

"In his description for A CHILD'S GARDEN, Brakhage quotes from poets Ronald Johnson and Charles Olson (and cites Johnson's poem "Beam 29" as inspiration). But the film also vaguely calls to mind William Blake—more perhaps for his art than his poetry: there is both a sense of darkness and of mystical transport in Brakhage's images. The first film in the loose "Vancouver Island" quartet, Brakhage films locations around the British Columbia locale where his second wife, Marilyn, grew up. He films land, sea, and sky and intercuts frequently between them. Shots are often out-of-focus, to accentuate color and light; they are hand-held, upside down, and fleeting. All of this is no surprise for those who know Brakhage's work: anything and everything is valid, as long as it works." - Cine-File.info

"In his description for A CHILD'S GARDEN, Brakhage quotes from poets Ronald Johnson and Charles Olson (and cites Johnson's poem "Beam 29" as inspiration). But the film also vaguely calls to mind William Blake—more perhaps for his art than his poetry: there is both a sense of darkness and of mystical transport in Brakhage's images. The first film in the loose "Vancouver Island" quartet, Brakhage films locations around the British Columbia locale where his second wife, Marilyn, grew up. He films land, sea, and sky and intercuts frequently between them. Shots are often out-of-focus, to accentuate color and light; they are hand-held, upside down, and fleeting. All of this is no surprise for those who know Brakhage's work: anything and everything is valid, as long as it works." - Cine-File.info
1991-01-01
6.3
6.7Don Poli, the patriarch of a family embedded in politics, faces the change of party in his state - after a hundred years in power - losing all his privileges. Humiliated and angry, he threatens to disinherit his family and leave to rebuild his life. This forces his children (Kippy, Ramses and Belén) to take extreme measures to ensure their future, causing everything that could go wrong to turn out worse.
6.4Pietro Rinaldi, an elderly writer, widower and tired of life, plans to commit suicide on his birthday. After the sudden and tragic death of his daughter and son-in-law, Pietro will have to look after his teenage nephew Mattia.
6.8The soldier king Qin Yang's fiancée Ye Qin met with an unknown beast and died tragically. Gu Ping invites him to participate in Ye Qin's scientific research before her death. But Gu Ping is using Ye Qin's research results to combine the genes of unknown beasts to create the "Zero" dragon creature. The intelligent dragon creature, coupled with the extra-terrestrial beast evolved by devouring, an imminent city war is coming...
5.7Simon, a well-known French filmmaker, starts shooting his next film. A story about workers fighting to protect their factory from being relocated. But nothing goes as planned... His producer Viviane wants to rewrite the ending and is threatening to cut the budget; his own crew goes on strike; his personal life is in shambles; and to make things worse, his lead actor Alain is an egocentric jerk. Joseph, an extra who wants to get into the film industry, agrees to direct the making of and shoot the behind-the-scenes. He takes his role very seriously and starts following around the crew, capturing all this mess... What follows is proof that the making of can sometimes be far better than the film itself!
6.8Cleo is six years old, has a myopic look and has been madly in love with Gloria, her nanny, since she was born. When Gloria receives a call and must urgently return to her home in Cape Verde to care for her two children, whom she has not raised, Cleo makes her promise to meet one last time. Gloria accepts and invites Cleo to spend the summer vacations on her island. A last summer that they will spend together, in Gloria’s family, before inevitably saying goodbye.
5.4Toni, a grumpy in his fifties, avoids children at all costs. His life changes when he suddenly has to take care of his sister's five adopted children, each from a different country. Toni will have to deal with new parenthood and cultural differences.
6.9Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.
6.91982, Poland. A translator loses her husband and becomes a victim of her own sorrow. She looks to sex, to her son, to law, and to hypnotism when she has nothing else in this time of martial law when Solidarity was banned.
6.5Hana spends twenty years suppressing a maleficent curse that was placed upon her bloodline, only to have a family member knowingly release it forcing her to kill or to be killed.
5.9Realizing that she cannot take down Fisk alone, Sayen teams up with an underground resistance group with a plan to expose and end Fisk's unchecked plundering once and for all.
5.8As John T. Wrecker continues his task of protecting a group of refugees from a virus, the threat of something new and even more dangerous grows ever closer in the form of monstrous mutants.
6.5Elite Bangladeshi CIA agent Masud Rana – codename MR-9 – teams up with an American CIA operative to bring down an international criminal organization headed by a ruthless businessman.
4.6Shortly after comic artist Adam responds to Internet trolls, he begins experiencing sleep paralysis. As he chronicles increasingly malevolent occurrences in a series of tweets, Adam begins to believe he is being haunted by the ghost of a dead child named David.
6.2Struggling to overcome cycles of betrayal, revenge and violence, the Traoré brothers continue to fight for a brighter future in a seedy Paris suburb.
5.5Through the course of several accidents and chance encounters, Hanoch and Ruben will meet and each of them will have to face a page of his personal history, a page that they both need to turn for good.
7.0Do, who doesn't take much consideration about his marriageis circled with so many debts. He lied to his mother in law to get some money. Do and his wife eventually got a divorce and Do moved out to Kuala Lumpur to start a new life. Re on the other hand has a wife who is working at a night club whereas he stays at home and takes care of the house chores. Due to re's negligent behaviour his wife's money was stolen and he was told to leave the house bringing him dragging himself to the big city. Mi, a bachelor who is head over heels with the girl who is staying across his house often loans him some money. While Mi was out looking for a job he helped out capturing the theif who snatched a lady's handbag alongside with Re and Do who was in the area and helped out as well. They became close friends since then.
5.7Jonard is having trouble making ends meet. His mother is suffering from depression, and he and his sister are forced to quit school in order to take care of her. One day, Jonard meets up his friend Rodel, and Rodel introduces him to the world of massage parlors. Rodel teaches him massage, and brings him to Heavenly Touch, a syndicate-run massage parlor that mostly caters to homosexuals.
5.7An odyssey through Beethoven’s lasting presence and influence in our modern world – viewed through the eyes of the composer himself.
Image by Carlos Casas. Double screen projection with live soundtrack. Images and sound captured on location. Somewhere in the tundra, Chukotka Region, Northeastern Siberia, Russian Federation. Music by Prurient. Published by Von Archives. N 66° 37’ 916, W 172° 40’ 353, Sept 2006.
6.5The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.
5.7One morning, the late Karlheinz Stockhausen awoke from a dream that told him to take to the sky. Stockhausen envisioned four helicopters swirling in the clouds, with each of a quartet’s members tucked inside his own chopper, communicating through headsets, stringing away in sync to the rotor-blade motors. He immediately set forth to make that dream a reality. In 1995, Dutch film director Scheffer followed Stockhausen in the days leading up to the premiere performance of his Helicopter String Quartet in Amsterdam. The resulting film offers a rare glimpse of Stockhausen as he patiently dictates every agonizingly detailed measure to the Arditti Quartet.
The Darkness of Day is a haunting meditation on suicide. It is comprised entirely of found 16mm footage that had been discarded. The sadness, the isolation, and the desire to escape are recorded on film in various contexts. Voice-over readings from the journal kept by a brother of the filmmaker’s friend who committed suicide in 1990 intermix with a range of compelling stories, from the poignant double suicide of an elderly American couple to a Japanese teenager who jumped into a volcano, spawning over a thousand imitations. While this is a serious exploration of a cultural taboo, its lyrical qualities invite the viewer to approach the subject with understanding and compassion.
6.3From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classical instrument hijacking (Sakamoto Hiromichi), Tokyo's avant-garde music scene is internationally known for its boldness. While introducing some of the greatest musicians of this scene, "We Don't Care About Music Anyway..." offers a kaleidoscopic view of Tokyo, confronting music and noise, sound and image, reality and representation, documentary and fiction.
8.0Documentary, poetry and essay rolled into one, this compilation of stockshots and clips sourced from NFB productions of the '50s and '60s offers a singular lesson in Montreal history - its famous figures, symbolic places, and ordinary citizens. Without commentary, the film moves from the red light district to Jean Drapeau, the Jacques-Cartier market, department stores downtown, textile factories, and the construction of Place Ville-Marie. We meet Geneviève Bujold, Oscar Peterson, Monique Mercure, and Igor Stravinsky. We hear Raymond Lévesque, Jean Drapeau, and René Lecavalier.
5.3From Dr Who to The Dark Side of the Moon to modern day dance music, the pioneering members of the Electronic Music Studios radically changed the sound-scape of the 20th Century. What the Future Sounded Like tells this fascinating story of British electronic music. What The Future Sounded Like mixes experimental visual and sonic techniques with animation and never-seen-since archival footage. A sonic and visual collage, this documentary colors in a lost chapter in music history, uncovering a group of composers and music engineers who harnessed technology and new ideas to re-imagine the boundaries of music and sound.
4.8In the beginning the idea was to make something from nothing, in a neutral and unknown place. Collect images and sounds instead of producing them. The camera, the microphone and the mini-amplifier: tools that take away and then give back. We defined a rule: the sound shouldn't illustrate the image and the image shouldn't absorb the sound. Less than a hundred kilometres from Reykjavik we found Strokkur. For three days we saw and heard the internal dynamics of the crevice: the boiling water that spat out every seven minutes and the thermal shock, given the eighteen degrees below zero of the atmosphere.
5.2A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
6.8This short film documents the daily life of the goings-on on Orchard Street, a commercial street in the Lower East Side New York City.
6.1Filmed during a visit to Jerome Hill in Provence, Jonas Mekas sets his Bolex to capture a single day overlooking the port of Cassis. Shot frame by frame from morning to sunset, the film distills shifting light and color into a quiet meditation on time, place, and perception.
'Amy, is narrated by a model (Liisa Repo-Martell) who’s painfully uncomfortable with her own body and “old woman’s” face. Astonishing closing image is a tightly composed telephoto shot on the start of a marathon race among young schoolgirls, dashing toward and then across the screen in ultra-slo-mo, and accompanied by a girls’ chorus hauntingly singing Brian Wilson’s God Only Knows. Widely eclectic lensing and looks in various media and in color and black-and-white flow nicely from one section to the next, aided by gifted editor Mark Karbusicky.' ~ Robert Koehler, Variety - Part 7 of 7-part bio-feature Public Lighting (2004).
In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. Under A Bridge was later broadcast on cable television.
10.0Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.
5.5Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: "I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!"
Black Hole Radio is an installation that consists of taped confessions of callers of the New York City Phone Confession Line and video images. The Phone Confession Line is based on anonymous callers ringing to confess on things they had done or thought like adultery, theft, murder or regrets. Thereafter anybody could call and listen to the confessions. Although making a confession was free, listening to a confession costs money. After Cohen got his hands on the confessions, he used them as an audio heartbeat to accompany video-images of every day life in New York City he had taken over the years. This installation is a portrait of the city with its dark secrets, hushed voices and nocturnal images. In this way Cohen tries to bring across an experience to the viewer that relies on absence, waiting and the effort to hear something in the dark.
Images and sound captured in Zamboanga city Mindanao, Philippines. During sunset. Part of the Azan series & the Philippines fieldworks.
"Filmed in Cairo, in Al-Azhar Park, sunset during Isha'a praying time. The city becomes a Chorus. Dedicated to the people of Cairo. With love and hope." Part of the Azan series & the Cairo fieldworks.
4.2Among the millions of victims of the Nazi madness during the Second World War, Pierre Seel was charged with homosexuality and imprisoned in the Schirmeck concentration camp. He survived this terrifying experience of torture and humiliation, and after the war he married, had three children, and tried to live a normal life. In 1982, however, he came to terms with his past and his true nature and decided to publicly reveal what he and thousands of other homosexuals branded with the Pink Triangle had undergone during the Nazi regime. Il Rosa Nudo (Naked Rose), inspired by the true story of Pierre Seel, depicts in a theatrical and evocative way the Homocaust, focusing on the scientific theories of SS Physician Carl Peter Værnet for the treatment of homosexuality, which paved the way for the Nazi persecution of gay men.