It's mayhem in the house as Julius the cat squares off against a pugilistic bear while Alice looks on adoringly.
Alice (uncredited)
It's mayhem in the house as Julius the cat squares off against a pugilistic bear while Alice looks on adoringly.
1925-07-30
3.9
Alice and Julius are driving a train, which is carrying a large payroll. Pete the Bear and his gang find out about it and devise a plan to rob the train.
Ex-con Russell Gaines is attempting to rebuild his life with the help of his father, Mitchell. However, the arrival of Maben sends his new life into chaos, leading the pair to go on the run - as their violent pasts catch up to them, the pair must learn to trust each other if they hope to live out the rest of their days.
The survival instincts of a road-tripping family are put to the test when they have no other choice but to stay the night at a remote homestead.
Lydia, a midwife very invested in her work, is in the middle of a breakup. At the same time, her best friend, Salomé, announces to her that she is pregnant and asks her to follow her pregnancy. The day Lydia meets Milos, a one-night stand, while she is holding her friend's baby in her arms, she sinks into a lie, at the risk of losing everything.
Young art student Hideo paints an unnerving portrait of Tomie, who whispers that she loves him. Inexplicably, he reacts by stabbing her to death with a painting trowel. Two friends, Takumi and Shunichi, arrive on the scene and help him dispose of the body. To cheer him up, the boys take the unwitting murderer to the nearest bar for a party... but a mysterious girl named Tomie shows up, bearing a few odd physical resemblances to the dead girl in the ground.
Experimental video diary shot 2016-2022
An autobiographical documentary made by a mother who follows the gender transition of her adolescent son: between 2016 and 2019 she interviews him addressing the conflicts, certainties and uncertainties that pervade him in a deep search for his identity. At the same time, the mother, revealed through a firstperson narration and by her voice behind the camera that talks to her son, also goes through a process of transformation required by the situation that life presents her with by breaking old paradigms, facing fears and dismantling prejudices.
In Saint-Nazaire in 1967, a hotbed of workers' struggles, Clémence, 26, is married to a young worker, Gérard. Like many women of her generation, she does not work and takes care of her two children. But she longs for a different life while Gérard confuses the happiness of his family with the acquisition of household appliances. Trained by an old friend, Agnès, in family planning meetings, Clémence will meet a young philosophy teacher, Jérôme. For him, she will abandon her husband and her children, and try to live the utopia of a life of total freedom. Blinded by his pain, a stranger to his wife's questioning, Gérard will have to become aware of the upheavals that will overwhelm society a few months later. Life will never be the same again.
Hamid is part of a secret group pursuing the Syrian regime’s fugitive leaders. His mission takes him to France, on the trail of his former torturer whom he must confront.
Monika lives with Rob, a corpse she loves. Her dilemma intensifies when she meets Mark and considers a normal life with him. She must choose between her affection for Rob and a new relationship.
Caleb is by all accounts a successful executive cis man. Despite exceeding his father's expectations, Caleb is far from happy. That is, until Star, a vibrant and aspiring black trans female rockstar, comes crashing into his world and turns his comfortably numb existence upside down with a string of reckless misadventures and a new outlook on life.
Christina wants to take revenge on her blind sister, who wants to take a prize in a popular music television show. She comes up with an evil joke in which she gives out a stage play organized by her friends for a real shoot in the Ostankino television studio. The sister believes what they are trying to convince her of, and Christina's rally becomes more and more like a mockery.
Royal Palace Theatre, Paris . February 17th 1673, the King’s theatre group is playing « Le Malade Imaginaire » when Moliere started spitting blood, but he takes the decision to keep playing until the end. During his agony, he let enter in the theatre all the elements and ghost who made his life. Starting a fight to preserve his dignity, he plan to transfigure his death in a last laugh instrument.
During an evening spent at his house with his sister, a girl realizes that she doesn't really have much in common with her boyfriend.