Johnnie got his gun is a mix of interview snippets with To, these are taken from various sources and are cobbled together with clips from including Breaking news, P.T.U and The Mission amongst others. It seems Montmayeur did do an interview but it's so chopped up and mixed in it feels insignificant. Prominent members of casts and crew also feature in interview form but again from many different times and sources.
Johnnie got his gun is a mix of interview snippets with To, these are taken from various sources and are cobbled together with clips from including Breaking news, P.T.U and The Mission amongst others. It seems Montmayeur did do an interview but it's so chopped up and mixed in it feels insignificant. Prominent members of casts and crew also feature in interview form but again from many different times and sources.
2010-10-30
0
Turkish film industry has been experiencing a breakthrough in the last ten years. According to 2015 figures, there is a bold uptrend in terms of viewers and film production. Yet without any regulations at work, this growth only made injustices in distribution bigger. While a single cinema chain controls more then 50% of the market, it also started to control distribution and production. In this monopolized environment, there seems to be no country for independent production. With the guidance of producers, distributors, and economists, the film traces the distortion created by the bad economy that has become an obstacle for freedom of choice.
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, left Stockholm and went to live there. When he died, the house was preserved. A group of very special cinephiles, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergmans video, 2012.)
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
Award-winning filmmakers Jean-Pierre and Luc Dardenne profess their love for the classic "Modern Times." The directors expose their views on the many aspects of the film, Chaplin's brilliancy and they also provide interesting details about the making of Chaplin's masterpiece.
The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.
Documentary about the making of Derek Jarman's 1979 film "Jubilee".
A documentary on Fellini’s lost alternate ending for 8½
Short documentary on the life and work of photographer and filmmaker Morris Engel
Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.
The surprising and entertaining life of renowned film critic and social commentator Roger Ebert (1942-2013): his early days as a freewheeling bachelor and Pulitzer Prize winner, his famously contentious partnership with Gene Siskel, his life-altering marriage, and his brave and transcendent battle with cancer.
The life of Paco Martínez Soria (1902-1982), one of the most famous and beloved Spanish actors, both on stage and screen; a comedian, a theatrical producer, an idol for the masses. A celebration of the uncommon gift of making people laugh.
Just what will motoring be like in a post apocalyptic world that's been blown to bits by nuclear bombs or a massive comet? It's a burning question that's on literally nobody's mind, and we give you all the answers in this brand new, incredibly cheerful Top Gear DVD. Embarking on a terrifying journey into the future, we show you how to drive to work in the perpetual darkness of a Nuclear Winter, how to make motor sport exciting when there's only two racing drivers left alive, and, in a world where all cars are bristling with weapons, how to survive the savage, explosive fury of a Doomsday M.O.T test. And amongst all the nuclear carnage, we also tackle the ultimate petrolhead's dilemma - what cars would you take for a final drive if there was only one barrel of petrol left on the planet? The explosions are huge, the cars are superb, so relax and enjoy. PS. This frightening vision of a post nuclear world is backed up by top scientists, in case you think it's us just cocking about.
The first part of this series by Norman McLaren deals only with tempo. It starts by showing the disc travelling in one move (1/24 of a second) from A to B, and progressively demonstrates slower and slower tempos.
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
It's been 20 years since an Australian film has reached number one at the yearly Box Office and our films have consistently grossed under 5% for the years. So what can we do to make a change?
This 150-minute documentary, directed by Nobuhiko Ôbayashi on the set of Akira Kurosawa's Dreams, features behind-the-scenes footage and interviews with cast and crew.
An all-access tour behind the scenes at France’s premiere film school, La Fémis. Showing us how successful candidates get to follow in the footsteps of such luminaries as Louis Malle, François Ozon and Alain Resnais, all of whom attended this prestigious institution. Stumbling over their words, the often-nervous candidates seem vulnerable when confronted with the veterans of the industry, who have the difficult task of discovering true talent among all these eager young people.
In this documentary, script supervisor Teruyo Nogami, who first worked with Akira Kurosawa on RASHOMON, catches up with many members of the crew, including cowriter Shinobu Hashimoto and assistant director Tokuzo Tanaka. They talk about the screenplay’s evolution, difficulties during the shooting of the film, and Kurosawa’s working methods.
Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.