La bolsa / Die Tüte(2025)

Broken Eyes(es)

Arrancar los ojos is a project that proposes a constellation of works around the gaze and its political dimension. A reflection on the concepts of institutional violence, repression and collective trauma, focusing on the pattern of eye attacks by state security forces.

Ode to masturbation(de)

R52.9 Pain, unspecified(de)

Period pain varies greatly in terms of its form and intensity. It is not easy to describe in words, and it is often trivialized and dismissed. This film aims to break this taboo and visualize the feeling of having a period based on personal experiences, making it more tangible.

Will vs. Wilderness(de)

Elke Kruse lives alone on her old farm in North Frisia. She was born during the Nazi regime in 1935, was a queen of the shooting range, and mainly tends to her beautiful garden these days. But there’s a mole that regularly destroys the gorgeous idyll with holes and black mounds of dirt. Elke wants revenge and hatches a plan. A documentary western set against the vast Frisian horizon.

Alternate Earth(de)

A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, which has destroyed its own planet. But is it even possible to escape old patterns?

Antilopen Gang - Der große Punkrock Schwindel(de)

Beatsteaks - Dead Man(de)

Cremaster 3(xx)

CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...

Iizuna Fair(ja)

In the midst of the frenzy night a man finds himself lost in the crevasse of time. It was not the grotesque beings nor the monsters, but it was he who “was here, but wasn't here”. He was the phantom. Buried under memories full of inhibition and promises that never kept – words washed up on the shore – time keeps him at a distance from the “place”. And he hears poems coming on the waves from the other side rhyming and lapping against the shore. A 360° scope video Installation commissioned by Nagano Art Museum.

Disappear Here(en)

2 Small Channel Video Installation, featuring a monologue excerpted from an untitled novel by Alissa Bennett

Vous qui entrez ici(fr)

Animated film installation for exhibition “Opera as the World”

Pixel Forest(en)

Each pixel is separated like an exploded screen, set in a chaotic way into the space. The video has a whole movement in the room, as one three dimensional image. The experience resembles the brain, working with electromagnetic waves and low voltage information.

In the Dark(en)

A film as part of the Spellbound installation at the Hayward Gallery in 1996 by Peter Greenaway.

Violent Incident: Man-Woman, Segment(en)

In this video work Bruce Nauman explores violence, gender and behaviour. Set around a simple middle class dining table, the scene quickly escalates into a slapstick fight between a man and a woman. Their actions become increasingly more erratic and aggressive yet also ridiculous and cartoon-like as the video progresses. Nauman explores the ways in which anger can be provoked by others and questions the way we can react to them. Much like many of his other artworks, he employs the use of humour and exaggeration to explore serious and even dangerous topics - he produced this work as a result of his frustration with futile acts of violence in ordinary life. He explains, “The viewer is presented with a hypnotic repetition of pointlessly cruel and destructive violence which is both seductive and alienating.”

I'm Just Happy to Be Here(en)

An installation containing video files of the artist's persona, alongside a karaoke piece of her as she watches her viewership fall and two mirrors side by side of messages she received, from two different users online.

Dark Matter(en)

The camera hovers above the Mir diamond mine in Sakha, northeastern Siberia, one of Earth's largest kimberlite pipes. This colossal crater spans a continuum of Soviet and Russian resource politics from Stalin to Putin, where technology and ideology inscribe military and economic imperatives into a landscape transformed by radioactive residues and industrial toxicity. Dark earth is excavated and transported, the images governed by extraction processes that sustained the Soviet Union through Sakha's mineral wealth. Out of dense nocturnal fog, debris and dimly lit industrial plants slowly crystallize, apocalyptic scenery alternating with undulating earthworks evoking folds of velvet. The observational camera remains still, registering rather than narrating, while a finely arranged soundscape transmits the ceaseless whirring of machines. Finally, the camera descends into the open pit, its contours dissolving into darkness, like an infinitely slow fall into bottomless depths.

Highbushes burning(xx)

The chasm through which light bleeds , bleeds out of proportion with bright spectral flickers flaming the trees abrading out the tissues with excruciating vigour gaining momentum

Familiar Slip(en)

In Familiar Slip (2019) Seraj revisits places of significance that have shaped her experience as an Iranian livingabroad. Seraj physically projects her extensive archive of videos from her life in Iran onto the domestic spaces of her current life in Canada and the US. Some of these places from her past, such as her grandmother’s home in Tehran or childhood school in Dehkadeh, no longer exist. Seraj re-stages the fragments of her memories through the process of folding time and collapsing space in an effort to carve out new neurological pathways, making use of the present to recreate the past, while recognizing the impermanence of all things. Familiar Slip is an attempt to fix these recollections into a more lasting medium: a requiem for faded memories.

Skin Shade Night Day(en)

Skin Shade Night Day explores the daily routine and rituals practised by the artist’s Cambodian-Australian family, which are reperformed and documented through a process of embodied empathy. Acts of service, such as gardening and cooking, play out as echoes from the past across a sound and image installation displayed in a shadehouse. Spectres, shadows and aural textures conjure up impressions of a place that remembers how its inhabitants once lived.

HEMISPHERE(de)

HEMISPHERE is an artificial space created by 5 high definition beamers projecting onto a suspended cupola.