Aphasic correspondences(NaN)

Deshilando Luz(es)

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

A Propos d'Enedice(fr)

Winter Spring(nb)

A train moves through winter as a superimposed image of the same route in spring gradually emerges. Both moments coexist within a single frame, revealing two seasons happening at once.

Kolmesti: Mikko Sarvanne Garden(en)

Did you look at the sun for too long, until the shapes of the surrounding world stretched and the colors became distorted? In this music documentary, the band Mikko Sarvanne Garden performscompositions set to contemporary poetry: Heräämisen valkea myrsky, Valo jota pöly juo, and Hiljainen kuin metsä.

Fresno(es)

A film of and through the trees. Leaves catch, consume and resist the light through the seasons.

Josiane Balasko, un grand cri d'amour !(fr)

This documentary looks back on a career of a woman who, very early on, refused to accept the roles assigned to her. In the 1980s, while others were trying to please, she wrote "Les hommes préfèrent les grosses" (Men Prefer Fat Women), a manifesto ahead of its time, funny, feminist, and blunt. Later, with "Gazon maudit" (Damned Grass), she tackled homosexuality with a freedom that is still shocking today.

Amsterdam, through the eyes of(nl)

A visual poem shot on Super 8 through the streets and shops of Amsterdam.

We Exist Triply(en)

A sock puppet explores a family history told from the perspective of a mother and father.

I Am a Country(en)

Produced for the NFB by Crawley Films Ltd. for the Canadian Department of Industry Trade and Commerce. This film provides a showcase for products manufactured in Canada, from aircraft designed for special duties, to pre-cast bathrooms that can be installed in one simple operation. There is heavy-duty machinery developed for the special needs of Canadian industry. There are women's fashions of universal appeal. All bear the 'Made in Canada' label and can be viewed in this film in colour and at close range.

Variations on How to Farm a City(pt)

Sprout. In the vacant lots against the hammering of buildings always under construction, between walls of granite, cement and sheet metal with rust, moss and cats; on the hillside between the train and the river, next to the traffic on the highway, facing the subway, vegetable gardens sprout. In this city, the choreography of ancient gestures of cultivating the land is repeated day after day, without fail. Sowing, digging, harvesting, watering, eating, talking, resting and returning the next day. The longest day of the year brings S. João and nobody goes to bed, but when the sun rises, the discreet gestures of resistance will restart.

Home and Hatred(en)

Two filmmakers juxtapose field recordings and documented moving images as an attempt to reconcile with their place in their desensitized semi-urban hometown in India.

Les dents de la mer, un succès monstre(fr)

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

Ensemble à bicyclette(fr)

A look back at the filming of À Bicyclette !, written by and starring Mathias Mlekuz and Philippe Rebbot, which took place across Europe. During filming, the bond between Mathias Mlekuz and Philippe Rebbot grew stronger and many emotions came to the surface in this film filled with laughter, tears, hope, disappointment, and love.

Al jet(es)

Grata(es)

Return of the Fireflies(en)

In Bali, artist Daan Roosegaarde and local Balinese spent three years breeding a Firefly Garden where light returns at night. This love story of people and nature flickers with courtship, longing, and reunion.

Fragmentary(en)

In an attempt to represent reality, the boundary between life and art blurs between fragmentary images of someone and the praxis of an essay film.

Omniac(pt)

Right Below the Everest(pt)

A day in the life of a group of stray cats, who live in a wealthy neighborhood

Michel Blanc, sur un malentendu(fr)