Formosa(2025)

Last Room(fr)

Made in Japan, Last Room is both fiction and documentary. The occupants of the love-hotels and capsule-hotels tell their own intimate, dreamlike stories, interspersed with journeys through the archipelago's landscapes. Soon, these personal stories resonate with a collective history: that of Gunkanjima, the abandoned ghost island of Nagasaki, and then that of Japan as a whole.

Being in a Place: A Portrait of Margaret Tait(en)

Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.

Making the Nature Scene(en)

Long before Kim Gordon was a cooler-than-thou multimedia artist in Body/Head, she was a cooler-than-thou multimedia artist in Sonic Youth. In the ’80s, Gordon and her bandmates were fixtures of New York’s downtown art and music scene; one regular haunt of theirs was legendary nightclub Danceteria, which served as the setting for a short film Gordon made sometime around 1985. Now, as Dangerous Minds points out, said video has surfaced online thanks to filmmaker/designer Chris Habib (a.k.a. Visitor Design). “Excellent video I found in my Sonic Youth archive,” Habib writes on the clip’s Vimeo page. “I digitized it for Kim during her [early 2000s] CLUB IN THE SHADOWS exhibition at Kenny Schachter’s old space in the West Village.”

Late Anthropocene(xx)

Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.

A Field of Sheep(en)

A field full of sheep is observed through the camera, preserving that moment in time forever.

Lala(pt)

Childhoods from different people and places collide through art.

Up the Yangtze(zh)

At the edge of the Yangtze River, not far from the Three Gorges Dam, young men and women take up employment on a cruise ship, where they confront rising waters and a radically changing China.

Reflections of a society(es)

In this 21st century, under the cloak of capitalism, governments, and other systems by which society is governed, this short film shows the true social reality of many people “on the street”.

Vacuumin’ Around(hu)

A documentary about a person who cleans his room with a vacuum cleaner, filled with disasters and mishaps.

Fair Use Vol 1. (All This Trouble)(en)

A compilation of TV news about black culture.

VHS Revolution(fr)

Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.

to boyhood, i never knew him(en)

Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.

Swinging Light(en)

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.

A Common Sequence(en)

An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning.

Celina y Chichi(es)

Próxima Parada(pt)

Experimental documentary that poetically exposes the reality of public transport in the city of Curitiba.

G(ode)ard(en)

An experimental tribute to Jean-Luc Godard, his documentary works and his insights in our modern world.

FASCISM(s): A Film in Six Parts(en)

Six sequences about Fascism and its segments throughout history.

The Mind We Live In(en)

Experimental documentary about what it means to be at peace.

The Garden Cadences(de)

Jone is ready to fly. She finds herself at the beginning of something new, but before she moves on, there needs to be a closure. Jone is one of Mollies, the queer-feminist collective that had been living for a decade at a trailer park next to Ostkreuz, Berlin.