Per Sempre (Forever) examines the reasons that spur certain women to choose a religious life within a monastic community. The film starts with the fundamental question that prompts the film director to confront this reality: how is it possible, today, for a woman to make an extreme and permanent choice, one that will last forever?
Per Sempre (Forever) examines the reasons that spur certain women to choose a religious life within a monastic community. The film starts with the fundamental question that prompts the film director to confront this reality: how is it possible, today, for a woman to make an extreme and permanent choice, one that will last forever?
2005-06-10
6
The film looks again at recent events from a female point of view, through the first-hand accounts provided by the diaries of three women. Rather than focusing on the alleged objectivity of facts, the film gives space to a chorus of voices that narrate those events in first person, visually supported by archival footage of the period, drawn from the most varied sources - institutional, public, militant and private. Anita, Teresa and Valentina come from different Italian regions and different social backgrounds, but share the same feelings: they no longer feel as part of a society based on the patriarchal family, on the power of "husbands" and on the supremacy of males, which requires them to be efficient mothers, obedient wives and virtuous daughters.
There are eight episodes in stories full of adventure and play in the neighborhood of Limoeiro, with a new car ride, lost treasure, art exhibition in the square, puppet theater, an unexpected escape from Cascão (again?), Characters Saltimbancos and a lot more.
Set over four days of unrelenting wind and rain in a remote village high up in the Nafpaktia Mountains in the west of Greece, the film follows the lives of two shepherd families struggling to live. The village, now forgotten and near deserted, has had its best days. Paxnis, the old white haired shepherd, who had foreseen the trouble this land would face has already given into despair. Giorgos unable to sell his goats and with debts mounting up, drinks to forget. Combining documentary and fiction with an all local cast 'To the Wolf ' is both the reality and an unsettling allegory for today's Greece
A decorated Vietnam Vet returns to his father's ranch in Arizona just as criminally minded carnies begin to cause trouble.
After attempting to cross the US/Mexico border in search of a better life, Armando awakens in an unknown room, his body broken down and a Lucha Libre mask sewn into his neck.
Safwat, Mohammed, Zaghloul and Adel, who are surrounded by terrible social conditions, where the collapse of the family and the lack of emotional communication, they are trying to steal the apartment of an old lady who lives alone and turned down the stairs. During the robbery, the old man appears suddenly and ridicules them and insults them from their point of view. Zaghloul, a young man who tends to be fun despite his father's cruel treatment, is arrested. Adel, who wants money to arrest his girlfriend Zizi, is arrested from the cabaret shop, as well as from the cabaret. Mohammed decides the son of the lawyer Famous for Shawkat to surrender himself after he died during childbirth sweetheart Sameera, while Safwat commits suicide after his brother Shukri found his beloved Nana had speeches. The rest are arrested.
Mashoto’s life in the city is a hustle. It’s a fast life in the fast city of Dar es Salaam. There’s no time to stop and Mashoto likes it this way. There’s no time to think about the people he left behind in the village. Until silence cuts through the city racket with three words: mother has died. With those words Mashoto’s life changes forever. He returns home, to the place he abandoned, to bury his only ally. Yet his mother has left behind a gift. Her voice, her unseen presence, a gentle whisper urging him to open his eyes and strain his ears- to learn the lessons of nature, of the earth and the roots that draw their nourishment from it. Cast out by his father after losing the little money his mother had left, Mashoto must learn to survive from the land. He must learn to face old enemies and forge new alliances, to fight and to love. Most of all, Mashoto must discover what it is he is fighting for.
A mixed media piece that looks at the relationship between artist and creation, along with unique retellings of queer characters in myths.
Ate, an aging household helper, struggles with the slow, dull, day-to-day depression of home quarantine in the midst of a nationwide lockdown. Her two teenage employers also struggle and cope in their own way, but seem to take out their negative feelings on her. After running a series of stressful chores for them, Ate finds a familiar medicine that gives her an unexpected form of relief. Not only does it uplift her overall mood, but also finds a newfound connection with the teenagers at home.
Valia is a young woman used to observing others as part of her work, and so reality is becoming a canvas where characters live out a kind of life. She records the same shot with a small video camera: the street in front of her apartment where there is a restaurant. Some days later, she meets Guido, the owner of the Italian restaurant. Guido is her antithesis, perfectly adapted to daily life and conscious of his own social dimension. Valia, on the other hand, lives in this two-dimensional world, separated from what is actually happening and what she observes. Valia's life changes when she discovers a small lump on her breast and she is diagnosed with breast cancer. With Guido, Valia recovers her otherness while facing her end.
Two Air force pilots are best friends in that competitive, always picking fights with each other way.
The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
When her shift uncovers the death of a fellow miner under mysterious circumstances, a hard-working miner of a planet mining colony is forced to choose between escape or defying management orders and fight for the safety of her family.
During the night shift in a colony greenhouse, a botanist does her best to contain suspicious soil samples that have alarmed her sensitive lab dog.
Fernanda likes to play football with the boys. But for this tomboyish, the apogee of his intimacy with the ball is to make it fly straight, direct, to the bag boys. Then she smiles. One day she comes running to the hit-ball, delayed but can not find anyone. The boys are in hiding. Fernanda knows where it is, but can not imagine what they plot!
This short story is a prequel to our favorite friendship unit, Apple. Follow her in her adventure from the other side of the Wasteland, right before her memorable encounter with the Kid!
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
A wealthy high powered woman suffers a horrible tragedy after which she descends into substance abuse,turning her back on her family. She later discovers that someone close to her may be behind her subsequent abduction and kidnapping.
A young mother works at a memory-recreation facility. When a client pushes her to break the rules, she's forced to decide how far she's willing to go. Dreams and fantasy become entangled with memory as power shifts hands.
On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.
In Los Angeles, a gang of bank robbers who call themselves The Ex-Presidents commit their crimes while wearing masks of Reagan, Carter, Nixon and Johnson. Believing that the members of the gang could be surfers, the F.B.I. sends young agent Johnny Utah to the beach undercover to mix with the surfers and gather information.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Devoted teacher Anne Sullivan leads deaf, blind and mute Helen Keller out of solitude and helps integrate her into the world.
After several behavior problems, teenager John is admitted to a psychiatric clinic by his family. There he meets Judith, for who he soon falls in love. The problem is that she does not have long to live and they know it. This shall not prevent the emergence of a great romance in the clinic.
Hanna is a 30 something single woman from Helsinki. She has a good job and great friends and has almost given up on finding the Mr. Right. One night, Hanna meets Markus, a dark stranger who sweeps her off her feet.