Ode à Imagem(2025)

The Passion According to G.H.(pt)

G.H., a well-to-do Rio sculptress, enters her maid’s room, sees a cockroach crawling out of the wardrobe, and, panicking, slams the door on it. But the sight of the dying insect provokes a mystical crisis.

Clandestina Felicidade(pt)

Scenes of the childhood of a girl, living in a small Brazilian town.

Seco Estudo de Cavalos(pt)

In this videoart, the creator uses mixed media animation as they read a Clarice Lispector short story. Drawing a comparison with her own life experiences, she questions what it means to be a lesbian. Excluded from every aspect of the patriarchal life, she creates her own identity through her loved ones, relying on the precursors of the lesbofeminist movement.

Clarice(pt)

In one of his letters, the writer Fernando Sabino tries to describe the complexity of his friend Clarice Lispector. During the process, Fernando rambles in his imagination, blurring the line between reality and fantasy in his creative process.

Quem Sou Eu?(pt)

Teresa is a black woman who suffers a racist insult from her boss, affected by the comment, she is unable to go to work. While Teresa remembers her past, a cockroach emerges from the bottom of her closet. From that moment on, Teresa will rethink her decisions and the things she left behind.

Clarice Lispector: A Descoberta do Mundo(pt)

Documentary essay made from several cuts of interviews with Clarice Lispector and her family and friends in a visual poetic seam of adapted excerpts from her work.

Fio do Afeto(pt)

Thousands of Brazilian women have contributed to the fight against the Covid-19 pandemic thanks to a solidarity network of mask making and donations. Eight women seamstresses - quilombolas, indigenous, riverside, and peripheral - reveal how they came together to survive, ensure income generation and food security for their families, filling gaps left by the State.

Elis & Tom: It Had to be You(pt)

Elis & Tom is considered one of the most important albums in the history of Brazilian music. Recorded in Los Angeles, in 1974, it was all captured by a team of filmmakers led by director Roberto de Oliveira, who arranged for the duo to meet. The original footage was kept for 45 years until restored and remastered in 2018. The film is also an exciting reunion of the director with the artists and the material he filmed nearly five decades ago.

Luzes, Mulheres, Ação(pt)

Otto: De Trás p/ Diante(en)

The life story of journalist and writer Otto Lara Resende. Paulo Mendes Campos, a personal friend of Otto, provides intimate insights into the artist's life. The documentary's central theme is the interview published in 1975 in Manchete magazine, celebrating his centennial.

Quando a Coisa Vira Outra(pt)

Vladimir Carvalho's Cinema of Inequality marked the documentary filmmaker's trajectory over decades of activity. Considered one of the most important Brazilian documentary filmmakers in activity, his images influenced the emergence of Cinema Novo and the new Brazilian documentary years later. Quando a Coisa Vira Outra covers the most important films made by Vladimir, revealing where ideas come from to show the true reality of a country.

O País da Pornochanchada(pt)

The son of a filmmaker from the 1960s and 1970s searches for his father's latest unreleased work. In this search, he retells the history of pornochanchada and presents a look at cinema and Brazil.

The People Between(en)

A BAFTA UN Award nominated feature from Canada.

The Alabama Solution(en)

Incarcerated men defy the odds to expose a cover-up in one of America’s deadliest prison systems.

if you seek amy(xx)

Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.

With Each Other(th)

Our Conversation Through Video Call, Leading Her into the Realm of "Force"

This House(en)

In this dreamlike film, Miryam Charles explores the depths of grief, exile and familial memory. Through the story of a young murdered girl, she evokes the invisible but palpable presence of spirits and ancestors in a Haitian diaspora family living between Canada and the United States. Ethereal, superimposed images unfold across Haitian landscapes, which, despite the ambient heat, appear to be bathed in a cold light. The funeral march emerges as a distant voice, a ballad, and a song from beyond the grave that combines nature, the sea, love and life after death.