The concert captured on William "Count" Basie's entry in the "must-own" audio/video Jazz Icons series comes from the vaults of Swedish Television. Modern eyes and ears are whisked to April 24, 1962, with Basie conducting his Atomic-era orchestra.
The concert captured on William "Count" Basie's entry in the "must-own" audio/video Jazz Icons series comes from the vaults of Swedish Television. Modern eyes and ears are whisked to April 24, 1962, with Basie conducting his Atomic-era orchestra.
2006-07-13
0
John Zorn: alto sax, vocals Bill Frisell: guitar Wayne Horvitz: keyboards, piano Fred Frith: bass Joey Baron: drums
The name Ray Charles stands for superstar worldwide. He is an icon in the music world, has a star on Hollywood Boulevard's Walk of Fame, a bronze bust enshrined in the Playboy Hall of Fame, and has received fifteen Grammys, the Kennedy Center Honor, and three National Medals of Arts. In his fifty years in the music world, Ray Charles has earned the title "The Legendary Genius of Soul." In this 1999 benefit concert for the Miami Lighthouse for the Blind from the James L. Knight center in Miami, Florida, Ray Charles performs such classics as I Got A Woman, Georgia On My Mind, and his moving rendition of America, The Beautiful. In addition, Charles delights the audience with a saxophone solo and a duet with special guest and Grammy Award-winning jazz vocalist Diane Schuur.
Born on a sharecropping plantation in Northern Florida, Ray Charles went blind at seven. Inspired by a fiercely independent mom who insisted he make his own way, He found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered coupling gospel and country together.
Explore the vision behind the iconic American jazz record label. Since 1939, Blue Note artists have been encouraged to push creative boundaries in search of uncompromising expressions. Through current recording sessions, rare archive and conversations with iconic Blue Note artists, the film reveals an intimate perspective of a legacy that continues to be vital in today’s political climate.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
A documentary about the life and music of Justin Pearson. An enigmatic underground musician and owner of Three One G records.
A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer.
The documentary tracks the diva's difficult progress as she emerges from the tough, testosterone-fuelled world of the big bands of the 30s and 40s, to fill nightclubs and saloons across the US in the 50s and early 60s as a force in her own right. Looking at the lives and careers of six individual singers (Billie Holiday, Ella Fitzgerald, Peggy Lee, Sarah Vaughan, Nina Simone and Annie Ross), the film not only talks to those who knew and worked with these queens of jazz, but also to contemporary singers who sit on the shoulders of these trailblazing talents without having to endure the pain and hardship it took for them to make their highly individual voices heard above the prejudice of mid-century America.
A teenaged shoeshine boy urgently tries to raise the remaining amount of money he needs to purchase a secondhand bugle before 6p.m.
Shipwrecked African-American slaves arrive in the midst of Bakumatsu-era Japan; they soon carve out a niche in the market with their musical talents.
On October 17, 1996, veteran and contemporary jazz greats gathered for a select soiree on the stage of New York's Carnegie Hall, saluting a guy more noted for making popular films than for making sweet music. But as any fan of Clint Eastwood, especially after he started directing 30 years ago, will attest, the award-winning star is also an inveterate jazz lover who has uniquely integrated that musical form into the scores of his films. Join Joshua Redman, Christian McBride, Flip Phillips, Charles McPherson, James Rivers, Slide Hampton, Hank Jones, Thelonious Monk Jr., the Kyle Eastwood Quartet, the Carnegie Hall Jazz Band and more for this scintillating celebration of film and music.
Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.
Claudia Winkleman meets Michael Buble in this entertainment spectacular. Michael performs classic tracks including Cry Me a River and Feeling Good alongside songs from his brand new album, including Nobody but Me. Michael also goes undercover as a sales assistant at a London department store to surprise a few unsuspecting fans.
Throughout three decades, Bill Laswell has been a constant innovator, fusing seemingly disparate genres into a whole new sound. Touching upon everything from worldbeat, funk, rock, hip-hop and jazz, there are no limits to his experimental approach. Among his many talents is his ability to bring together well-matched singers and players to create a distinct style that defies easy classification. His Soundstage episode embodies his unique approach, transcending any genre boundaries and delivering an engaging performance. From the World Beat of Tabla Beat Science, to the jazzy flavors of Pharoah Sanders backed by Material, it’s an exciting mix. Other surprises include a rocking Buckethead set that includes a little breakdancing and songs by Praxis. The show culminates with an all-star performance, funked up by Bootsy Collins.
In early July of 2012, Scofield released, after ten years of record pause of ensemble Uberjam, a new and long-awaited album called Uberjam Deux...
With socialite Tracy Lord about to remarry, her ex-husband - with the help of a sympathetic reporter - has 48 hours to convince her that she really still loves him.