2002 Some of the excellent footage includes: excerpts from the 1970 Cincinnatti Pop Festival, famed for the Ig's clambering onto the audience, being hoisted aloft, and walking on a sea of hands, a feat unduplicated back in the day or since in the rock world; earliest Stooges B&W archival snippets showing Iggy right out of the chute as theatrical, quasi-modern dance iconoclast; the Ig enjoying his own private listening party to the original recording of "No Fun" years later; and lots of late-'90's/early 2000's audience interaction, sloppy kisses and all. 1 Lust For Life 2 TV Eye 3 I'm Alright 4 Dirt 5 Search & Destroy 6 Funtime Featuring – David Bowie 7 Nightclubbing 8 Lust For Life 9 China Girl 10 Bla, Blah, Blah 11 Lust For Life 12 I'm A God 13 Natural Feeling 14 Louie, Louie
2002 Some of the excellent footage includes: excerpts from the 1970 Cincinnatti Pop Festival, famed for the Ig's clambering onto the audience, being hoisted aloft, and walking on a sea of hands, a feat unduplicated back in the day or since in the rock world; earliest Stooges B&W archival snippets showing Iggy right out of the chute as theatrical, quasi-modern dance iconoclast; the Ig enjoying his own private listening party to the original recording of "No Fun" years later; and lots of late-'90's/early 2000's audience interaction, sloppy kisses and all. 1 Lust For Life 2 TV Eye 3 I'm Alright 4 Dirt 5 Search & Destroy 6 Funtime Featuring – David Bowie 7 Nightclubbing 8 Lust For Life 9 China Girl 10 Bla, Blah, Blah 11 Lust For Life 12 I'm A God 13 Natural Feeling 14 Louie, Louie
1998-04-02
0
Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.
A message from Jim Morrison in a dream prompts cable access TV stars Wayne and Garth to put on a rock concert, "Waynestock," with Aerosmith as headliners. But amid the preparations, Wayne frets that a record producer is putting the moves on his girlfriend, Cassandra, while Garth handles the advances of mega-babe Honey Hornee.
About sweeping love, rock & roll and getting rid of all that stale air of the fifties. You've got the good guys - that's Lulu and Jimi - and the bad guys: Lulu's mother Gertrud, her secret lover Schultz, the chauffeur, and a wicked old shrink, Von Oppeln, crouching in his gloomy office like a spider waiting to pounce on his prey Lulu. Light and darkness, bright garish colours, hot rock & roll and wild dance numbers mark this road movie about lovers fleeing from the evil powers of a deeply bigoted society. A drama about the relationship between a young black man and a rich German girl.
A documentary that explores the challenges that a life in music can bring.
Raised a boy in East Berlin, Hedwig undergoes a personal transformation in order to emigrate to the U.S., where she reinvents herself as an 'internationally ignored' but divinely talented rock diva, inhabiting a 'beautiful gender of one'.
"Finding Joseph I" is a feature documentary chronicling the eccentric life and struggles of punk rock reggae singer, Paul "HR" Hudson, a.k.a. Joseph I, the legendary lead singer from Bad Brains.
This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.
This previously unreleased, 35-minute documentary film that takes you deep into the bowels of Winnipeg's punk and hardcore underground circa the mid-2000s. "The Manitoba Connection" provides a rare, lightning-in-a-bottle snapshot of DIY subculture as it is on the Canadian Prairie, marked by geographical isolation, brutal winters, and a history of working-class politics.
Almost a decade since larger-than-life glam-rock enigma Brian Slade disappeared from public eye, an investigative journalist is on assignment to uncover the truth behind his former idol.
Solo live concert recorded in Brussels, April 12, 1992. Tracks: 1) On A Wedding Anniversary 2) Lie Still, Sleep Becalmed 3) Do Not Go Gentle Into That Good Night 4) The Soul of Carmen Miranda 5) Cordoba 6) Ship Of Fools 7) Leaving It Up To You 8) The Ballad Of Cable Hogue 9) Chinese Envoy 10) Fear Is A Man's Best Friend 11) Dying On The Vine 12) Heartbreak Hotel 13) Paris 1919 14) (I Keep A) Close Watch 15) Hallelujah
The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison.
01 Sinead O'Connor - Nothing Compares 2 U 02 Mike Oldfield - Moonlight Shadow Vocals - Maggie Reilly 03 Marillion - Kayleigh 4 Feargal Sharkey - A Good Heart 05 Ultravox - Vienna 06 Robert Palmer - Simply Irresistable 07 Gary Moore - Still Got The Blues - For You 08 Mel & Kim - Respectable 09 Charles & Eddie - Would I Lie To You? 10 Baltimora - Tarzan Boy 11 Boy George - Everything I Own 12 Paul Hardcastle - 19 13 Climie Fisher - Rise To The Occasion 14 Heaven 17 - Temptation Vocals - Carol Kenyon 15 China Crisis - Wishful Thinking 16 Steve Harley & Cockney Rebel - Make Me Smile (Come Up And See Me) 17 The Babys - Every Time I Think Of You 18 The Specials - Ghost Town...
Sunken Treasure follows Wilco frontman Jeff Tweedy on his February 2006 solo acoustic tour. The footage was recorded over five nights and features songs from three of his current and former bands: Wilco, Uncle Tupelo, and Loose Fur, plus an unreleased track, "The Thanks I Get." The film is directed by documentarians Christoph Green and Brendan Canty, himself the former drummer of Fugazi.
Radiohead plays songs from their album In Rainbows for a webcast broadcast on New Years Eve. The film was made by Radiohead, Nigel Godrich, Adam Buxton, Garth Jennings, Stanley Donwood, Ric Jerrom, Hugo Nicolson and Dan Grech-Marguerat.
Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.
Rock band Rimba Bara continues to struggle in the music industry that is full of political games. Meanwhile, Jijoe comes across rock queen Ella in a recording studio and falls in love with her. Jijoe loves her so much that he is willing to leave behind his rock music life and become an F-class contractor so that he will have a more secure life. This causes Rimba Bara to fall apart and various conflicts arise.
'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'
Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.
Joe Corré, son of punk visionaries Vivienne Westwood and Malcolm McLaren, burns an estimated £5M worth of punk memorabilia protesting the commodification of punk. The film takes this incendiary act of ‘cultural terrorism’ and the questions it raised to explore the lifespan and true worth of punk - the 20th century's most volatile movement.