Mamma Stella is on edge. As if she hadn't got enough trouble already with her daughter Rosa Maria, who has left her husband now Costantino, her son, has disrobed. Afraid to be the talk of the village, relegates him to a distant lighthouse belonging to the family. But Costantino does not remain far from the madding crowd for long. It does not take long indeed before all the local (or even distant) outcasts flock together there: Magnolia, a retired escort girl; Arturo, Rosa Maria's estranged husband; Valbona, a lesbian; Rosa Maria herself; and, to crown it all, two eccentric workers accompanied by a little girl... After a period of chaos, this small world gradually discovers that unity makes strength.
Mela
Mamma Stella is on edge. As if she hadn't got enough trouble already with her daughter Rosa Maria, who has left her husband now Costantino, her son, has disrobed. Afraid to be the talk of the village, relegates him to a distant lighthouse belonging to the family. But Costantino does not remain far from the madding crowd for long. It does not take long indeed before all the local (or even distant) outcasts flock together there: Magnolia, a retired escort girl; Arturo, Rosa Maria's estranged husband; Valbona, a lesbian; Rosa Maria herself; and, to crown it all, two eccentric workers accompanied by a little girl... After a period of chaos, this small world gradually discovers that unity makes strength.
2013-10-17
5.6
Longtime Italian cinema star Stefania Sandrelli (The First Beautiful Thing) is Alba, the mother of two very different adult sons. While Giorgio is a playboy who constantly cheats on his wife, Leonardo (Luca Argentero, Eat Pray Love) is always unlucky in love. When Leonardo finally meets the woman of his dreams, Sara, he brings her home to meet the family, but it appears this is not the first time that Sara has met Giorgio. Directed by Luca Lucini and stars Luca Argentero, Alessandro Gassman and Stefania Sandrelli.
The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature of fully liberating the human spirit, as both commendable and disturbing elements of our nature come forward. The film shows how justifiable revolt may be empowering, but may also turn to chaos and depravity. The allegory is developed in part by the fact that the film is cast entirely with dwarfs
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