The story of the friendship between Ioan and Michele respectively Romanian and Italian. The serendipitous encounter of two worlds apart: the travails of a young man, son of the Post-Communist Revolution, who flees his country in search of a better future and the travails of another youth who instead scrapes along the margins of a Western society that is unable to offer gainful employment to so much of its youth. In the background of this rapport between a simple Romanian youth and his marginalized Italian counterpart, there is a West which on one side is still reeling from the collapse of the Communist ideology and on the other, in the clutches of a Capitalist myth which has increasingly assumed, as it propulsive force, harsh competitiveness and an intensification of social inequality.
FFSS - Station Manager
The story of the friendship between Ioan and Michele respectively Romanian and Italian. The serendipitous encounter of two worlds apart: the travails of a young man, son of the Post-Communist Revolution, who flees his country in search of a better future and the travails of another youth who instead scrapes along the margins of a Western society that is unable to offer gainful employment to so much of its youth. In the background of this rapport between a simple Romanian youth and his marginalized Italian counterpart, there is a West which on one side is still reeling from the collapse of the Communist ideology and on the other, in the clutches of a Capitalist myth which has increasingly assumed, as it propulsive force, harsh competitiveness and an intensification of social inequality.
2008-03-21
5.5
Devising a fantastic universe, in which ancient make-up and costumes share the screen with contemporary elements such as limousines, helicopters and mobile phones, 'Philosophy in the Boudoir' intends to blur the borders of realism and make the spectator get closer to timeless issues. The boudoir inside an industrial plant brings an aggressive aesthetics to the teachings and orgies. The takes are developed in different ways. The franzy of orgies has a fast editing, whilst philosophical moments are long sequence shots. By bringing to the contemporary world a 200-year-old romance, we intend to trigger questions about the real moral changes in Western society. It is also interesting to highlight Sade's feminism. His female heroes are independent women, masters of their own sexual drive. At last, due to the solid theatrical background of the artists, the film was inevitably contaminated by unusual procedures, contributing to new possibilities of exchange between arts.
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