Ayaal is a story on intense human relations. It’s a story of a man who effortlessly floated along the estuaries of time, the back waters of Vembanad. If love is the flowering of one’s own heart, can it have a direction? Is it Scalar (direction less). This is an uncomfortable question raised by him, the protagonist, Guru Dasan. The film problemetises the conventional fabric of human relations, its rules and its sanctity.
Pravarthiyar Thirumeni
Ayaal is a story on intense human relations. It’s a story of a man who effortlessly floated along the estuaries of time, the back waters of Vembanad. If love is the flowering of one’s own heart, can it have a direction? Is it Scalar (direction less). This is an uncomfortable question raised by him, the protagonist, Guru Dasan. The film problemetises the conventional fabric of human relations, its rules and its sanctity.
2013-06-28
2
The film revolves around an eight-year old called Ryan Philip and his adventures with a magical pen called the Monkey Pen.
The story of an engineering graduate Hari, as he contemplates marriage on his mother's insistence.
Neelakantan, heir to his father's fortunes, is an apparent menace to society. He once belittles a dancer but later they fall in love. Shekharan, an arch enemy, kidnaps his lover due to an old enmity.
A couple's life becomes complicated when people get involved with their troublesome son.
Maradonna (Shanthnoo) is an aimless youngster who likes to waste his time doing practically nothing other than fooling around. For him everything in life is Oru Rasam (just fun). He likes to take the easy way out and lacks focus in his life. He is the only son of Joseph (Lalu Alex), a Banker and Mary (Ambika), who dotes on him. The only person who has a soft corner for him is the beautiful Sofia (Nithya Menon) who has a limp and is the daughter of a failed filmmaker, Kuruvilla (Vijayaraghavan). Maradonna messes up his life by getting into company of friends and starting an internet café that fails and to recoup his losses and attracted by ‘easy money’ he gets into drugs. Soon he is conned and loses everything after pledging his house to a ‘blade’ moneylender (Salim Kumar).
The film, in Malayalam and made by the Indian film maker K P Kumaran, AkashaGopuram is set among the Indian immigrant community in London and tells the story of Albert Samson (Mohanlal), a middle-aged architect who has clawed his way to prominence.
James is a hardworking filmmaker in advertising and his girlfriend Alice works in banking. Against their parent's wishes, the two marry and the movie revolves around the misunderstandings between them caused by their busy lifestyles. Things take a turn when James meets with a freak car accident.
Sairam, an assistant manager in a supermarket treads on an unethical path for a promotion, leading to dire consequences. Gayatri a thrifty housewife manages her middle class household. Mahitha's friend, a street child goes missing and she goes out of her way to find him. Abhiram, the bright student falls in love with Aira and pursues her. Four stories seemingly unrelated are all bound by one string called family.
An immensely rich farmer lives peacefully with his family in Pala and has no idea about the hectic metro life. He gets introduced to it when he hides a love-stricken couple in his house.
The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.
Damanan and Madanan are thieves, who have been trying to pull off a good burglary. The break-in they plan goes downhill and the duo jump into a river in an attempt to escape. They lose consciousness while swimming, but both see a dream in which they are washed ashore in a land sans commercialization.
Purushan, a student on his way to Delhi, becomes obsessed with the tragic suicide of a young drummer. He collects many people to go with him to tell the boy’s mother.
Sunny, a priest, comes to know that Vavachan is running an old age home with vile intentions. He wants the corpses of the inmates for the medical college run by his son. Sunny decides to expose this.
Nadan is the story of a popular drama troupe owned by Devadas Sargavedi (Jayaram), which was previously possessed by his father and grandfather in the past, and speaks about the problems faced by the owner and his survival. The revival of this mighty art through the sustained effort of the talented theatre artists forms the crux of the narrative.
Veeram is based on the ballads of North Malabar and narrates the tale of the brave and ambitious Kalarippayattu warrior, Chandu, whose story resembles that of William Shakespeare's Macbeth.
Stop Violence is a 2002 Malayalam film directed by A. K. Sajan. The film stars Prithviraj, Vijayaraghavan, and Chandra Lakshman.
When his family gets killed by corrupt business tycoon, Soorya (Prithviraj) decides to take revenge, all by himself
A mother finds it hard to believe that her son is convicted as a terrorist and is sent to gallows. Eventually, she loses her mental balance.
Born to rich parents, Majeed falls in love with his not-so-affluent neighbor Suhra. After her father's death, when Suhra struggles to make both ends meet, Majeed pleads with his father to sponsor her education. Refused, he wanders off to distant lands.