Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.
Retainer
Kotani Zenzaemon, a ronin who has a side job making brushes in a tenement house in the back alley, is watching Omine, who lives with him, from Kichizo, a resident of the same tenement house and a boatman. is asked to Kichizo and Mine have eloped and got married, but she feels empty in her boring daily life, and she wants to take a break by crossing the bridge over the river. On the other hand, Kichizo forbids him from crossing the bridge, fearing that his whereabouts will be known to others. Zenzaemon superimposes the appearance of these two people on the appearance of his former self and his wife, whom he killed himself.
Cult director Richard Stanley brings Marillion's music to the screen in the 50-minute BRAVE. A teenager believed to be suicidal is discovered wandering near the Severn Bridge. Suffering from severe memory loss, she seeks information about the mysterious events that led to her condition. This work of fiction was inspired from the true story of an amnesiac woman found at the bridge.
A man comes to the city, seeking revenge from another man for killing his grandmother. He begins to woo the man's daughter and when the time is right, abducts her and holds her hostage.
A notable opera singer tries to commit suicide because of a emotional breakdown. While hospitalized in a psychiatric clinic, her daughter cautiously approaches the man she considers to be the blame for the state of her mother in order to gain her revenge.
A businessman with a disfigured face obtains a lifelike mask from his doctor, but the mask starts altering his personality.
A Swedish pastor fails a loving woman, a suicidal fisherman and God.
Two middle aged German brothers - one New Age and recently divorced, the other uptight and sceptical - travel to a Zen monastery in Japan in search of enlightenment, or perhaps just in search of themselves.
Two years after the murder of his son and father, a retired hitman sets in motion a carefully crafted revenge plan against the killer: his own brother.
In a crisis with his wife, a man consoles himself with an attractive girl, but hesitates when he discovers she's trans. That "something more", however, does not prevent him from continuing the relationship, which becomes embarrassing when the two also join the wife, attracted by the novelty. The unusual triangle is not destined for a happy coexistence and fate will prove tragic for everyone.
Young script-writer Frantisek (Petr Cepek) is hired to write a film script based on the successful novel Looking Back. He meets with the novel's female author, a University professor and writer named Olga Machová (Jirina Trebická), approximately ten-years-older than him. In the beginning, they do not understand each other at all. Frantisek is a skeptic experiencing a moral crisis, unsatisfied with both his work and his private life - he lives separated from his wife and has no deeper feelings for his numerous lovers. He even gets drunk from time to time and breaks the public peace. Olga is lonesome, too, but considers her life fulfilled.
After witnessing his wife's illicit affair, a humiliated businessman flees deep into the countryside where he encounters a reclusive war veteran. Together, they strike a maniacal pact to take revenge on the man who cucked him.
He was married to his lover's butterfly and started a new residence. But good things do not last. In his uncle, Uzaemon in Kawashima, Yoshiji Akaji, Yoshimoto's lender, and Kanehira Akagi, the older brother of the former loan of Mishima, played a challenge. It is said to open the ladies' room to the settlement of Wada island. Although Jiro headed to Shigetsugu for arbitration, he was forced to surrender. In such a case, Jiro became chased by Kinpei and others.
A gambler, fresh out of prison, and a beautiful hooker find themselves caught in an underground scheme that's spinning wildly out of control.
A sci-fi family drama is set in two time frames: the deep future, that is left with no future, and the near future, that will bring about the eventual dystopian collapse of society. Protagonist Lew Aron survives both time frames and is set to discover a potential outlet to confront his innermost desire, or what’s left of it.
At a movie studio in 1988, rookie director Hanako Hayashi is making her directorial debut, the erotic As Far as Love Will Take Us. She's under pressure from her producer and crew. When she is about to shoot the climax of the film, numerous problems arise. To make matters worse, the set is visited by a censor from the Film Certification Committee, and the key scenes end up being cut out to avoid an R rating. Can Hanako realise her dream?
A look at the lives of migratory farm workers, focusing on one family.
When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.