A young woman plans to marry, but her mother and brother--a lawyer--don't like her prospective husband and scheme to prevent the marriage.
Rena Walden
John Walden
Molly Walden
Frank Fowler
George Tryon
Miss Waring
Singer
Cook
A young woman plans to marry, but her mother and brother--a lawyer--don't like her prospective husband and scheme to prevent the marriage.
1932-02-01
5
A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…
“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.
Arnold, a school kid with a vacant stare and hair sticking out, takes the bus to school. He sits idly through lessons. Then, it's time for band, where he plays the piccolo. He daydreams through the Vienna waltz, imagining himself ice-skating, and sending the school bully into the cold water by cutting a circle through the ice around him. The band plays a second song, and Arnold imagines spring. The music ends, the room empties except for Arnold. The teacher says, "Arnold, everybody's gone to recess."
An intimate portrayal of a quest for love and acceptance at any cost, Q depicts the influence of a secretive matriarchal religious order on filmmaker Jude Chehab’s family and the unspoken ties and consequences of loyalty that have bonded her mother, grandmother, and herself to the mysterious organization. A love story of a different kind, Q is a multigenerational tale of the eternal search for meaning.
Filmmaker Jack Bond and Salvador Dali got together at Christmas 1965 to make Dali in New York, a highly entertaining film. Dali devoted two weeks of his life to creating extraordinary scenes for the film, performing "manifestations" with a plaster cast. A thousand ants and one million dollars in cash. When he confronts the feminist writer, Jane Arden, sparks fly. "You are my Slave! I am not your slave. Everybody is my slave." Dali recalls his meeting with Freud, "The last human relationship ever" About his wife, 'But for Gala I would be lying in a gutter somewhere covered with lice" Jim Desmond's dazzling cinematography captures the great artist painting as Flamenco virtuoso Manitas de Plata performs. Dali in New York is a rare treat for anyone who loves film and the living theatre of Dali's surreal universe.
Barbara is a filmmaker who has been working in the prison environment for a few years now. She is preparing a film written and directed by long-term inmates in a prison in the projects around Paris. Twice a week, Barbara goes to the prison where she shoots interviews with the inmates which will serve as a basis for the writing of their screenplay.
An 11-year old phenom wrestler with an undefeated record, Kace Gabriel gives up the sport to write/direct a movie. He believes that if the film makes his best friend, Charlie, laugh on Christmas Day it will awake the boy from a coma.
Pretty hat-saleswoman Lola wants nothing more than to become an operetta singer. Unfortunately, it isn't so easy to make it in the music business. Operetta diva Isabella, on the other hand, is sick and tired of performing and leaves the stage, despite the fact that her partner begs her to stay, because without her he can't premiere his latest work on the stage.
A woman is attempting to write a script about the district where she lives, but she is frustrated and unable to focus.
Based on a song by the same name. It was the Genre Popularizer for the Rillumarei film and live entertainment genre that drew from the musical couplet genre of light, cleverly written, often satirical songs. Many of these films were based on an existing song, or a song was specifically written to be the foundation of a film.
A musical comedy drama of life behind the scenes in a Harlem movie studio.
A successful couple with a beautiful daughter, gorgeous home and a mother-in-law and housekeeper that are both eccentric are all the ingredients necessary for a somewhat perfect yet always interesting family. But when Jennifer finds out that her husband Terrance has been cheating on her for years, the family is changed forever. Can Jennifer learn to forgive Terrance so their marriage can be saved, or is it too late to make amends?
A young black doctor sets out to establish a free clinic in Harlem.
Summer heats up in rural Louisiana beside Eve’s Bayou, 1962, as the Batiste family tries to survive the secrets they’ve kept and the betrayals they’ve endured.
A Harlem nightclub entertainer arrives on the Caribbean island of "Rinidad" to perform as the headliner in a revue at the Paradise Hotel. She quickly attracts the attention of several men.
A black laborer turns preacher after accidentally killing a man.
God, heaven, and several Old Testament stories, including the Creation and Noah's Ark, are described supposedly using the perspective of rural, black Americans.
A cowboy is wrongfully accused of murder. He winds up in Harlem, where he assumes the identity of a preacher-turned-gangster who looks like him. He infiltrates the gang to catch the men who framed him.
An all-black horror comedy starring Mantan Moreland and sometimes partner (and straight man) F.E. Miller, Lucky Ghost is amusing low-brow fare that exploits the more base, stereotypical elements of old-time black life (chicken thievin', gamblin', runnin' from ghosteses) for laughs -- sort of like the BET of its day. Mantan and Miller win a house-cum-casino in a craps game, only to discover that the deceased former owners aren't too pleased that their old home is being used for "jitterbugging, jiving, and hullaballooing". I hate hullaballooing. The ghosts decide to scare everyone off by opening doors and windows, pulling out chairs, even playing the drums.
Mercy, the Mummy Mumbled pokes fun at both mad scientists and the Egyptian mummy craze that followed the discovery of King Tut's tomb early in the 20th century. A young man wooing the daughter of a scientist hatches a get rich quick scheme when he spots a classified ad searching for "a mummy for experimental purposes." While he wraps up a phony for the scientist, two Egyptian agents (outfitted in a crazy mix of ancient fashion and modern style) tracking stolen relics get tangled in the confusion.
Chased from his apartment by a policeman, ne'er do-well Rastus Jones finds refuge in a Chinese laundry, where he wreaks slapstick havoc and has a memorable encounter with an improperly-filled opium pipe.
Sam the white-washer pines for the affluent Lindy, but she has dumped him in favor of another. Sam finds a large sum of money, and goes to New York to enjoy a shopping spree, buying new clothes, jewelry and a car with a driver. Back home, Lindy flips for Sam and his newfound wealth, and dumps the rival. Sam throws an engagement party where he indulges in a friendly game of cards with his former rival and another man, who unbeknownst to Sam, is a card shark.
The Gershwins’ modern American masterpiece has its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles. Director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion, and heartbreak of its inhabitants.
Tommy McCoy and "Dude" Markey are both in love with Harlem singer/dancer Nita. Markey robs a jewelry store and turns the loot over to gang-boss Murray Howard. Later, Markey robs the safe, steals the jewelry, and, in order to get rid of his rival for Nita, frames the robbery on McCoy. The latter's big-brother thinks otherwise and, with Nita's help, sets out to prove it.
A strange voodoo man kills women and moves their bodies wherever he wants. But this time, he just wants to torment Lollypop Jones with a body that keeps showing up no matter where he goes.
Three rival actresses and their crew, desperate and hating each other, reunite for a horror movie sequel when someone starts killing them off just like in their movie, in this bitchy, raunchy comedy mystery.
Four outlaws with a bounty on each head, set a date for a shootout in Langston, Oklahoma. The last man takes the collective bounty. Violence and mayhem ensue.
To rid the range of a gang of outlaws that are rustling cattle and robbing the banks and stagecoaches, cowhand Bob Calem, working on the gang-leader's superstitions, dons a skeleton-costume to strike fear into the gang.
While serving time in county prison, Wallingford sees a story in the newspaper that his cellmate, Schenectady, has inherited a mansion from his recently deceased uncle. Hearing this, Schenectady dreams of luxury.