A writer bets a publisher friend that he can write a 10,000-word novel in 24 hours. The publisher takes the bet, and gives him the "only key" to his Baldpate Inn, which has been closed for the winter, so he can write in complete seclusion. Things start heating up, though, when a succession of people who also have keys to the inn begin showing up.
Mrs. Rhodes
Lou Max
Peter the Hermit
A writer bets a publisher friend that he can write a 10,000-word novel in 24 hours. The publisher takes the bet, and gives him the "only key" to his Baldpate Inn, which has been closed for the winter, so he can write in complete seclusion. Things start heating up, though, when a succession of people who also have keys to the inn begin showing up.
1917-10-16
4.4
Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.
Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.
This spaghetti western presents a fictitious version of the often filmed legend of Pat Garrett and Billy the Kid. Billy becomes innocently an outlaw while protecting his mother, but then turns into a trigger happy killer. When he falls in love he tries with the help of Pat Garrett, a fatherly friend, to change back. However, circumstances force Billy to become violent again and it is Garrett who is credited with the killing.
The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?
In celebration of Asian Heritage Month, HBO presents a collection of perspectives from a diverse group of Asian Americans.
In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.
A young university student returns to her family's country villa near a lake where years earlier her mother drowned. She is supposedly researching a local legend, a witch called Kira and strange symbol associated with her.
The untold and ultimately inspiring story of legendary singer, Teddy Pendergrass, the man poised to be the biggest R&B artist of all time until the tragic accident that changed his life forever at the age of only 31.
Wealthy and ill Petr Kornel (Karel Hasler) is not pleased with the carousing lifestyle of his nephew. He stops supporting him financially and demands that he change his name. Out of gratitude Kornel bequeaths a substantial sum of money to his nurse Alice (Adina Mandlová) with the condition that she marries. Petr Suk (Hugo Haas), as the nephew is now named, visits the doctor. In the waiting room his X-ray is mistakenly switched with one of another patient's. On the basis of this he presently learns that he is seriously ill and has only one day of life left to him.
A documentary about unemployed people who bought fruit and vegetables at moderate prices at the wholesale market and sold these in the streets of Frankfurt. Since they had no permits they were constantly with their bulky carts on the run from the police. One part of the film was shot at the fairgrounds in front of the wholesale market. Newspaper and lottery ticket vendors, propagandists offering their ware for a few pfennigs, all convey the mood of a time when need made people inventive.
Martin is a nurse in a private clinic in Paris. The victim of a serious concussion, an unidentified casualty, arrives in the emergency room one night. He is operated on immediately. When he wakes up, half-unconscious, he tells Martin a confused story about stealing jewels from a maharajah visiting Marseille... before falling into total amnesia. Real and fake policemen interrogate Martin, gangsters kidnap him to get him to reveal precious information, but... the nurse keeps his mouth shut!
This five part epic war drama gives a dramatized detailed account of Soviet Union's war against Nazi Germany during world war two. Each of the five parts represents a separate major eastern front campaign.
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.
Eighteen months after the nuclear meltdown in Fukushima, children who were not evacuated are found to have thyroid cysts and nodules. What will this mean for their future?
This is a little over an hour of sloppy, often endless, but very well told jokes on deliberately understandable topics. Summer camps, tobogganing, seeing off to the army, TV series on the recommendation of friends, 5D cinemas, pedophiles, smoking spice, and the crown of all is the joke about "fucking quarks" that "revolve on subatomic levels."
Since 2009, the filmmaker has spent 12 years documenting the ever-changing times of three townships along the coast of Tainan County, namely Beimen, Jiangjun and Qigu. Through the lenses, human activities are seen closely connected with the surrounding nature, while maintaining its own charm. The film subtly captures a singular way of life and a sense of time suspended in the past, present and future.
This piece was designed as an installation piece for projection as a 60-minute loop in gallery spaces. Deanimated is literally displaced from the theater environment typical of film spectatorship, slightly blurring the boundaries between the spaces of projection and reception. "Deanimated: The Invisible Ghost," is based on the 1941 horror film "The Invisible Ghost" with the lead actors Bela Lugosi, Polly Ann Young, and John McGuire. In "Deanimated" the actors are gradually eliminated and thus the narrative loses its coherence. What remains are backgrounds, erratic camera movements that seem to move without focus throughout the room, capturing ghostly changes in light and shadows. In this project, Arnold asks fundamental philosophical questions about human existence and presence in absence. Although the actors are missing, they leave behind traces (such as smashing bullets together, dust stirring up …) and are experienced precisely in their absence as a ghostly, unreal present.
A dissipated man sits at a table with a decanter of whiskey and a glass beside him. A revolver is on the opposite side of the table. He pours a glass of whiskey and, with a despairing look, starts to drink it. He changes his mind, grabs the revolver, and places it against his temple, but then changes his mind again and lays the revolver carefully on the table. He drinks the whiskey with a contented smile and thumbs his nose at the audience.
A young woman takes over her sick father's role as telegraph operator at a railway station, and has to deal with a team intent on train robbery.
On a warm and sunny summer's day, a mother and father take their young daughter Dollie on a riverside outing.
A diamond is stolen at a houseboat party given by the district attorney. He gives the thief a chance to return it by putting an empty box on a table and turning out the lights. When the lights are turned back on the box is gone, and the district attorney has a knife in his back and is quite dead. The police and the coroner arrive. There are several attempts made on the life of the coroner. Ruth Whitman is found hiding in a grandfather-clock, holding the gem box. She claims the box was pushed into her hands and she was pushed into the clock. The district attorney's butler/valet tells the coroner he saw who killed his employer and a few minutes later he is also murdered. The mystery deepens.
A man does not know what fear is. His good friend dares him to spend one night in a scary place. A house of wax will get the job done.
Come and Swallow is the newest film in the big swallow universe. Being a piss take on the original “The Big Swallow (1901)” and “Come and See (1985)”. When the young boy (Josh Killoh) has his village burned down and destroyed by an army of troops, a few soldiers (Angus Rhind, Finlay Doney and Quillan Hepburn) pose to take a photo with the boy. As the camera man (Finlay Esslemont) prepares to take the photo, the boy suddenly decides that he has had enough of this tyranny and swallows all the soldiers.
A gang of thieves lure a man out of his home so that they can rob it and threaten his wife and children. The family barricade themselves in an interior room, but the criminals are well-equipped for breaking in. When the father finds out what is happening, he must race against time to get back home.
A train-station telegraphist warns the next station of approaching bandits.
An attorney's wife is determined to fight the evils of addictive substances.
"A Motion Selfie" is one-of-a-kind DIY filmmaking: a darkly comic chronicle following a year in the life of a washed-up viral video star and the sexually depraved stalker who becomes obsessed with his work.
Lizette loves Jean but a 10,000 franc dowry insisted upon by Jean's father is keeping them apart. Paul, Lizette's "black sheep" brother, begs that she gives him her saved money so he can increase it for her - at the gaming table!! He does win but there are a few who are determined he shall not reach home with his money. Paul also suffers from a bad heart and with the stress he feels from being set upon, he takes refuge at an inn. He seals the money up in an envelope addressed to Lizette Rouget but dies before he can deliver it safely to her. Lizette is now destitute, Jean having long ago deserted her but the ghost of Paul continues to haunt the inn's bedroom to guard the money from "unworthy hands".
George Walters is a youth who is dominated by Bleary, a heartless bully, who forces him to pose as the son of millionaire George Warring, kidnapped as a baby. The missing son had a twin brother who had recently died, but a painting of the shadow of the late son is on one wall. Walters' shadow matches this painting perfectly, establishing him as the missing son to the Warring family. Walters falls in love with Warring's daughter Lucia and finds that the family attorney Glaxton is slowly poisoning the old man.
M'liss, a feisty young girl in a mining camp, falls for Charles Gray, the school teacher. Charles is implicated in a murder of which he is innocent, and the two must fight to save him from a lynching.
Two tramps hold up small-town Ferndale's railway station night operator Helen, lock her in a closet, and escape. Later, standing on a bridge over the freight yards, Helen sees the two bandits aboard an outgoing freight and drops onto the roof of the car from above as it crosses underneath. A chase along the roofs of the speeding cars ensues.
The film is about the search for foreign intelligence agents and secret police's struggle with them.
The final days before Weston mysteriously snaps and goes insane.
A mysterious consul, blessed with the power to hypnotise, manages to push young women to suicide to cash in their insurance, without having their blood on his hands. At the death of his sister, a young detective decides to hold an investigation into this curious character, at the risk of falling into the trap himself... Oktavijan Miletić considered to be the father of Croatian cinema, was one of the pioneers of avant-garde cinema in Croatia and shows this once again in this film.
Pialat's first film was the short Isabelle aux Dombes, shot in 1951 when the director was 26 years old. The film is an entirely silent montage of documentary footage, ragged experimental techniques — mainly some negative-image inserts — and symbolic psychodrama that's surprisingly not too different from the work that Stan Brakhage would begin making just a year or two later. Images of death proliferate throughout the film, and what started as a loose documentary soon becomes an eerie psuedo-horror piece that's obsessed with death and decay.
Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Bergères show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavily. When Police Commissioner von Wenk begins an investigation of this mysterious crime spree, he has little to go on, and he needs to find someone who can help him.