CAMBODIA/KAMPUCHEA draws on unique propaganda film and archival material from the Khmer Rouge, Vietnam and other sources. This is set against the grim realities of the Kampuchean tragedy. As a continuing theme, the film features exclusive interviews with Prince Sihanouk, who offers explanations for and insights into the role he has played in the fate of his luckless country. This definitive film study delves to the roots of the conflict, making sense of the madness, the politics and contradictions. It captures the epic spirit and passions of a people when a whole world is overturned.
CAMBODIA/KAMPUCHEA draws on unique propaganda film and archival material from the Khmer Rouge, Vietnam and other sources. This is set against the grim realities of the Kampuchean tragedy. As a continuing theme, the film features exclusive interviews with Prince Sihanouk, who offers explanations for and insights into the role he has played in the fate of his luckless country. This definitive film study delves to the roots of the conflict, making sense of the madness, the politics and contradictions. It captures the epic spirit and passions of a people when a whole world is overturned.
1986-01-01
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Between 1975 and 1979, at least 250,000 Cambodian women were forced into marriages by the Khmer Rouge. Sochan was one of them. At the age of 16, she was forced to marry a soldier who raped her. After 30 years of silence, Sochan decided to bring her case to the international tribunal set up to try former Khmer Rouge leaders.
After having fled Pol Pot, Rithy Panh, a 15 year old Cambodian finds refuge at the Mairut camp in Thailand, in 1979. Ten years later, now a filmmaker, he returns to the camps to film the daily life of this threatened people. The peoples he meets, eaten away by inactivity, insecutity and the fear of being forgotten, have been waiting for a possible return to Cambodia.
The story of Thun Chay, a Cambodian who was left behind by his mother in a refugee camp during their escape from the Red Khmer and the civil war in their home country.
During the last half-century, Cambodia has witnessed genocide, decades of war and the collapse of social order. Now, documentary filmmaker Rithy Panh looks at an irreparable tragedy that is less visible, yet no less pervasive: the spiritual death that results when young women are forced into prostitution. Angry and impassioned, PAPER CANNOT WRAP UP EMBERS presents the searing stories of poor Asian women whose lives were violated and their destinies destroyed when their bodies were turned into items of sexual commerce.
Short documentary on the Cambodian Handicraft Association which trains and supports women who have been affected by polio, landmine injuries, deafness or mental trauma.
John Baumhackle recalls the early days of the Vietnam War when more and more troops were being sent into combat every month. In 1968 John's number came up and he was drafted into the conflict. Buying a camera at his company store before shipping off, he captured many battles while in a helicopter. John is near the front lines when President Nixon made the controversial decision to push into Cambodia. In John's view, this saved American lives.
In search of the lucrative matsutake mushroom, two former soldiers discover the means to gradually heal their wounds of war. Roger, a self-described 'fall-down drunk' and sniper in Vietnam, and Kouy, a Cambodian refugee who fought the Khmer Rouge, bonded in the bustling tent-city known as Mushroom Camp, which pops up each autumn in the Oregon woods. Their friendship became an adoptive family; according to a Cambodian custom, if you lose your family like Kouy, you must rebuilt it anew. Now, however, this new family could be lost. Roger's health is declining and trauma flashbacks rack his mind; Kouy gently aids his family before the snow falls and the hunting season ends, signaling his time to leave.
Documentary of the S-21 genocide prison in Phnom Penh with interviews of prisoners and guards. On the search for reasons why this could have happened.
The film directed by V. Starošas tells about Angkor, a huge complex of temples, palaces, water reservoirs and canals in Cambodia, built in the jungle in the 9th-13th centuries.
Based upon documentation of forced confessions made during the Khmer Rouge era in Cambodia, this film reconstructs the relationship of a young woman, Hout Bophana, and Ly Sitha before they were tortured in executed in 1977.
This is the original version of the much heralded "Raising The Bamboo Curtain" narrated and produced by legendary travel filmmaker Rick Ray. (Rick later sold partial rights to this program to another producer who hired Martin Sheen to narrate - that cut down and rewritten version is not the same). Sneaking his cameras past Burmese and Cambodian customs officials and getting around the country to produce one of the best travel docs ever made, Rick has outdone himself - again!
Narratives of Modern Genocide challenges the audience to experience first-person accounts of survivors of genocide. Sichan Siv and Gilbert Tuhabonye share how they escaped the killing fields of Cambodia, and the massacre of school children in Burundi. Mixing haunting animation, and expert context the film confronts our notion that the holocaust was the last genocide.
In okay bye-bye, so named for what Cambodian children shouted to the U.S. ambassador in 1975 as he took the last helicopter out of Phnom Phenh in advance of the Khmer Rouge, Rebecca Baron explores the relationship of history to memory. She questions whether, "image and memory can occupy the same space." Building on excerpts from letters, found super-8 footage of an unidentified Cambodian man, iconographic photographs from the Vietnam War and other partial images, Baron combines epistolary narrative, memoir, journalism, and official histories to question whether something as monumental as the genocidal slaughter of Cambodians during the Pol Pot regime can be examined effectively with traditional methodologies.
A powerful feature documentary about child sexploitation, an epidemic happening in every country around the world. Filmed over a four year period, REDLIGHT focuses on the personal stories of young Cambodian victims and two remarkable advocates for change: grass-roots activist Somaly Mam and politician Mu Sochua. Using gritty footage smuggled out of brothels and harrowing testimonials, REDLIGHT follows the plight of several current and former child sex slaves. Some are trying to regain entry into Cambodian society to find some semblance of normality after their horrific experiences. Other stories highlight the plight of victims who are attempting to bring the perpetrators to justice. Their torturous yet ultimately heroic battles to find witnesses and take brothel owners to court are dramatically brought to life in this topical and moving feature documentary.
Bomb Hunters is an engrossing examination of the micro-economy that has emerged in Cambodia from untrained civilians harvesting unexploded bombs as scrap metal. The film explores the long-term consequences of war and genocide in an attempt to understand the social, cultural, and historical context and experiences of rural villagers who seek out and dismantle UXO (unexploded ordnance) for profit. Part of a global economy, these individuals clear UXO from their land in order to protect their families from harm and to earn enough money to survive. Bomb Hunters is an eye-opening account investigating the on-going residual, persistent effects of war experienced by post-conflict nations around the globe, and the complex realities of achieving "peace".