Finish The Booze(2025)

Only Ghosts in the Waves(it)

Enrico Naso is an undertaker in Lampedusa. Constantly confronted with the death that lurks everywhere on this remote rock in the middle of the Mediterranean Sea, Enrico has chosen life, immersing us in what it means to be human.

By the Wayside(en)

Four friends (a background actor, a documentarian, a homeless musician, and a virgin) descend into a life-awakening 24 hours that involve excess drinking, prostitutes, a sage-like lounge singer and psychedelic drugs.

Knocked Up(en)

A slacker and a career-driven woman accidentally conceive a child after a one-night stand. As they try to make the relationship work, they must navigate the challenges of parenthood and their differences in lifestyle and maturity.

Tunnan(fo)

In a small Faroese village, four men find a sealed liquor barrel washed ashore at low tide. They hustle the heavy barrel into a basement, away from the prying eyes. Soon, however, the sneaking suspicion arises that instead of liquor, the mysterious barrel might in fact contain something else. Tensions run high as the host, Símun, eventually has to handle both the negotiations down in the basement, as well as his distrustful wife upstairs.

Reinventing Mirazur(en)

Mirazur, Argentine-born chef Mauro Colagreco's 3 Michelin starred restaurant on France's Mediterranean coast, was awarded Best Restaurant in the World on the eve of the pandemic. Not content to rest on their laurels, Colagreco and his diverse team soldiered on through the global tragedy of the lockdown, boldly reimagining the restaurant's concept and menu to reflect their dedication to biodynamic principles. Mirazur re-emerged with a new and enthusiastic approach: the Moon Menu.

The Yes Men Fix the World(en)

THE YES MEN FIX THE WORLD is a screwball true story about two gonzo political activists who, posing as top executives of giant corporations, lie their way into big business conferences and pull off the world's most outrageous pranks.

Saturday the 14th(en)

After his family moves to a new house, a young boy discovers a mysterious book that details a curse hanging over the date of Saturday the 14th. Opening the book releases a band of monsters into the house and the family must join together to save themselves and their neighborhood.

Sardou, autoportrait(fr)

Vampire Island(en)

This investigative documentary follows a team of archaeologists searching for the hard evidence behind chilling vampire myths, from the discovery of bodies staked into their coffins on the island of Lesbos to the New England vampires who died from tuberculosis.

I Can Do Bad All By Myself(en)

When Madea catches teenage Jennifer and her two younger brothers looting her home, she decides to take matters into her own hands and delivers the young delinquents to the only relative they have: their aunt April. A heavy-drinking nightclub singer who lives off of her married boyfriend, April wants nothing to do with the kids.

Chaplin et "Les temps modernes", La voie du silence(fr)

In 1936, the sound film had already been around for a decade. Nevertheless, Charlie Chaplin (1889-1977) made another silent film, "Modern Times", which only used sound effects as a dramaturgical device. Speaking is reserved for the apparatus alone. The film became a monument in the history of cinema for this very reason.

L'amour ouf : histoire d'un succès fou(fr)

Valley Girl(en)

Julie, a girl from the valley, meets Randy, a punk from the city. They are from different worlds and find love. Somehow they need to stay together in spite of her trendy, shallow friends.

Unconquered: Allan Houser and the Legacy of One Apache Family(en)

In decades past, Native American artists who wanted to sell to mainstream collectors had little choice but to create predictable, Hollywood-style western scenes. Then came a generation of painters and sculptors led by Allan Houser (or Haozous), a Chiricahua Apache artist with no interest in stereotyped imagery and a belief that his own rich heritage was compatible with modernist ideas and techniques. Narrated by actor Val Kilmer and originally commissioned as part of an exhibit of Houser’s work at the Oklahoma History Center, this program depicts the artist’s tribal ancestry, his rise to regional and national acclaim, and the continuing success of his sons as they expand upon and depart from their father’s achievements. Key works are documented, as is Houser’s tenure at the Santa Fe–based Institute of American Indian Arts.

PUD'CHALET(fr)

Lymelife(en)

A coming of age dramedy where infidelity, real estate, and Lyme disease have two families falling apart on Long Island in the early eighties. Scott, 15, is at the point in his life when he finds out that the most important people around him, his father, his mother, and his brother, are not exactly who he thought they were. They are flawed and they are human.

Street Trash(en)

A group of hobos begin melting into multicolored piles of goo after drinking sixty-year-old liquor. At the same time, the psychotic Vietnam War vet who rules the hobo camp snaps and begins killing at random. Two brothers set out to stop the liquor and the killer.

Trees Lounge(en)

Tommy has lost his job, his love and his life. He lives in a small apartment above the Trees Lounge, a bar which he frequents along with a few other regulars without lives. He gets a job driving an ice cream truck and ends up getting involved with the seventeen-year-old niece of his ex-girlfriend. This gets him into serious trouble with her father.

Shakes the Clown(en)

Shakes plods about his duties as party clown, and uses all of his free time getting seriously drunk. Binky, another clown, wins the spot on a local kiddie show, which depresses Shakes even more, and his boss threatens him with unemployment if he can't get his act under control.

Crooks in Clover(fr)

An aging gangster, Fernand Naudin is hoping for a quiet retirement when he suddenly inherits a fortune from an old friend, a former gangster supremo known as the Mexican. If he is ambivalent about his new found wealth, Fernand is positively nonplussed to discover that he has also inherited his benefactor’s daughter, Patricia. Unfortunately, not only does Fernand have to put up with the thoroughly modern Patricia and her nauseating boyfriend, but he also had to contend with the Mexican’s trigger-happy former employees, who are determined to make a claim.