Electofrenia(1978)

Swing con Son(es)

Music documentary about Billo Frómeta by director Rafael Marziano Tinoco from Venezuela.

Akiechi Weimei, Magical Mangrove(es)

Exploring the history, biodiversity and current affairs of Akiechi Weimei (Magical Mangrove Island) on the shores of the Lake Maracaibo in Venezuela.

Gerry Weil: Una historia de jazz(es)

10 Years of Indeleble(es)

This documentary tells the story behind "Indeleble", the album with which Los Mesoneros received four Latin Grammy nominations and toured many countries. "10 Años de Indeleble" features interviews, stories, and songs that had never seen the light of day, along with a live show in which Los Mesoneros perform, in order, the songs that were part of that first record.

The Revolution Will Not Be Televised(en)

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

Una Fabula Muy Trillada: The Legacy Of Dermis Tatú(es)

Two decades ago, Venezuela's power trio Dermis Tatú released their only album, "La violó, la mató y la picó" ("Raped her, killed her and cut her"). The band was an offspring from the separation of Sentimiento Muerto, and was formed by Carlos "Cayayo" Troconis (voice and guitar), Héctor Castillo (bass) and Sebastián Araujo (drums). The record is still considered by many as the most influential in the Venezuelan rock scene. Twenty years later, Castillo and Araujo remember the stories behind the recording, as a group of the current generation of Venezuelan rockers, not only explain its influence and impact, but also play all the songs from the album, making them their own.

Colonial Times(es)

Three centuries of Venezuela's history as a Spanish colony are considered from economic, political and social standpoints; evocations of the past are compared to the present. Based on the ideas and research of Federico Brito Figueroa, Alfredo A. Alfonso, Miguel A. Saignes, Josefina Jordan, and Thaelman Urgelles among others.

Dentro, fora do Brasil(pt)

Olympus vacuum(es)

A powerful Argentine political film stands on the figure of an outsider intellectual, Sebreli, but manages to transcend it, he becomes a touchstone to go through Argentina and its dilemmas, through this country that is proud of almost everything it should be ashamed of. From national icons like Gardel, Evita, Che, and Maradona the film dialogs with recent Argentine history and it does so with extraordinary energy, supported by a rarely seen use of all kinds of archive material in an almost Dionysian state of sampleadelia. The film arrives to a surprising reflection on nationalism, demagogic governments and delusions of unanimity; problems that are common to emerging societies that cannot find their ways to a freer and more egalitarian society.

Chiche(es)

Chiche is an ingenious and creative man who finds a strange rock, which he believes to be a fragment of a meteorite. Despite the little hope his family has in his projects, Chiche decides to bring it to an expert to determine its true origin.

Running with My Girls(en)

Tired of watching local government ignore their communities’ interests, five diverse female activists decide to run for municipal office in Denver — one of the fastest gentrifying cities in the country.

Emancipação e Primeiras Eleições - Historiando em Novo Barreiro(pt)

A Dangerous Assignment: Uncovering Corruption in Maduro’s Venezuela(en)

In 2016, Venezuela introduced the CLAP program to provide essential food items during the economic crisis. However, Armando.info journalists discovered that the powdered milk included was deficient in calcium and high in sodium. Investigations revealed Alex Saab, a government contractor, was behind the overpriced imports. Journalist Roberto Deniz exposed Saab’s corruption and fled to Colombia due to threats. From there, he uncovered Saab's money laundering for Maduro and bribes to opposition members. Saab was arrested in Cape Verde and extradited to the US. Saab must choose to collaborate with US authorities or face trial, while Deniz, in exile, continues his reporting despite personal risks.

Vamos Pal Matiné(es)

In its heyday, Changa Tuki, aka Raptor House, attracted thousands of young people to afternoon parties called "matinees", from those parties a controversial subculture grew, one that still echoes to this day. This is the story as told by its protagonists.

Sex Assistant(es)

A young couple with disabilities seek help to enhance their sexual relationship, and make a film about it. Their journey of obstacles reveal that the hardest hurdles are not physical.

Who Wants Tuki?(es)

The film portrays two of the most important producers of a movement born in the early 2000s, as well as the testimonies of some of its signatures dancers. In addition, it shows the initiative of Abstractor Collective to rescue and export the authenticity of a catchy rhythm that begins to count amongst its followers important producers and artist of the international electronic scene.

Venezuela at Home(es)

Two groups of Venezuelan dancers, while preparing for a dance battle, survive at traffic lights in the streets of Medellín. A group reflection on love, family and identity, far from home.

The Tamer(es)

Life, customs and the fight for survival in the desolate wastelands of the Venezuelan plains.

Bringing Out A Smile(es)

The daily life of the volunteers of the Compañeros de Batalla foundation, dedicated to providing support and hope to the children fighting cancer at the Pediatric Specialties Hospital in Maracaibo.

Final Absolution: History of a Photograph(es)

During a military uprising known as “El Porteñazo”, a priest is photographed while trying to help a soldier wounded in combat. The photo travels the world and is awarded the most important prizes in photojournalism, such as the Pulitzer Prize and the World Press. Throughout this documentary, photographers, editors and witnesses reveal various aspects surrounding that image: who is the priest, who was its author, the events that surrounded the photographic event, what was its political role and what said image represents in the history of Venezuelan journalism. Additionally, it allows the presentation of other photographs, some unpublished, that Rondón managed to capture in those difficult moments.