Portrait of pioneering LGBT filmmaker Lionel Soukaz, who passed away in February 2025. His work lies at the crossroads of several film traditions that rarely intersect: experimental, activist, pornographic, and diary film. Based on both public and private interviews with Lionel Soukaz.
Portrait of pioneering LGBT filmmaker Lionel Soukaz, who passed away in February 2025. His work lies at the crossroads of several film traditions that rarely intersect: experimental, activist, pornographic, and diary film. Based on both public and private interviews with Lionel Soukaz.
2025-11-15
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6.5The story of the black, gay origins of rock n' roll. It explodes the whitewashed canon of American pop music to reveal the innovator – the originator – Richard Penniman. Through a wealth of archive and performance that brings us into Richard's complicated inner world, the film unspools the icon's life story with all its switchbacks and contradictions.
The hotel Gondolín is home to some 30 transvestites who practice prostitution as the only option to survive in a society that excludes them.
4.7Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.
1.0In 2008 French filmmaker Julie Gali traveled to the US to film the election of Barack Obama. In spite of this victory for civil rights, it soon became apparent that the rights of another minority were under threat. In California the passing of Proposition 8 marked the only time in U.S. history that a civil right was actually taken away after it had been granted. Upon seeing this, Ms. Gali decided to immerse herself in the growing grassroots struggle of the gay community, which culminated in the October 11, 2009 March for Equality in Washington DC.
7.0Freedom Uncut chronicles the tumultuous — yet creatively fruitful — period of George Michael’s life and career following the release of his 1987 solo debut, Faith, then through the creation and release of his 1990 follow-up Listen Without Prejudice, Vol. 1. Along with documenting his creative efforts during this period, the doc will also explore his relationship with Anselmo Feleppa — who died from AIDS-related complications — as well as the death of Michael’s mother.
0.0Scenes from the life of an aging homosexual couple - Wilfried Friedrich and Kurt "Kuddel" Schmidt. A relationship-comedy and at the same time, a trip into the German past and provincial life. The two men lead a life full of passion for trivial things, and they lead a pretty good marriage. Their story began before the fall of the Wall: one was a salesman in the west, the other was a waiter at a train station restaurant in East Berlin. The days of employment are long gone and the two men, both in their mid fifties, are confronted daily with the question of the meaning of life. They occupy themselves with various hobbies, like mini-golf, gardening, grilling, and above all, various well-maintained collections. For example, records, video cassettes, decorative plates, model trains, letters, and secret police files. Wilfried and Kuddel open closets to display their unbelievably well-organized collection of things and are themselves overwhelmed by all the memories.
0.0For decades, Le Tango, a legendary LGBTQ+ dance hall in Paris’s Marais district, welcomed everyone who loved to dance, regardless of gender or orientation. When the building was put up for sale in 2020, its music stopped, threatening to erase a vital community refuge. This documentary traces both the vibrant history and the fierce fight to save this iconic space. Through personal stories from regulars and activists—Grégoire, Giovanna, Christian, Livia, and others—the film revisits nights of drag balls, Dalida tributes, and joyous Madisons, revealing how Le Tango became a symbol of freedom and belonging. As filmmaker Antoine Vergez follows Hervé and the Tango 3.0 collective’s three-year struggle to reopen the club, the film becomes both a love letter to queer nightlife and a chronicle of collective resistance to cultural disappearance.
8.0Between the end of the Second World War and the abolition of the "offence of homosexuality" in 1982, 10,000 sentences were handed down in France. Sentences in correctional courts, fines and sometimes imprisonment, the convictions were mainly against men. The last witnesses of this period speak out and tell of four decades of clandestine life, just before the tragedy of AIDS.
0.0Nothing more than Pastor Silas Malafaia talking about homosexualism, abortion and moral depravity, flying saucers and aliens all at once. For 90 minute straight!
8.0Homicidal, marginal, notorious collaborator... her controversial death demonized Violette Morris, and overshadowed the life that preceded it. Yet the woman whom newspapers dubbed "our country's most intrepid sportswoman" was undeniably a pioneer. A multi-medalist sportswoman, Cocteau's inspiration and a hugely popular figure, she freed herself early on from all the limitations associated with her gender, refusing to accept the femininity imposed on her by the times, wearing a suit and short hair, accepting her homosexuality and her decision never to give birth. Rejected by both conservative society and the feminist activists of her time, she embodied a challenge to gendered binarity that disturbed everyone at the time. New research today offers a new reading of the destiny of the woman who played a key role in her contemporaries' access to sport, the wearing of pants and the right to assert themselves outside a man's shadow.
8.0“Being French in 2024 means being able to serve as Prime Minister while openly gay.” With these words closing his policy speech on January 30, 2024, Gabriel Attal made history. The documentary *Homos en politique: le dire ou pas?* uses this milestone — the appointment and visibility of France’s first openly gay Prime Minister — as a springboard for a broader inquiry. Journalists Jean-Baptiste Marteau and Renaud Saint-Cricq travel across France to meet LGBTQ politicians of all generations, from Paris to rural towns. Eleven years after the protests against same-sex marriage, has France really changed? Through interviews with figures like Bertrand Delanoë, Sarah El Haïry, Jean-Philippe Tanguy, Franck Riester, and others, the film explores how coming out intersects with politics, homophobia, and representation — questioning whether saying “I’m gay” in politics is still an act of courage or simply a sign of the times.
10.0Sebastian's (16) sheltered small-town life changes suddenly when his family takes in 15-year-old Kolja, supposedly the son of his father's recently deceased girlfriend. In addition to his little sister, another teenager now lives with them. Although the two boys are strangers to each other at first, they begin to open up to each other more and more and discover that they are biological brothers. The relationship of trust with his parents breaks down and when Sebastian and Kolja become closer than they expected, Sebastian's life is suddenly turned upside down, as he has found not only a soul mate in his new brother, but also a real, first love. Overwhelmed by their feelings, the two hide their relationship, but when the secret, incestuous relationship is discovered, the family breaks out of the social structure of the small town and comes into conflict with societal norms. Everything that follows is a rollercoaster of emotions.
0.0A homosexual movie about two strangers in quarantine.
5.9Chuck and Buck are childhood best friends whose lives have taken very different paths. While Chuck moved away and now has a real life, Buck stayed behind and developed a dangerous fixation—on Chuck's life.
6.3Steven Ray was never quite normal. But when tragedy strikes in the form of a deadly hit-and-run incident at a city cross walk, his violent and bizarre behavior becomes uncontrollable. One night, as Steven plots his next murder, he meets Percival, whose unsuccessful attempt at suicide not only interferes with Stevens plans, but the chance encounter also introduces the two into each others sad and lonely lives. Percival believes hes cursed after miraculously surviving each suicide attempt and concludes fate brought he and Steven together. So he hires Steven to assist him in suicide. Steven does not believe in fate and thinks Percival is desperate and delusional. But he accepts the offer. Easy money. After Percival continues to miraculously survive each attempt on his life, Steven starts to believe. He tries to help Percival figure out ways to break the curse. And in the process, they form an unlikely friendship through the common bond of tragedy.
3.9The real fate of Jiří Arvéd Smíchovský, a prominent hermeticist, occultist, believer in black magic and an exceptionally well-educated person with a brilliant memory. This avid book lover had doctorates in law, theology and philosophy and was fluent in five languages. He was interested in occult teachings, practiced magical ceremonies, was in contact with the Freemasons, but at the same time he was a member of the National Fascist Community while being homosexual. During the war he cooperated with the Nazis, after the war with the communist StB.
Our own 20-minute film documentary accompanied the public relations work of the HIB ("Homosexual Interest Group Berlin") from 1977 onwards, for example at a GDR-wide lesbian meeting in East Berlin in 1978. In the HIB there was a cameraman with his Super8 camera, a recently graduated television director, a script team, an actor, someone to carry the camera tripod and the will to capture our work on film (Peter Rausch). From 1973 to 1979, the "Homosexual Interest Group Berlin" (HIB) operated in the capital of the GDR. Its core objective was to create a counseling and communication center for queer GDR citizens (the term "queer" was not yet a term of the new emancipation movement at the time, but it did form the basis of the HIB's work). Film clips in Super 8 format soon became part of the HIB's presentation. At the time, Bodo Amelang had compiled further clips as independent small film contributions in a "kaleidoscope".