
Shizuku and Tamami are geisha in Atami who are rivals at the same okiya (tea house). Shizuku is a miser who will use any tool necessary to get what she wants, including sex. On the other hand, Tamami believes in doing things the traditional way, with class. With opposing personalities, these two are always at each other’s throats. Tamami continues to blame herself for her mother’s suicide while Shizuku never knew parental love and doesn’t have good luck with men. Learning each other’s past, the two seem to have built a strong bond… that is until Kenzo, the event producer of the 2020 Tokyo Olympics comes to Atami. Kenzo will be making a movie about traditional Japanese culture for PR and would like to have either Shizuku or Tamami in it. Tamami sees this as an opportunity to fulfill her dead mother’s dreams, while Shizuku sees this as a path to getting rich. The two compete for who will get the contract for this dream opportunity.

Kenzô Shigeta
Kazuki Yamada
Rin Wakuda
1.0Hitomi, who works for a publishing company, was in a hurry to go home after hearing the news of his father, Shinsuke. However, when Shinsuke, who should have died near his house, appears in a car, he is introduced to Yuki who sits in the passenger seat, and is told that he will divorce his mother, Sanae. Meanwhile, Sanae was checking the documents for divorce talks with lawyer Ishii. However, the two have already become a deep relationship beyond the relationship between the client and the lawyer. Although her eyes were heartbroken by the situation of such a family, she also had an affair with the editor-in-chief of the publishing company.
3.3Natsumi, a housewife, has built a happy family with her husband, Yudai, who works for an advertising agency, and her only son, Nautical Mile, who is a high school student. However, Natsumi and Yudai have been sexless since the birth of Nautical Mile. It is the tacit understanding of the couple that "sex is done outside the home", Natsumi enjoys affair with Tanaka, an elderly caregiver who is a part-timer, and Uchimura, who met at a joint party, and Yudai enjoys an affair with a married woman, Miki, who rides on a ball. There was. Meanwhile, Natsumi reunites with her former neighbor, Ryoko ...
Kohei Hayasaka's lover, Kohei, died in a disaster several years ago. Hikari leaves Kohei's room as it was, prepares food on the anniversary of his death, carefully cleans his body in the bath, has flirting sex with the phantom Kohei in a naked apron like a newlywed ... and wakes up from that dream. He returned to the everyday world and was silently doing his job at the fishery cooperative.
1.0Izumi Yasuura, who came to a port town, started working at a snack run by Mako. Izumi's mild personality and cute appearance make him a popular figure among florist Shoichi and regular customers. One evening, Izumi meets Mikio, who plays a folk guitar alone at the foot of the bridge. Eventually they fell in love and started living together. However, a few years later, Mikio transformed into a thug and became a string of springs ...
4.3A man and woman meet when he pulls her out of an icy fountain that she has just jumped into. But their developing romance is marred by bad friends, money troubles and illegal sex work.
2.018 year old Yukio breaks up with his boyfriend in order to work at a horse farm and take care of an injured racehorse.
4.7A taxi driving, punk rock listening, serial rapist with a bad attitude picks up female fares, sedates them with gas and takes them to his grungy lair where he video tapes his sexual abuse.
2.0A free spirited woman signs a contract with her boss to be his mistress but finds she needs more satisfaction than he can give.
3.0A young woman is troubled by vivid sexual dreams triggered by her experiences as a trainee nurse.
7.2Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.
1.0One of legendary "pink" director Hisayasu Sato's first of over 50 examinations of love and sex among the dregs of society, this downbeat picture deals with a sleazy rapist (Taketoshi Watari) who starts a doomed romance with a sullen teenage reject.
2.0This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.
3.0A complete change of pace for cult pinku-eiga filmmaker Hisayasu Sato, this softcore farce set in a women's clinic looks more like one of Siggi Gotz's German romps than a film from the director of OL Renzoku Rape: Kyonyu Musaboru or Kamen No Yuwaku. The zany antics include the misadventures of a voyeuristic nurse, an exhibitionistic patient, a doctor and nurse who engage in S&M, a hypochondriac, and a lesbian nurse who sleeps with the patients.
4.0Cult filmmaker Hisayasu Sato's second comedy of the year, this silly softcore effort stars pretty Nao Kikuchi as a young married woman who takes a job at a call-girl agency with the mistaken belief that it is a maid service. After she is raped on her first assignment, Kikuchi is understandably shocked, but quickly warms to her new career and becomes quite the professional. Unfortunately, her husband soon discovers the true nature of her work.
1.7A mentally disturbed prostitute claims to have lost her baby in a heavy S&M session. As she begins a similar relationship with a man whose wife left him because of his kinky urges, their mutual mental deterioration leads them down a spiral toward a double-suicide pact.
2.0Kasumi Yuka heads the cast of this silly softcore film from Hisayasu Sato, the usually far more sober cult filmmaker known for grim depictions of alienation and sadism. Yuka plays a cranky harridan who uses her vibrator to administer questionably effective punishment to people who annoy her.
4.8Although its title indicates three personalities, the heroine of cult filmmaker Hisayasu Sato’s downbeat multiple-personality tale actually exhibits four, going from loving wife to crazed slut to insane child to depressed adolescent. As usual, Sato fills the film with alienation, kinky sex, and psychological subplots.
4.5"Tachibana Yusen" in a certain town. There is a public bath that Kasuko, who has extraordinary big breasts, inherited from her father. There are regular customers from my father's time, but young people and old people gathered for Kasuko's big breasts. However, it was decided to open a sports gym with a spa in the neighborhood, and as a countermeasure, he was considering new services with regular customers.
4.3Shinohara, a young bodybuilder, joins a para-military sect in northern Japan. His instructor, Takizawa, takes a liking to the new recruit. After an early “special” training session the two develop a lasting and loving relationship.
2.0When he is hit by a car on the street, the young man Daikoku foresees the monster Demking appearing at the end of the century. In preparation for the coming confrontation with the Demeking, he organizes a modern-day Seven Lucky Gods composed entirely of antisocial people. This is a utopian epic that, despite the ridiculousness of the story, is the most powerful depiction of the motifs seen in the first two films, which attempt to play on the sense of apocalypse through unrealistic imagination, while staying within a tenuous sense of reality.
