Sahel: Pátria ou Morte(2025)

A Powerful Noise(en)

Bookended by call-to-action quotes from Margaret Mead and Mahatma Gandhi, this inspiring documentary follows three extraordinary women -- in Bosnia-Herzegovina, Mali, and Vietnam -- as they lead day-to-day battles against ignorance, poverty, oppression, and ethnic strife.

Pensionnats catholiques de Guyane, la blessure(fr)

A Place in Nowhere(pt)

"Until one day... when the first shot was fired, everyone had to leave their homes." – In 1975, Ema was awaiting the arrival of her first child, in Angola. However, her tranquility was abruptly interrupted by a force that pulled her from her comfort and changed her life forever.

APA(en)

Children play amidst cycles of thunder and violence.

Vùng Trời(vi)

The Wire Game(en)

Wounded and left for dead, a British soldier embarks on a daring escape from a booby-trapped German dugout.

Guy Ritchie's The Covenant(en)

During the war in Afghanistan, a local interpreter risks his own life to carry an injured sergeant across miles of grueling terrain.

Ike: Countdown to D-Day(en)

The story of the senior-level preparations for the D-Day invasion on June 6, 1944 from the time of Dwight D. Eisenhower's appointment as the Supreme Allied Commander in Europe, to the establishment of the beachhead in Normandy.

Ynang-Bayan: To be a Woman is to Live at a Time of War(tl)

A documentary film, which focuses on the subject of women’s movement in the Philippines. Myth and legend overlap with history and politics as the women’s struggle is laid to bear in the individual stories and achievements of those featured in the film. The fragmented mosaic of voices and scenes allow for a plurality of views and opinions to account for the multifaceted and complex nature of Filipinas. From poetry to dance, politics to poetry – women chart their own lives in the auspicious event of change happening with the ascent of a woman to the country’s pinnacle of power.

Bosco's Guitar(en)

The true story of Bosco, a young musician orphaned and blinded by the 1993 Burundian genocide, is taken in by a member of the tribe he believes is responsible for the death of his mother. Bosco is forced to choose between hatred and hope.

Guerre aux images en Algérie(fr)

À Propos De... L'autre Détail(fr)

Documentary edited from testimonies on the torture of people who experienced the war. Some witnesses were tortured by Jean-Marie Le Pen. These testimonies will help defend the newspaper Le Canard Enchaîné in court against Jean-Marie Le Pen for defamation. The film was shown in 1985 during the trial and some witnesses also came to support the newspaper. But the 1963 amnesty law protects the politician, prohibiting the use of images that could harm people who served during the Algerian war.

Portugal: Carnations Against Dictatorship(de)

In Portugal, during the night of April 24-25, 1974, a peaceful uprising put an end to the last government of the Estado Novo, the authoritarian regime established in 1933 by dictator António de Oliveira Salazar (1889-1970), paving the way for full democracy: a chronicle of the Carnation Revolution.

The Law of Silence(fr)

The Law of Silence, a final-year documentary by Moïra Chappedelaine-Vautier at Femis, examines the 1963 Amnesty Law and the consequences it had on studies of the Algerian War. It brings together interviews conducted in 2002 with Henri Alleg, editor of the daily newspaper Alger Républicain from 1951 to 1955, and Pierre Vidal-Naquet, historian and essayist. It also features incredible statements from General Massu and lawyers unraveling the various legal defenses of people like Jean-Marie Le Pen. Not only does Moïra have her father, René Vautier, speak, but she also includes footage he himself filmed forty years earlier. A very interesting report, which notably reminds us that the Amnesty is not a pardon but the erasure of the sentence and also of the crime itself.

Fadhma N'Soumer(ar)

This film, is about the courage and the determination of a young woman in djurdjur"as mountain in Algeria, fighting for her ancestor land during the earlier years of french occupation.

Amina(en)

In 16th-century Zazzau, now Zaria, Nigeria, Amina must utilize her military skills and tactics to defend her family's kingdom. Based on a true story.

Jean-Marie Tjibaou ou le rêve d'indépendance(fr)

Through the commitment of Jean-Marie Tjibaou, this documentary traces the history of the march of the Kanak people in search of their independence. Between the raising of the Kanak flag in December 1984 and the funeral procession of the independence leader assassinated by one of his own on the island of Ouvéa in May 1989, there were years of struggles, dramas, palaver, hopes, of which Jean-Marie Tjibaou was one of the main actors. Will France be able to win the bet of a smooth decolonization of one of the last confetti of its empire? The authors meet the main protagonists of the "Tjibaou years", which were those of the Kanak people's dream of independence.

My Father, Nour and I(nl)

After twenty years, Wiam Al Zabari starts a conversation with his father. Why did they flee from Iraq? Why was that never discussed? Will he be able to let go of the past and embrace a Dutch future?

To Be Twenty in the Aures(fr)

A group of refractory and pacifist Bretons is sent to Algeria. These beings confronted with the horrors of war gradually become killing machines. One of them did not accept it and deserted, taking with him an FLN prisoner who was to be executed the next day.

Dark Night, October 17, 1961(fr)

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.