A group of Macedonian women are shown hard at work.
A group of Macedonian women are shown hard at work.
1905-12-31
4.813
According to an urban legend, a girl named Hikiko Mori was taunted and bullied relentlessly by her classmates, eventually resulting in her accidental death. Holding a grudge against all bullies, her spirit now haunts her former school, slowly gathering the strength to exact vengeance on the living. A group of frightened school girls decide to investigate the rumors further and what they find convinces them that they have to stop the spirit of Hikiko-san before it’s too late
Henri and Jeannette Milliard, a newly married couple from Normandy arrive in Paris where they intend to spend their honeymoon. Unforfunately a wicket gate in the metro separates the couple. In panic, Henri looks for his wife across the capital. He ends up finding her at the hotel they were to put up. But it looks as if Jeannette has gone through some distressing adventure.
Much like the infamous match between Bret Hart and Tom Magee, a piece of PROGRESS history has recently been uncovered. The former Progress announcer, Jimmy Barnett, has been sharing his memories of a show from May 26th, 1988. Last year he was kind enough to offer his recollections of a very early PROGRESS from way back in May of 1978 (PROGRESS even found the footage in their vault), and it's a rare treat to get details of another historical show from a man on the inside.
A middle-aged couple's comfortable life changes forever when the wife, driving home alone in the rain while slightly intoxicated, runs down a pedestrian and flees in panic. Her guilt over the hit-and-run, compounded by her husband's suspicions of what happened, begins to affect their once loving and happy relationship.
Lazarus is a Cuban appeal that makes a living in Madrid. When his girlfriend Dolores travels from Cuba to Spain to live with him, he is in prison for kidnapping and attempted rape. Dolores tries to survive with a broken heart, but his sympathy and sensuality will make adjusting to life in Madrid and try to exceed the Lazarus drug addiction.
Basically this is a commercial for Hollywood's Lido Lounge and for MGM contract players. The Lido is a large watering hole; we visit one afternoon with an orchestra playing, all sorts of stars and would-be stars sitting at tables near the pool alongside paying customers, and bathing beauties parading and diving. The Lido's manager, Reggy Denny, introduces the stars in the audience. He's sometimes interrupted by someone who does a bit, sings a song, or otherwise entertains: most of these are novelty acts. By the end, everyone's having a swell time.
A lucid view on an extraordinary character, recognized and loved or reviled by the crowd of wrestling fans. Cassandro, the exotic gay lucha libre fighter.
13-year old Bruce Lee plays San, a child up for adoption. Finally accepted by his surrogate parents, he is faced with a dilemma when his real parents show up and want him back.
Something pierces the boredom and unconscious dailiness of life for a young woman working in a dress shop.
Wealthy widower Richard Keaton engages young widow Elizabeth 'Liz' Guinness as the 4th consecutive nanny for his pre-teen, equally science-devoted son Andrew, with instructions to disturb neither. She learns of mother Alycia's fatal fall, an official suicide but was probably murder. Dad keeps Andy at a distance, so he draws towards Liz. Real danger starts when Richard's brother, novelist Blain, arrives with his friend Jillian, to sell the ancestral estate against Richard's will.
A gloomy milking parlor filled with the sounds of Bach concerts from wheezing loudspeakers is the everyday life of Eric, a cow milker at the Milk Raj cooperative. Eryk is a young boy who abandoned his career as a photographer and lived in an industrial town, away from his family and friends. On the spot he met Marissa, a prostitute in a poor nightclub. They became friends. They both want to find their place in the world.
Convinced of her limitless talent, charm, and ability, Rosie sweeps the neighborhood Nutshell Kids into the beam of her private spotlight as they perform in her pretend movie.
In January, 1997, a team of five nurses, four anesthesiologists, and three plastic surgeons arrive in Vietnam from the United States for two weeks' of volunteer work. They operate on 110 children who have various birth defects and injuries. They also talk to the film crew about why they've made this trip and what it means to them. We watch them work, and we see the children, their families, and their surroundings in the Mekong Delta. Over the closing credits, Dionne Warwick sings Bacharach and David's "What the World Needs Now Is Love".
A year in the life of the Palm Springs Follies, featuring beautiful, ageless performers from around the world in a show that is always Standing Room Only. The film intercuts colorful interviews with the participants and footage of auditions, rehearsals, and the actual performances.
This film illustrates the life of the film director, Shui-Bo Wang in The People's Republic of China. We learn of the life of the director in his own words and images from a child steeped in the values of Chinese communism exemplified by Chairman Mao, to a young man striving to live up to those ideals both as an artist and a soldier.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Early Balkan footage.
Early Balkan footage.
A short prior to World War I film which captures festivities at a fair near a church in Bitola.
Early Balkan footage.