At an orphanage, the children are sad because they received used defective toys as gifts. Professor Grampy sees the children while passing by in his sled and has an idea on how to give them a merry Christmas.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.
Félix Mayol performs The Trottins Polka (La Polka des Trottins, by A. Trebitsch and H. Christine) in this phonoscene by Alice Guy. This early form of music video was created using a chronophone recording of Mayol, who was then filmed "lip singing". Guy would film phonoscenes of all three major Belle Époque celebrities in France: Polin, Félix Mayol, and Dranem.
Year 2006: Bebek, Alen, and Tifa come together to pay tribute to their old band, one and only - Bijelo Dugme (White Button). They performed in Toronto, Atlanta, Chicago, and New York City, in front of thousands.
While babysitting a precocious 8 year old, Mia is stalked by a shadowy presence that trips the home security system. As loud beeps sound off whenever a door or window is opened, the system meant to protect her becomes an amplifying terror while she attempts to survive the night.
Denis works as a bartender. Today, after closing the shift, he immediately goes home, because he has to meet his mother in the morning. But a friend's visit changes the plans for this night.
The film is based on the after the wedding custom when a newly-wed bride is taken back to her husband's home for the first time.
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.