In early 2023 Historic England commissioned MSDS Marine and Michael Pitts to produce a film to celebrate fifty years of Protected Wreck sites and the role volunteers have played in their management. The film draws on Michael’s extensive film archive as well as new footage to really showcase protected wreck sites through stunning imagery and explores the role volunteers have had on working on them through a series of interviews.
In early 2023 Historic England commissioned MSDS Marine and Michael Pitts to produce a film to celebrate fifty years of Protected Wreck sites and the role volunteers have played in their management. The film draws on Michael’s extensive film archive as well as new footage to really showcase protected wreck sites through stunning imagery and explores the role volunteers have had on working on them through a series of interviews.
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7.5The first of a documentary serie about rural France.
6.0A house. A shelter. A man the last one left in the homeland. A woman returns to her community every year. The daughters and husband who have lost all traditions. A rapper who raps in the old language. In 1990 Susanna marries Udo. Their wedding is the last one celebrated between two Saxons in their village. After that the couple emigrated like half a million of Transylvanian Saxons. After 30 years in Germany the relationship between Susi and Udo has gone stale and they haven't taught their native language to their daughters that feel just German. Georg on the other hand is proud of his identity. He hopes with his rap to spread the young generations about the heritage to make them proud of being a Saxon. This is the choral story of a family who is learning to change in order not to disappear.
For centuries, freeminers have held the right to mine coal anywhere within the Forest of Dean. To become a freeminer, one must be over 21, born within the hundred of St Briavels, and have worked underground for a year and a day. Today, Forestry England administers the mining tradition, with only a few freeminers still venturing underground in search of the elusive ‘black gold,’ helping to keep this unique heritage alive. This short documentary offers a rare glimpse into the lives of those most connected to this fascinating practice. Through their eyes, we explore the dark depths beneath the ancient forest floor and uncover an enduring way of life.
7.9Thanks to new excavations in Mauritius and Madagascar, as well as archival and museum research in France, Spain, England and Canada, a group of international scholars paint a new portrait of the world of piracy in the Indian Ocean.
0.0As historic ships vanish from British waters, a group of passionate volunteers fights to save the Balmoral—a 1949 passenger vessel moored in Bristol’s iconic harbour—battling time, bureaucracy, and financial struggles to preserve a piece of maritime history before it’s lost forever.
0.0Yin Honqiang, a master carpenter from Jiangyin, has been working with wood for over 50 years. Along with his son and his grandson, they create handcrafted pieces of furniture of the highest level, what lead them to be one of the most important furniture makers in all of China. Take a seat is a close look at their way of working while keeping the tradition alive throughout generations.
9.0A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.
10.0Three classmates talk about the Way of Santiago and the Galician heritage.
0.0At 88 years old, Ofelia reflects on her life under the attentive gaze of her grandchildren. Family, love, disputes, adventures, and tragedies. A story brimming with characters that, as a result of the passing of time, leaves Ofelia as the sole witness to recount it
0.0What does blood have to do with identity? Kendra Mylnechuk, an adult Native adoptee, born in 1980 at the cusp of the enactment of the Indian Child Welfare Act, is on a journey to reconnect with her birth family and discover her Lummi heritage.
10.0A documentary about the life of the filmmaker’s grandfather and his life growing up in Fascist Italy to meeting his wife and immigrating to America.
A powerful cultural documentary about a Caribbean father and son who return to Grenada to reclaim ancestral stories. Blending folklore, myth, and underwater visuals, the film preserves Black heritage and reframes the feared Jab Jab as a symbol of resistance and identity.
8.0With an area three times larger than Pompeii, Baia, about 15 km from Naples and within the volcanic area of the Phlegraean fields, is the largest underwater archaeological site in the world. In 100 BC Pompeii is an ordinary city of small traders crouched on the slopes of Mt. Vesuvius, while Baia gains a peculiar reputation: it gradually becomes the ancient Las Vegas or Monte Carlo of the Roman Empire, a real posh center for noble gens and the powerful . Nestled in the center of the Gulf of Pozzuoli, Baia is flanked on one side by the port of Puteoli (ancient Pozzuoli) and on the other by the port of Capo Miseno.
0.0In December 2004, 120 years after it was built by the Spanish, Fort Villa Cisneros, a unifying symbol of tradition and modernity in the history of the Sahrawi people, was destroyed by Morocco, ignoring the voices of those who pleaded for its preservation in favour of respect for the community’s past.
0.0The film is about inspiration, reminding the power of collective action, the importance of preserving the heritage of Santa Ana, and the boundless potential that lies within the community. It is a story that deserves to be told, a story that will resonate with audiences of all ages and backgrounds.
7.0The story of the Trojan Horse is probably one of the most famous stories ever told: after ten years of bloody war, the Greek coalition decides to lift the siege and depart, but not before leaving at the gates a huge wooden horse, which the Trojans confidently lead into the city. A few hours later, the once invincible Troy goes up in flames. What exactly happened? Is this myth true or false?
Negotiating Amnesia is an essay film based on research conducted at the Alinari Archive and the National Library in Florence. It focuses on the Ethiopian War of 1935-36 and the legacy of the fascist, imperial drive in Italy. Through interviews, archival images and the analysis of high-school textbooks employed in Italy since 1946, the film shifts through different historical and personal anecdotes, modes and technologies of representation.