
Waiting for the UN is a poetic documentary about life in the desert, literally and figuratively. We follow the everyday life of a Saharawi family from occupied Western Sahara, who have lived ”temporary” in a refugee camp in Algeria for over 40 years. Waiting for God and the UN, as the father puts it.

Waiting for the UN is a poetic documentary about life in the desert, literally and figuratively. We follow the everyday life of a Saharawi family from occupied Western Sahara, who have lived ”temporary” in a refugee camp in Algeria for over 40 years. Waiting for God and the UN, as the father puts it.
2019-01-01
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0.0The Algerian region of Tindouf is home to more than 170,000 Sahrawis, who have been living in refugee camps since 1976, when Morocco occupied the Western Sahara region. In a place of inhospitable conditions and scarcity, the Sahrawi population lives on dwindling humanitarian aid. Six percent of them face the added difficulty of coeliac disease.
10.0My Sahrawi family' is a report - documentary that reflects the bonds of unity between Sahrawi families and Spanish families who every summer welcome minors from refugee camps into their homes.
0.0The Sahrawi people have lived in exile for almost half a century in the driest desert of the African continent. There, where basic resources such as water are scarce, there is a film school. As the world looks the other way, a group of young filmmakers carries out a battle against oblivion.
10.0BREAKING POINT brings viewers back to those tense, critical moments when Canada's future as a country was at stake.
0.0This is the true story of Fetim Salam, a Saharawi refugee falsely portrayed as a slave in the Australian documentary 'Stolen'. Australian filmmakers, Violeta Ayala and Daniel Fallshaw, travel to the Saharawi refugee camps in Tindouf, Algeria in 2007 and claim to discover 20,000 slaves in the camps run by the independence movement Polisario Front. Refugees are outraged for being portrayed as slaves, and humanitarian aid workers are incredulous about these allegations as they know the camps intimately. Filmmaker Carlos Gonzalez retraces their steps in search of the truth and finds a web of lies, misinformation and Moroccan operatives reshaping the truth.
5.5A serious crisis has shaken Spain since the referendum on self-determination and the proclamation of the independence of Catalonia by the government of Carles Puigdemont, bold actions firmly fought by the Spanish government by applying the constitutional article that allows it to place a region under guardianship. While Spain is on the verge of implosion, Europe is holding its breath.
8.0"Legna: speak the Saharawi verse" is an audiovisual poetry story that traces the essential elements of the Saharawi culture, chaining the verses recited in a rigorous and evocative way in Hasania and Spanish by the poets and poetesses themselves. Poems that sing and evoke the essence of Bedouin material culture linked to the movement from Saquia el Hamra to Rio de Oro. A magical journey from the Draa River in the north to Agüenit and Leyuad on the southern border with Mauritania, from the coast with the white beaches of Bojador up to the vague boundaries of the Badia. A Saharawi national territory marked by the trace of the recent history of revolution, war, resistance (intifada) and waiting. Territory, history, culture, basted from poetry full of life, love and nostalgia.
0.0In this exclusive broadcast, Democracy Now! breaks the media blockade and goes to occupied Western Sahara in the northwest of Africa to document the decades-long Sahrawi struggle for freedom and Morocco's violent crackdown. Morocco has occupied the territory since 1975 in defiance of the United Nations and the international community. Thousands have been tortured, imprisoned, killed and disappeared while resisting the Moroccan occupation. A 1,700-mile wall divides Sahrawis who remain under occupation from those who fled into exile. The international media has largely ignored the occupation—in part because Morocco has routinely blocked journalists from entering Western Sahara. But in late 2016 Democracy Now! managed to get into the Western Saharan city of Laayoune, becoming the first international news team to report from the occupied territory in years.
2.0Young Mohamed Dih, who in Seville, returns to his birthplace – a refugee camp in Western Sahara. Time flows differently here: the times of the day are marked by calls to prayer and the seasons – by the rainfall. When a torrential downpour destroys his family’s home, the protagonist stays in the camp for longer to help to rebuild it.
0.0With a national vote approaching to enshrine Indigenous peoples voice in the constitution, a dynamic Indigenous youth group travel on a pilgrimage across Australia to commemorate a historic civil rights victory. Buoyed by the imminent referendum, the group voyage through ephemeral Australian landscape in the microcosm of a minibus, sharing the rich, multilayered stories of their personal histories, as they dream up a hopeful new vision for Australia. As the results of the vote are counted, it’s impact on their future offer two paths – a hopeful breakthrough or another chapter in the long fight for recognition.
5.7Straddling a 2,400-kilometer-long wall constructed by the Moroccan army, the Western Sahara is today divided into two sections — one occupied by Morocco, the other under the control of the Sahrawi National Liberation Movement’s Polisario Front. Drawing from stories of flight, exile, interminable waiting and the arrested, persecuted lives on both sides of that wall, this film bears witness to the Sahrawi people, their land, their entrapment in other people’s dreams. In an esthetic that sublimates the real, Lost Land resonates like a score that juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.
0.0The Nomad Garden is an ode to the impossible. A young Sahrawi refugee shows how he grows organic vegetables and herbs in one of the most inhospitable places on Earth, overcoming challenges like the lack of water, extreme temperatures and a barren soil.
6.5The political upheaval in North Africa is responsibility of the Western powers —especially of the United States and France— due to the exercise of a foreign policy based on practical and economic interests instead of ethical and theoretical principles, essential for their international politic strategies, which have generated a great instability that causes chaos and violence, as occurs in Western Sahara, the last African colony according to the UN, a region on the brink of war.
0.0In the depths of the Algerian desert the Sahrawi people have been dwelling in the refugee camps for over 40 years. Camps gradually turned into settlements, named after towns in their homeland Western Sahara. One of them is called El Aaiún.
0.0Tebraa is the song of the women of the Sahara desert. Songs of love or lamentation that they sing when they are alone. This collective documentary made by a group of Andalusian women tells the life and injustices that Sahrawi women experience in the adverse conditions of exile and in the occupied territories of Western Sahara.
10.0In 2007, Ecuadorian President Rafael Correa proposed not to exploit the ITT block in the Yasuní National Park in exchange for $3.6 billion in international compensation. However, rising oil prices led to the reactivation of the project in 2013. The film documents the struggle of the Yasunidos group to call for a referendum to reverse the exploitation. The documentary, through archival material and current recordings, follows the effort and the legal battle against corporate interests throughout three governments, left and right. The documentary is part of a diptych with Toroboro: the name of the plants.
Documentary about the arduous early years of the Sahrawi cause (1977)
6.0The rocky desert in southwestern Algeria is the temporary home of about 150,000 refugees from Western Sahara. Goats grazing or the opening of a beauty salon are among the many scenes of everyday life of people who are eagerly awaiting the beginning of the film festival. The observational documentary captures the unwavering love of film in a place that the world has forgotten.