A record, of sorts, of the birth and death of Tinguely’s famous auto-destructive sculpture. Filmed on the spot at MoMA, this film also exploits a wide range of camera and editing techniques to give it a life of its own, independent of and parallel to the subject. — Anthology Film Archives
A record, of sorts, of the birth and death of Tinguely’s famous auto-destructive sculpture. Filmed on the spot at MoMA, this film also exploits a wide range of camera and editing techniques to give it a life of its own, independent of and parallel to the subject. — Anthology Film Archives
1960-12-31
4.1
Breer’s animation explores the theme and variation of the drawn line: a line in constant movement and transformation. With a very sketchy style, he demonstrates how a simple, abstract image can fill and satisfy the imagination of the film viewer. - MoMA
Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.
Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.
After Police Chief Carter discovers the remains of eleven women, FBI Special Agent Petrovick is recruited to profile the serial killer responsible for the infamous "boneyard" killings. As the police force, narcotics agency, and FBI lock horns, a tangled web of intrigue turns everyone into a suspect.
When a construction worker unexpectedly joins a local theater's production of Romeo and Juliet alongside his estranged teenage daughter, the drama onstage starts to mirror his own life.
Now fully revealed as the ultimate threat to existence, the Anti-Monitor wages an unrelenting attack on the surviving Earths that struggle for survival in a pocket universe. One by one, these worlds and all their inhabitants are vaporized! On the planets that remain, even time itself is shattered, and heroes from the past join the Justice League and their rag-tag allies against the epitome of evil. But as they make their last stand, will the sacrifice of the superheroes be enough to save us all?
A burned-out professional sniper finds himself trapped in an all-glass penthouse by a lethal competitor and must find a way to survive and escape with little to no cover between him and the killer.
The story unveils the mysterious world of Club X, one of Thailand’s most famous urban legends. Club X is a hidden community where people from all walks of life gather to discuss their most bizarre sexual experiences. The members include a photographer who supplies a special service for club members, a quiet student who runs a porn website, a porn retailer who loves to expose himself in public, a yuppie addicted to phone sex and a psychiatrist with a mental problem of his own. However, their activities soon start to attract attention when a Club X members stalks a famous actress and photographs her naked. The police send Ja, an experienced and sexy policewoman, to investigate the Club.
Phillip and Suzanne are retired from the spy game, living peacefully off the grid. That's until their whereabouts are discovered by Vlad, the vengeful brother of their target from the first film.
The journey of Gabriel and Daniel, two brothers cursed by the Chinese mafia with its feared Three Generations Revenge, who have already reaped the life of their grandfather and their father. To survive, one of the brothers must learn the Smoke Style secrets, a little known Cannabis martial art, taught by a single master, high up in the mountains.
Nedumaaran Rajangam "Maara" sets out to make the common man fly and in the process takes on the world's most capital intensive industry and several enemies who stand in his way.
Pushpa struggles to sustain his sandalwood smuggling business in the face of tough opposition from the police, led by arch-rival Bhanwar Singh Shekhawat.
Elyas, a former Special Forces soldier who has become paranoid since a mission in Afghanistan, is recruited to ensure the safety of Amina and her daughter Nour, 13 years old, both of whom came from the Middle East for the holidays. As he takes office, Elyas senses something is up.
After running out of money while backpacking in a tiny, male-dominated town in the Australian outback, two friends resort to a working holiday at the Royal Hotel. When the locals' behavior starts crossing the line, the girls find themselves trapped in an unnerving situation that grows rapidly out of their control.
An ordinary rideshare becomes a high-stakes game of cat and mouse when Jaq and Shane receive an alert of a child abduction on their phones. Quickly realizing they are behind a car that matches the description of the kidnapper’s, Jaq and Shane desperately race against time to save the child’s life.
It's Christmas and Miranda leaves Seattle with a suitcase full of presents to join her long- lost family in Carlton Heath, where she will experience the joyful traditions she missed as a child. Last Christmas, Miranda fell in love with Ian, a local man who helped her as she searched for her father, James Whitcomb, a famous theatre actor she believed had a connection to the town. At his widow Margaret’s request, Miranda agrees to keep it a secret to protect the family from scandal.
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.