all. Without taking an immediate moral stance, the film follows the route that many immigrants take from the heart of Africa to the centre of Europe, stopping at each border: Nigeria, Niger, Burkina Faso, Mali, Senegal , Mauritania, Morocco, Spain, France, Belgium, and finally, the Netherlands.
It was the biggest escape in the history of the Berlin Wall: in one historic night of October 1964, 57 East-Berliners try their luck through a tunnel into West Berlin. Just before the last few reach the other side, the East German border guards notice the escape and open fire. Remarkably, all the refugees and their escape agents make it out of the tunnel unscathed, but one border guard is dead: 21-year-old officer Egon Schultz.
Following the death of her brother, filmmaker Robie Flores returns to her hometown Eagle Pass on the Texas/Mexico border, wanting to turn back time. She collides with unruly experiences of adolescence – quinceañeras, Rio Grande river excursions, teen makeovers and beyond – that invite her to soak up the details of the home her brother adored and she ignored. What emerges is a playful dance between a personal and collective coming-of-age portrait of kids on the border and Robie herself as she rediscovers the possibilities of joy in the aftermath of grief.
24 October 2015, a nice day in autumn in a nice landscape. A crowd of refugees and migrants accompanied by soldiers and police officers make their way from the Schengen border between Slovenia and Croatia towards the refugee camp in Brežice. Suddenly, the landscape starts to appear less nice than it was.
One inside, one outside. One thin line that creates “us” and “them”. The importance of the borders has again a huge impact in Europe. Yesterday it was all about free movement. Today it´s about controled borders. And walls and fences have become normality. “Before our eyes” is a testimony that shows a situation where Hungary, and indirectly Europe closes itself to the outside world. The film portrays four places, four events, which was filmed over three days in early September 2015, when the worst refugee crisis we have seen since the Second World War started in earnest. “My Europe does not build walls!” said Stefan Löfven, the swedish prime minister, in a speech a few days later. Before our eyes shows how words and actions are no longer connected. Today, Spain, Greece, Bulgaria, the UK, Hungary, Slovenia and Austria have built fences and walls to strengthen theirs and Europe’s external borders.
There are countless stories of Cubans reaching their dream destination of Florida as boat refugees. A lesser known route to the United States starts with a flight in a ramshackle plane to Guyana. Then the refugees travel to Colombia where they cross the jungle to arrive in Central America, from where they hope to reach the promised land of America—a hard and dangerous journey. Cuban filmmaker Marcel Beltrán visits them in a refugee camp in Panama, where one of the residents gives him an idea. Many people here have filmed their journey, she says, and these videos tell their real story. These jerky, shocking videos are interspersed with Beltrán’s footage of the camp, tangibly illustrating the difference between the hectic pace of the journey and the insecure life at the reception center.
As thousands of migrants attempt to cross the French-Italian border on foot through treacherous mountain routes, the state cracks down on the local communities that come to their aid in this revealing look at an unfolding human rights crisis.
"The 800 Mile Wall" highlights the construction of new border walls along the U.S.-Mexico border as well as the effect on migrants trying to cross in the U.S. This powerful 90 minute film is an unflinching look at a failed U.S. border strategy that many believe violates fundamental human rights.
GAZA brings us into a unique place beyond the reach of television news reports to reveal a world rich with eloquent and resilient characters, offering us a cinematic and enriching portrait of a people attempting to lead meaningful lives against the rubble of perennial conflict. Throughout its entire history the Gaza Strip has been witness to conflict and upheaval. From ancient times this tiny coastal territory, located at a crossroads between continents, has been a pawn whose fate rested in the hands of powerful neighbours.
As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.
Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
Follows unaccompanied child migrants, on their journey through Mexico, as they try to reach the United States.
Bird watchers on both sides of the U.S.-Mexico border share their enthusiasm for protecting and preserving some of the world's most beautiful species.
Federal officer with the Department of Homeland Security discovers a national security breach related to the entry of 23 aliens from terrorist countries into the United States. Customs and Border Protection Commissioner, former head of the DEA Robert Bonner can't afford any more media scrutiny, since his incompetence was already exposed in the NASA 'Challenger' disaster. To avoid the scandal, the full might of the government is unleashed against Julia Davis, her family and witnesses. This retaliation reaches an unprecedented magnitude, including four unexplained deaths, Hollywood and the Mafia, false imprisonments and the use of Blackhawk helicopters and airplanes for warrantless surveillance. Amidst many shocking revelations, this documentary provides a new insight into the deaths of well-known Hollywood figures unwittingly dragged into this scandal. The truth is no longer a secret.
One million people legally cross the U.S.-Mexico border every day in both directions. Among them are women from Ciudad Juárez who cross to give birth in El Paso, Texas. Even with visas that allow them to cross, their journeys are uncertain. Gaby and Luisa, two women from Ciudad Juárez, cross legally into El Paso, Texas, in order to give birth. Two Chicana midwives in El Paso, Lina and Sandra, support the women who cross. After living through the extreme violence that engulfed Ciudad Juárez from 2008-2012 and with the looming threat of obstetrical violence in Mexican hospitals, Gaby and Luisa choose to cross, seeking a safer future for their children and the opportunity for natural childbirth with midwives. They risk losing their visas, getting turned back, and harassment at the hands of U.S. Border Patrol. Against the backdrop of oppressive U.S. border policy, these women's stories of risk and resilience reveal the complexities of life on the U.S.-Mexico border.
Bob Woodruff’s daring 880-mile journey along the China-North Korea border examines the delicate relationship between the two countries and the United States.
Academy Award®-winning filmmaker Errol Morris confronts one of the darkest chapters in recent American history: family separations. Based on NBC News Political and National Correspondent Jacob Soboroff’s book, Separated: Inside an American Tragedy, Morris merges bombshell interviews with government officials and artful narrative vignettes tracing one migrant family’s plight. Together they show that the cruelty at the heart of this policy was its very purpose. Against this backdrop, audiences can begin to absorb the U.S. government’s role in developing and implementing policies that have kept over 1300 children without confirmed reunifications years later, according to the Department of Homeland Security.
An absurd game of “finding happiness” is being played by local Latvian coyotes* and illegal immigrants on the Russian and the European Union border. It is a game with no winner – all participants are driven to play by the sense of despair. While one side leaves home and undertakes a perilous journey to the other side of the globe, hoping to spend the rest of their lives in a free country, the other side risks their freedom to earn a chance to stay right where they are, in their homeland. *coyote – someone who smuggles illegal immigrants