[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
1897-03-21
5.1
Félicien Trewey, performing his spinning plates routine.
The two inventors of the Bioskop, a sort of magic lantern that projected images so fast as to give the illusion of movement, bow to the camera at both sides of an empty screen. The scene was shown in continuity, at the end of the session, as if the producers and directors of the session were beading the public a farewell.
In very bad weather and a stormy sea, a small boat manned by two men is trying to leave the harbor of La Ciotat, while several people are watching them from the nearby pier.
Small glimpse of city life in Jerusalem.
A man has a fantastical nightmare involving, among other things, a grinning malevolent moon.
Freddy, a Viennese Jew who emigrated to New York after Hitler's invasion, and Adler, a left-wing intellectual originally from Berlin, return to Austria in 1944 as soldiers in the U.S. Army. Freddy falls in love with the daughter of a Nazi, and Adler attempts to go over to the Communist Zone. But with the advent of the Cold War and continuing anti-semitism, the idealism of both characters is shattered as they find themselves surrounded by cynicism, opportunism, and universal self-deception.
Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.
Under the German occupation, in a small French town, the arrival of a new priest arouses the interest of all women... Barny, a young communist and atheist woman, can not however be more indifferent. Driven by curiosity, the young skeptic went to the church in order to challenge this.
Re-re-repeat A rhythmic dialogue between sound and image: exploring space, corporeal phenomenology and chance outcomes, which alter perceptions of time and memory.
is a creative documentary-fiction film and a film that might expand your sense of reality. It is the story about a man who enters the virtual world Second Life to pursue his personal dreams and ambitions. His journey into cyberspace becomes a magic learning experience, which gradually opens the gates to a much larger reality.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
Julia Katharine, a Japanese-Brazilian trans woman, opens her door to the filmmaker. Before day breaks, she evokes her relationship with her parents, a young love that never was, her sleepless nights and her passion for cinema.
Naruto discovers a genie's bottle while he and the gang are at a genin grill party. When everyone finds out about the genie's ability to grant wishes, the ultimate chase begins.
Kim Marsden inherits a cattle station near Alice Springs after the death of her father. Kim becomes convinced her father was murdered. She sends for a legendary local bushman called the Sundowner, who was one of her father's best friends.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
An overview of the works of French film pioneers Louis and Auguste Lumière from 1895 to 1897.
Early Balkan footage.
This scene is a part of the very first film shot produced by the Manaki Brothers. Despina, the Janaki and Milton Manaki's grandmother, was recorded weaving in one high-angle shot. For no apparent reason, the first shot made in Macedonia, in the Balkans in fact, made by these two cinematography pioneers, contains peculiar symbolics: at the moment when the grandmother Despina spins the weaving wheel, film starts rolling in our country.
In a sunny open air setting with a background of high, deep foliage trees, and a white-walled storeyed house, an acrobat with light shirt and trousers and white plimsolls is doing acrobats in a trapeze in the center of the area. Behind it, a pair of men in similar dress seem to be carrying barbells from one place to the other, rather then exercising with them.
The film shows a parade down Fifth Avenue, New York. In the foreground many children, both black and white, can be seen following alongside the parade. The participants in the parade include cowboys, Indians, and soldiers in the uniform of the United States Cavalry on horseback and riding horse-drawn coaches. Buffalo Bill can be seen on horseback, lifting his hat to the crowd. Filmed on 1 April 1901.
A short film featuring several dancers from different countries: first an Arabian dancer, then an Algerian belly dancer, and finally Scottish highlanders in kilts performing a jig. Section one is rendered in hand-color.
A hunter and his native helpers set up a trap, then taunt and shoot a panther. Next we see the locals skin the animal.
Almost 200 women file by a device on the wall from which they take their time checks. A man runs half-way across the screen at the end of the film.
A camera on an overhead crane travels down a large, long aisle where men are shown working on large machinery on either side. Carts carrying equipment are shown traveling on rails down the aisles. There are also men walking in the aisles. From Bitzer's Westinghouse Works series.
On the left of the screen, a small group of men lift the top off of what appears to be a turbine with a crane and continue to check the machine, tightening various parts with wrenches. On the right side, a few men appear to be testing the workings of what may be a turbine.
This bicycle-safety film shows children what can happen when bicycles are driven carelessly and recklessly.
City of Wax is a 1934 American short documentary film produced by Horace and Stacy Woodard about the life of a bee. It won the Oscar at the 7th Academy Awards in 1935 for Best Short Subject (Novelty). Preserved by the Academy Film Archive in partnership with the UCLA Film and Television Archive in 2007.
This short film shows how the war department utilizes a Ph.D., a chimp, and three dogs to help design aptitude tests for men applying for work.
Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.
Much of Hunter's fame was built upon her resemblance to Marilyn Monroe; indeed, her Playboy pose was obviously inspired by Monroe's notorious 1949 nude photo session with Tom Kelley from which her own Playboy photo came. The similarity in look between Hunter and Monroe also came into play when a nude Hunter starred in a film short called Apple Knockers and Coke. For many years there have been those who have seen the film and have mistaken Hunter for Monroe.