In the year 2000 the Mexican film director, Francesco Taboada Tabone, began his search for the last of the soldiers to have fought beside General Emiliano Zapata in the 1910 Revolution.
In the year 2000 the Mexican film director, Francesco Taboada Tabone, began his search for the last of the soldiers to have fought beside General Emiliano Zapata in the 1910 Revolution.
2002-04-17
6
A series of short films examining the world's overlooked problems and the people who suffer from them.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
In a small town in the Far-West, the Good and the Bad challenge each other to a show-down. The Undertaker takes some interest in the show-down between the opponents, and the story takes a classic turn of events.
The famous magic's box was stolen and the Professor Fez, a well-known sex specialist, has to go to Egypt in order to get back "the click"
Mama's four girls are all newlyweds or engaged to be married. Four hubby/fiances plus inlaws = wacky complications.You betcha.
Four female friends reunite after 15 years and old resentments resurface. Soon afterwards, one of them is found dead. The police tries to determine whether it was suicide or murder.
As a child, Lenore was tormented by nightmares and obsessed with the dark poems and stories of Edgar Allan Poe. As the lead singer in a Los Angeles band, the adult Lenore (Jillian Swanson) finds herself, friends and colleagues haunted by a murderer from beyond the grave. Only in her dreams -- in which she's visited by Poe's ghost -- will Lenore find the key to defeat her supernatural stalker and finally escape the spirits battling for her soul.
The photographs of two elderly people used in this work were taken during a train journey in the first half of Ishii's previous work, "Wind crossing" He uses it as a photograph. There is no doubt that these two are particularly memorable for Ishii, but how should we as an audience perceive these acts? Then something occurred to me. In my work "Guiding Star", there is a part where I walk through an underground passage at night during a trip in Hokuriku. That place was Kanazawa. Lately I've been visiting Kanazawa every year for the Maki Asakawa live video screening, but most of the time I travel from Kansai to Kanazawa, or vice versa, by express bus. Then, the bus always passes through that underground passage. Ah, it was here. With that thought in mind, I play with the memories of that trip for a while, no longer happy or sad, but dry and dry. It might be something similar. However, in my case, unlike Ishii's narration in the story, I feel like "it somehow continued to live." M.Yamazaki
After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring everyone back together.
The soon-to-be Monk Talkative does his best to understand when Fairy Yeh explains what must be done. Rabbit spirits have escaped from the heavenly garden, and must be recaptured. These bunnies can assume human female form, and gorgeous forms at that. One is played by Pang Dan, who happens to be the soon-to-be Monk Talkative's wife. Talkative finds the explanation hard to follow but decides to help.
The crew of a fishing boat discovers a deserted luxury yacht at sea with a dead body on board. They claim the yacht as salvage, not knowing that a drug smuggling ring has hidden $500,000 worth of heroin on the boat.
In the midst of a publishing revolution, The Atlanta Journal-Constitution, one of America's most storied institutions of journalism, is experimenting with new tools to tell stories in preparation for the end of print in the digital era.
Hitler, Nazi propaganda and 1936 Berlin Olympics are put under the microscope to uncover hidden truths and the historical legacy of those games.
Running from the law, young crooks hole up in a small town... and get hooked into performing in the town's Passion Play.
José Celestino Campusano continues his task of exploring territories that haven’t yet been covered much by Argentine cinema, but with which, film after film, he managed to configure his own universe. This time, the prolific filmmaker traveled to the locality of Gálvez, in the province of Santa Fe, in order to collect town life experiences and, with them, shape his new feature. The Naked Queen is the result of this journey.