

In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.
Voice

In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.
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Experimental
0.0In 2014, the University of Florida women's softball team was the best it's ever been - and it's all thanks to one young woman, Heather Braswell. Though not an official member of the team, Braswell, a cancer patient and huge Gator fan, was their heart and soul. Find out why the ladies still wear sunflowers on game day in their hair to this day.
0.0A homogeneous structure of wind and light across tree branches in the South region of Isère
0.0A condensation of a handful of sunsets with various visual moods. Red and blue as opposites that still find a way to cohere. Concrete silhouettes over an ever-changing, expanding canvas. Every movement is collective, molecular. Over an invisible horizon, a chance presents itself to meditate on the “speed” of water (and the sea) and also for a more fluid kind of editing.
0.0An experimental tribute to Jean-Luc Godard, his documentary works and his insights in our modern world.
7.0A young woman lives with her sleeping husband. Prisoner of her loneliness, she refuses to accept that this man is only a memory.
0.0A documentary featuring 30 Argentinian women aged between 4 and 80, sharing their stories of resilience, strength, and unique perspectives on womanhood through performance art.
0.0A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
5.0An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.
0.0A fearless horse bonds two men to each other and to the traditions that define their community.
10.0Made in Japan, Last Room is both fiction and documentary. The occupants of the love-hotels and capsule-hotels tell their own intimate, dreamlike stories, interspersed with journeys through the archipelago's landscapes. Soon, these personal stories resonate with a collective history: that of Gunkanjima, the abandoned ghost island of Nagasaki, and then that of Japan as a whole.
0.0A Landscape documentary about the silent voids the living inhabit after everyone they love has gone.
0.0Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.
7.0Touching, growing, caring, dancing. Seedlings climbing around fingertips, birds morphing into humans. But the tender touches slowly fade as the shadows grow and the witches of the forest start to disappear. Rooted in patriarchal violence, history keeps repeating itself.
0.0A comfortable rhythm composed of light and shadow. Director Ogino-style absolute movie which freely manipulates geometric figures.
6.0In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.
Experimental Colombian short documentary on the treatment of livestock.
7.5In 150 years, twice marked by total destruction —a terrible earthquake in 1923 and incendiary bombings in 1945— followed by a spectacular rebirth, Tokyo, the old city of Edo, has become the largest and most futuristic capital in the world in a transformation process fueled by the exceptional resilience of its inhabitants, and nourished by a unique phenomenon of cultural hybridization.