A woman riding a train must contend with the unwelcome advances of a male passenger.
A woman riding a train must contend with the unwelcome advances of a male passenger.
1903-11-06
5.1
The film opens on a dressing room set with a mirror, dressing table, and chair center stage and a folded dressing screen on the left. A smiling, dark-haired woman enters through the door on stage right, unbuttoning a full-length polka-dot costume. As she undresses, she frequently looks directly at the camera and smiles. She removes her sash or cummerbund, the top with its trailing sleeves, and her skirt, leaving her clothed only in a sleeveless chemise. Smiling directly at the camera, she mischievously slips a strap of the garment off one shoulder, then ducks behind the screen.
Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.
Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!
RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.
A horror short with no dialogue (Advised to watch with headphones)
About the partisan movement during the Great Patriotic War.
This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…
Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.
The main character of the film is an outstanding physicist who was invited to Armenia from Russia to head a lab. He comes across many troubles in his homeland, but nevertheless finds his true love there.
Happily ever after has a bumpy start for a young couple in a magical land when the husband is sent off to battle by a jealous prince.
Friends battle former U.S. presidents when they come back from the dead as zombies on the Fourth of July.
Two sisters running a small hotel in Spain kill female tourists whose morals do not meet their strict religious standards.
If any single piece can act as a key to Ruiz, it may be the 1997 short Le Film à Venir (The Film to Come). The titular film is a holy fragment of celluloid that can only be seen by a secret society known as the Philokinetes. They watch it on a loop, somnambulating through a life that is unreal by comparison. It is the belief of the Philokinetes that film has an existence “independent from humans. Cinema, they said, is the primeval soup of a new life form. There from were to emerge pure screening creatures. Which is to say, non-topical beings.” - n+1
Lynn Zapatek, a chambermaid in a large hotel, has a deathly fear of human interaction yet she craves intimacy. A chance encounter prompts her to emerge from her cocoon.
The prog rockers live in 2009. Recorded in Katowice, Poland on October 13, 2008
A short-subject golf film at the fourth annual Bing Crosby Pro-Am at Rancho Santa Fe.
Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.
Educational short about the status of battle tanks and tank training in the U.S. Army in pre-War 1941, featuring a comical Army trainee from the Bronx.
A series of trick film hallucinations and scary doubling effects result when Patachon smokes an opium cigarette.
The boozy mercenary of the title, based on the actual historical figure of Naoyuki Ban (1567-1615), attempts to rid a haunted castle of spooks.
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.
After beginning their train trip to California, a famous film actress and her daughter discover their compartment has also been assigned to a handsome biology professor. Comedy.
At a military demonstration Red Imps: Misha, Duniasha and Tom Jackson bring a captured enemy, dangerous Makhno.
Joe Cobb is a wealthy child who longs for a baby brother. His nursemaid takes him to the other side where he meets some kids his age (the rest of Our Gang) where Joe offers three dollars for a baby. Farina finds a fellow African-American neighbor woman who lets him mind her infant which he then paints white and sells to Joe. The rest of the gang has set an assembly-line system that washes, dries, rocks, and feeds male and female babies.
It's the Fourth of July and the mother of Our Gang member Joe Cobb is doing a brisk business at her fireworks stand. Briefly left in charge of the stand, Joe does his best not to blow up himself or his friends, but a poorly-aimed skyrocket owned by Allen "Farina" Hoskins triggers a somewhat premature but undeniably spectacular display of pyrotechnics.
Ko-Ko and Fitz emerge from an inkwell into the sultan's harem.
James Parrott joins every lodge in town to get in good with people as he tries to sell his fire extinguishers.
After amusements working in a restaurant, a waiter uses his lunch break to go roller skating.
A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.
A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…
The doltish but self-confident and self-congratulatory Private Snafu is in possession of a military secret during World War II. Over the course of the day, spouting rhymed couplets, he divulges the secret a little at a time to listening Axis spies. He tells his mom some of the secret when he calls her from a phone booth; the rest he spills to a dolly dolly spy who plies him with liquor. Snafu's loose lips put himself at risk.
Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.
Big Bad Wolf and his nephew create a club for rabbits, Club del Conejo, to try to catch Bugs Bunny.
Mr. Snookie steals an umbrella and then, while trying to help a woman to cross a puddle, the Tramp appears and intervenes.
This early Chaplin film has him playing a character quite different from the Tramp for which he would become famous. He is a rich, upper-class gentleman whose romance is endangered when his girlfriend oversees him being embraced by a maid. Chaplin's romantic interest in this film, Minta Durfee, was the wife of fellow Keystone actor, Roscoe "Fatty" Arbuckle.
Pierre and Jacques are working as waiters at a restaurant where the cooks go on strike. When the two are forced to work as bakers, the striking cooks put dynamite in the dough, with explosive results.