Popeye's planting a victory garden while his nephews are collecting worms for fishing. He berates them for wasting time, and tells them the story of Jack and the Beanstalk, which inspires them to plant beans. Popeye falls asleep, and dreams up a giant beanstalk. His nephews talk him into climbing to the top. Inside the giant's castle, Popee hides in the cuckoo clock and spots the giant hoarding sugar instead of gold; his hen lays tires, and his storehouses are full of other goods that were rationed in World War II. Popeye tries to walk out with a stack of tires, but the giant stops him, ultimately swatting him with a fly swatter and making him into a sandwich; the giant sprinkles Popeye with pepper, delaying the inevitable spinach briefly. Popeye defeats the giant, and gets him to sneeze all his tires into a carpet.
Popeye's planting a victory garden while his nephews are collecting worms for fishing. He berates them for wasting time, and tells them the story of Jack and the Beanstalk, which inspires them to plant beans. Popeye falls asleep, and dreams up a giant beanstalk. His nephews talk him into climbing to the top. Inside the giant's castle, Popee hides in the cuckoo clock and spots the giant hoarding sugar instead of gold; his hen lays tires, and his storehouses are full of other goods that were rationed in World War II. Popeye tries to walk out with a stack of tires, but the giant stops him, ultimately swatting him with a fly swatter and making him into a sandwich; the giant sprinkles Popeye with pepper, delaying the inevitable spinach briefly. Popeye defeats the giant, and gets him to sneeze all his tires into a carpet.
1943-05-28
9.5
The cats of two feuding hillbilly families make for a Romeo and Julliet love affair. the gun play mounts in fury until they realize the two have kittens, and quarrel ends.
An ordinary man takes revenge only to find it's made him the target of a major crime lord and his army of psychopaths and professional killers.
It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.
Freewheel Burning is on fire! Like the first two chapters in the Disorder Series, Freewheel Burning puts you on the edge of your seat and takes it up a notch with the biggest and baddest stunts freeriding has ever seen! Freewheel Burning sizzles with huge road gaps, bad ass bikercross, over the top dirt jumping and silly-fast single track that smokes the competition! freewheel burning is another fantastic entry. street riding makes an appearance. the new hell track is insane. we miss out on the unicycling and the handicap cycling, but its more than made up for by the rest of the film.
For an imaginary friend, living an imaginary life, there's nothing worse than being forgotten.
Four twenty-something women, crammed into a small Manhattan apartment, have dead end jobs (or no job) and overdue rent. They discover cash and self esteem when they set up an illegal bookie joint in their kitchen. Suddenly they can pay their bills; they imagine joining the middle class; they even make corporate donations to charity. The film also explores their relationships with men, most of whom are unfit for anything lasting, and with their mothers, who appear in surreal, imagined conversations with their daughters.
A preternatural spirit that haunted Jon (Corey Feldman) as a child is summoned by an ill-conceived séance to liven up a party only to unleash a litany of horrors and murders on the participants and anyone in his way.
The film is an adaptation of the play of the same name staged by the theater group Os Satyros. More than 200 characters from the central region of São Paulo, including residents, prostitutes, drug dealers, businessmen, transsexuals, prostitutes, actors and musicians were interviewed. These testimonials were the starting point to build the trajectory of eleven characters that intersect during a night on the town.
HIDE is a contained psychological thriller about one resilient wife’s (Nadine Malouf) fight to escape her husband’s (Ben Samuels) escalating gaslighting and abuse during lockdown. The female-centric genre film is lensed in the wife’s evolving perspective as she slowly comes to see what is happening to her and finds the support to fight back. Visually mesmerizing and emotionally arresting, the film’s pace and pathos pull us into a story that will feel uncomfortably familiar to too many of us.
Escaped outlaw Jose Gomez returns to his home town pursued by bounty killer Luke Chilson. The towns people protect Gomez, unaware, at first, that he is now a changed and dangerous man.
Bhanwar, a simpleton young man in the rural Rajasthan wants a bride for him but gets duped. Instead of a woman, he is married off to a transgender person – Sanwri. Having no resort Bhanwar and his uncle decide to keep Sanwri for their household work but fearing the social ostracization they also try to keep her actual identity a secret. Bhanwar and Sanwri eventually fall in love and fight to survive as a couple in a conservative, oppressive society where marriages are meant to take place only between a man and a woman, and traditional norms are more important than humanity.
While tracking down the three men that killed his father, a notorious bad-ass commits other misdeeds, seemingly based on his desire to wreck as many lives as possible. Doesn't really have anything to do with the historical figure known as Remington, though they used his name for the character here.
A family man returns to his hometown to settle affairs, but discovers he is the last person in town who is not part of a legendary pyramid scheme. And all the others want him in.
TLC: Tables, Ladders, and Chairs (2015) is an upcoming professional wrestling pay-per-view (PPV) event produced by WWE. It will take place on December 13, 2015 at the TD Garden in Boston, Massachusetts. It will be the seventh event under the TLC: Tables, Ladders & Chairs chronology.
The incomparable Luciano Pavarotti at his most eloquent brings Donizetti’s Nemorino to live as only he can, combining vocal fireworks, personal charisma, and charm. The enchanting production by Nathaniel Merrill, with designs by Robert O’Hearn, is the perfect setting for Nemorino’s quest to win the heart of beautiful Adina, sung by the sparkling Judith Blegen. Brent Ellis as Belcore and Sesto Bruscantini as Dr. Dulcamara round out the all-star cast. Nicola Rescigno conducts.
The film is a parable about fear; it is a story about the attitudes of a mother and daughter deprived of love, who temporarily find mutual understanding, rallied by fear before the story invented by the mother about a cannibalistic wolf. On a philosophical level it is a reflection on the lost purity of thoughts, which is the main condition for the harmony of human life, and yet another illustration of the proverb: “The sleep of reason produces monsters”
After an assassination attempt, a broke mob wife takes over his husband's dirty work and collects her husband's debt with the help of her best friend - a hairdresser and her step daughter.
Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.