From the gorgeous scene deep in the river Rhine that opens the opera, up to the magic Rainbow Bridge that appears at the end, leading to a glistening Valhalla, Otto Schenk’s production captures the scenic world of Wagner’s Ring as brilliantly as James Levine and the Met orchestra capture the musical world. The cast is incomporable: an astounding James Morris as the young god Wotan, the great Christa Ludwig as his wife Fricka, incandescent Siegfried Jerusalem as Loge, the wily god of fire, and Ekkehard Wlaschiha as a complex Alberich.
Loge
Alberich
Freia
Donner
Fasolt
From the gorgeous scene deep in the river Rhine that opens the opera, up to the magic Rainbow Bridge that appears at the end, leading to a glistening Valhalla, Otto Schenk’s production captures the scenic world of Wagner’s Ring as brilliantly as James Levine and the Met orchestra capture the musical world. The cast is incomporable: an astounding James Morris as the young god Wotan, the great Christa Ludwig as his wife Fricka, incandescent Siegfried Jerusalem as Loge, the wily god of fire, and Ekkehard Wlaschiha as a complex Alberich.
1990-04-23
7
The Elric brothers meet their toughest opponent yet — a lone serial killer with a large scar on his forehead.
The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.
Margot is a documentary filmmaker looking to meet her long-lost mother and extended family in a secluded Amish community. She and her film crew soon realize the family that welcomes them into their home might be hiding a sinister secret.
Passengers on a murder mystery train that crashes into a river must decide whether to risk waiting for help in the wreckage or take their chances in the murky depths below.
When the irritable monkey king visits a temple together with his master Tang Monk, he feels offended because of a trifle and thereupon accidentally destroys a magic tree growing on the sacred ground. This brings an ancient demon king back to life, who promptly kidnaps Tang Monk to take revenge for his long imprisonment. The monkey king and his followers have only three days to not only save their master but also to prevent the demon king from regaining his full powers and destroying the world…
Ray Breslin manages an elite team of security specialists trained in the art of breaking people out of the world's most impenetrable prisons. When his most trusted operative, Shu Ren, is kidnapped and disappears inside the most elaborate prison ever built, Ray must track him down with the help of some of his former friends.
Valeria's joy at becoming a first-time mother is quickly taken away when she's cursed by a sinister entity. As danger closes in, she's forced deeper into a chilling world of dark magic that threatens to consume her.
After witnessing a grotesque murder at a party in her new town, a teenager starts having strange visions and bizarre desires.
After old enemies kill his family, a former mafia enforcer and his feisty daughter flee to Milan, where they hide out while plotting their revenge.
When Hong Kong is rocked by multiple gruesome murders, the police forms a task force to investigate. Jun, once a brilliant detective who suffered a mental breakdown, begins his own investigation. Eventually, the police learn that the murder victims are all suspects of cold cases being rubbed out by a figure known as "The Sleuth". Now, Jun and a detective from the task force are on a race against time to beat the brutal killer at its own game.
A former basketball all-star, who has lost his wife and family foundation in a struggle with addiction, attempts to regain his soul and salvation by becoming the coach of a disparate ethnically mixed high school basketball team at his alma mater.
During a bitter 1964 Massachusetts winter, young secretary Eileen becomes enchanted by Rebecca Saint John, the glamorous new counselor at the prison where she works. Their budding friendship takes a twisted turn when Rebecca reveals a dark secret — throwing Eileen onto a sinister path.
Shinji and Masaru spend most of their school days harassing fellow classmates and playing pranks. They drop out and Shinji becomes a small-time boxer, while Masaru joins up with a local yakuza gang. However, the world is a tough place.
Hellbent on taking over Earthrealm, Kano viciously attacks town after town with the aid of three cold-blooded Black Dragon mercenaries. Those who don’t submit are annihilated but one young man won’t bend the knee to Kano: Kenshi.
Lina is about to graduate high school and has her sights set on her future at MIT. But when her mom gets sick, she encourages Lina to follow in her footsteps and have “the summer of a lifetime” in Rome. Using her mom’s old diary as a guide, she explores the romantic and magical city, where she just might find love... and gelato, of course.
The events of Battle of Gods take place some years after the battle with Majin Buu, which determined the fate of the entire universe. After awakening from a long slumber, Beerus, the God of Destruction is visited by Whis, his attendant and learns that the galactic overlord Frieza has been defeated by a Super Saiyan from the North Quadrant of the universe named Goku, who is also a former student of the North Kai. Ecstatic over the new challenge, Goku ignores King Kai's advice and battles Beerus, but he is easily overwhelmed and defeated. Beerus leaves, but his eerie remark of "Is there nobody on Earth more worthy to destroy?" lingers on. Now it is up to the heroes to stop the God of Destruction before all is lost.
In the near future, a 'Grand Lottery' has been established - the catch: kill the winner before sundown to legally claim their multi-billion dollar jackpot. When Katie Kim mistakenly finds herself with the winning ticket, she reluctantly joins forces with amateur lottery protection agent Noel Cassidy who must get her to sundown in exchange for a piece of her prize.
Through outrageous, never-before-seen footage, witness the making of the Jackass crew's last go at wild stunts.
A man wakes in a hospital with no memory, and quickly finds himself on the run in a locked down hospital with the Cartel on his tail.
Wolfgang Amadeus Mozart is a remarkably talented young Viennese composer who unwittingly finds a fierce rival in the disciplined and determined Antonio Salieri. Resenting Mozart for both his hedonistic lifestyle and his undeniable talent, the highly religious Salieri is gradually consumed by his jealousy and becomes obsessed with Mozart's downfall, leading to a devious scheme that has dire consequences for both men.
Production from Antwerp. The knight Titurel has built a fortress for two sacred objects he has miraculously obtained: thechalice from the Last Supper in which Christ's blood was later collected, and the spear thatwounded Christ on the cross. The chalice is believed to be the Holy Grail that gives life and has apurifying effect on the human race. The Grail has become the focus for a community of knightswho, strengthened by the holy chalice, are willing to fight for the faith. All the knights have takena vow of chastity. However, the Grail King Amfortas, their leader and Titurel’s son, fails to resistseduction by Kundry, a woman with a double life: she is both a Grail messenger and temptressin the service of Klingsor.
co-production with the Teatro Real (Madrid).
The setting of the opera is the enchantress Alcina's island: here by her magic powers she has created a magnificent palace in a beautiful landscape, to lure her many lovers into her power. One of these is Ruggiero, a warrior, who under Alcina's spell has forsaken his duty and his betrothed, Bradamante.
Alain Guingal conducts the Orchestre du Teatro Regio di Torino in this production of Massenet's opera based on the novel 'The Sorrows of Young Werther' by Goethe. Roberto Alagna stars as the titular character, a lovelorn poet whose heart is set on a beautiful young woman of his acquaintance. Unfortunately, the girl in question has already pledged herself to another. How will Werther deal with the thwarting of his romantic ambitions?
Nikolaus Harnoncourt conducts the Wiener Philharmoniker in this filmed studio performance of Mozart's opera recorded in 1988.
Director Rolf Liebermann’s 1968 filmed-for-TV production of Carl Maria von Weber’s opera, with the Hamburg State Opera performing an adapted stage version. Soloists include Bernhard Minetti, Toni Blankenheim and Arlene Saunders. The conductor is Leopold Ludwig.
Any performance of Giuseppe Verdi’s Aida at La Scala, Milan, is guaranteed to be an experience – but, when it’s a new production, it becomes a major event, especially given the theatre’s notoriously critical audience. Legendary stage director Peter Stein succeeds in delivering a lucid production acclaimed in equal measure by the press and public: “a perfect coup de théâtre” (Giornale della musica). A “stellar cast” (La Stampa) contributes to the production’s success under the musical direction of Verdi specialist Zubin Mehta, who leads the orchestra in a “gorgeously colourful performance”, while “the entire ensemble is brilliant in its portrayal of the characters” (Die Presse).
The story of Cio-Cio-San, called Butterfly, a young Nagasaki geisha who, abandoned by her American lover after giving birth to their son, ultimately kills herself, continues to impress audiences today. In this outstandingly authentic and elegant production from the Sferisterio Opera Festival, Puccini's highly emotional music is expertly delivered. The superior cast is headed by Raffaella Angeletti, "certainly one of the best Butterflies of our time" (ForumOpera.com), who has performed this role in many Italian theatres, as well as in Madrid and at the Vienna Staatsoper.
The plans of a publicity agent to put on a charity concert are nearly wrecked by a lawyer who wants to take over a restaurant, but the situation is saved by local co-operation.
Clara is given an enchanted Nutcracker doll on Christmas Eve. As midnight strikes, she creeps downstairs to find a magical adventure awaiting her and her Nutcracker. The magician Drosselmeyer transforms the drawing room into a battle between mice and toy soldiers. During the battle, Clara saves the Nutcracker’s life – so breaking a magical spell that turned him from a boy to a toy – and the Mouse King is defeated. In celebration, Drosselmeyer sweeps Clara and the Nutcracker off to the Kingdom of Sweets, where they meet the Sugar Plum Fairy and take part in a wonderful display of dances. The next morning, Clara’s adventures seem to have been more than just a dream.
The 1959 concert finds Callas just 1 year before the loss of her voice and although her voice is not what it was in 1952 you can still hear the Vocal Miracle. The repertoire interchanges between heavy dramatic soprano (Lady Macbeth, Elisabetta), to soprano coloratura (Rosina) and to soprano dramatico d'agilita (Imogene in Pirata, Gulia). The maturity of the interpretation regarding the legatti, the phrasing is astounding and Callas dominates each aria singing them in the only possible way. "Tu che invoco" appears as a cataract of dramatic phrases in a fine classical style of this classical period opera, then Lady Macbeth appears diabolical & dark although she avoids keeping her voice in the high C, her Rosina is sparkling and facile in the coloratura as if it is a natural way of speaking and Elisabetta is where time stops: the drama in this aria holds a metaphysical aura. Finally her entire Mad Scene from Pirata shows all her talent as an actress and bel canto singer.
Hammerstein and Kern’s Show Boat is a true classic of American musical theater - a tale of life on the Mississippi from the 1880s to the 1920s is both a poignant love story and a powerful reminder of the bitter legacy of racism. The exuberant production from the San Francisco Opera features songbook classics such as “Ol’ Man River” and “Can’t Help Lovin’ Dat Man”.
This recording of the opera Ariane et Barbe-Bleue by Paul Dukas was staged at the Liceu in Barcelona in 2011, with Claus Guth as director, Stéphane Denève as conductor and José van Dam and Jeanne-Michèle Charbonnet in the leading roles.
A one-off production of Boris Godunov was staged by Andrei Konchalovsky at the Teatro Regio in Torino in 2010, with Orlin Anastassov in the leading role and Gianandrea Noseda conducting the Orchestra del Teatro Regio.
A superb adaptation of Purcell's the Indian Queen, staged and directed by Peter Sellars and performed in 2013 at the Teatro Real in Madrid. Peters Sellars combines John Dryden and Robert Howard's libretto with a short-story written by the Nicaraguan writer Rosario Aguilar, La niña blanca y los pájaros sin pies.
La Vie parisienne (Parisian life) is an opéra bouffe, or operetta, composed by Jacques Offenbach in 1866, with a libretto by Henri Meilhac and Ludovic Halévy. This work was Offenbach's first full-length piece to portray contemporary Parisian life, unlike his earlier period pieces and mythological subjects. It became one of Offenbach's most popular operettas.
‘In reality, this Lohengrin is an entirely new phenomenon for the modern consciousness!’ Richard Wagner himself understood the innovative character of his sixth piece of music theatre, completed in 1848, the year of revolutions. Although it is reckoned among his ‘romantic operas’, his new vision of musical drama is already clearly heralded in this work. In his hands, the mediaeval saga of the Knight of the Swan becomes a meditation on the true love that asks no questions. Alain Altinoglu, our Music Director, who has already conducted this work in Bayreuth, guarantees the quality of the music, while the director Olivier Py, known at La Monnaie for his brilliant productions of Les Huguenots and Hamlet, can be relied on not to downplay Wagner’s revolutionary political side. Wagner’s own opinion was that ‘one can only understand Lohengrin if one can liberate oneself from any modern-looking, generalising form of representation so as to see the phenomena of real life’. A challenge to us all?