After the nuclear holocaust a survivor struggles against Zordax and his barbarians.
After the nuclear holocaust a survivor struggles against Zordax and his barbarians.
2006-06-09
0
2045 civilization is decimated
Washed up space adventurer and sidekick crash land on a planet of dicks.
The day his computer turns into sand, Crassus, brilliant trader, goes insane. Counting the grains of sand like gold, it is lost in the Syrian desert where, as its namesake, the avid triumvir, he finds a tragic death.
This Vitaphone one-reel short, written by the author of "Show-Off", George Kelly
As a young couple discuss the idea of giving up smoking, the sounds of a neighboring argument spill into their flat. The argument makes them question their own marriage, while doing nothing about the neighboring situation. Meanwhile, a young teenager argues with his mother as he tries to sneak out to a party with friends. His mother blackmails him into staying home, using his guilt against him.
The bizarre adventures of the cartoon character Foska, drawn by 22 animators working in collaboration. Each animator worked on his or her own sequence only and did not know what action preceded or followed his or her sequence, except that the first drawing of a sequence is the last drawing from the previous sequence. Preserved by the Academy Film Archive in 2010.
The Amber Sexalogy is a suite of six interrelated but markedly different DV shorts. Charting certain stages in the relationship between Harris, a young man played by a series of different actors and Amber, a young woman played by Melissa Maureen Rizal, these very different short films work as a unified suite and eventually build up to a master narrative that unfolds fully in the moments of reflection after watching the entire 61 minutes. (Benjamin McKay)
A former witch loses her son while shopping. Knowing evil forces are still lurking, she frantically searches for him, but comes across a discovery.
17-year-old Arend lives with his parents and hasn't come out of the closet yet. His first step into the gay world of love is on a date with handsome Michael, a guy he met on a gay dating site. They arrange to meet and Arend ventures to the other side of the country only to discover that Michael is not quite what he imagined.
Fifteen-year old Cihan accompanies his grandmother on a journey to Turkey, to attend a wedding. They have not much in common and have to spend a whole day together in Istanbul.
Douglas and Business Cat find a baby that ruins their business.
In order to enjoy a romantic private swim together, Jo and Eddie hide when their local swimming pool is closing for the evening. But unknown to them, a killer is on the loose - and in the building with them.
A man hunts divine beings in a city that is falling into decrepitude. The society may have turned its back on him, but that doesn't stop him from moving forward in his endless search.
What started out as a simple holiday trip on the Swiss mountain lake, is beneath the surface an intense drama between a mother and her daughter.
“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)
Diego the bicyclist waits to check into the PGI hotel, where each room's inhabitant seems more bizarre than the last, and the rabbits on the top floor have discovered the secret of voodoo, using electronics and carrots. Can the rare and unpredictable night of the carrots save everyone, or will their connections to the room's electrical sockets restrain them too much? Will Diego find love with an egg that speaks incessantly in German? Will the cellist, who is actually a room full of a gelatinous substance, affected in some way by buttons labeled K, G, and B, have dreams that explain everything? Or will the audience just leave scratching their heads? Not all questions get answered.
The warping lens used to photograph 10th Avenue seems to puzzle the filmmakers.