El Horror de tener un cuerpo(2024)

Poison Sangga: The Homewrecker's Curse(id)

Soon after getting married, couple Maya and Andi begin to experience eerie disturbances from unseen malevolent forces.

Dendam Malam Kelam(id)

An official Indonesian remake of "The Body" by Oriol Paulo (2012).

The Body(en)

When a friend calls in the middle of the night, anybody would worry about the reason. Hesitant and curious, a friend embarks on a journey with an unknown destination. His only clues are a shovel in the back and the stoic expression worn in the driver’s seat

Is It A Plaisir(en)

'Is it a plaisir' is an experimental short film that explores femininity and the body as a sharp territory, crossed by the tension between desire and imposition. Through symbolic, sound and visual saturation, the film acts from pleasure (plaisir), revealing a liberation that emerges in the midst of excess, where intensity and lightness, dark and light, intertwine, collide and converge.

In My Country Men Have Breasts(en)

Akbari was diagnosed with breast cancer in 2007 and she lost her breasts due to the cancer. After she directed, wrote and acted 10+4 which showed her struggle with the cancer, the depiction of the artists body became central in her works. In the same year, Akbari photographed her own naked body for the photo project titled Devastation. Although it was pretty risky, put herself in danger and prohibited to exhibit Devastation in Iran due to the naked images of her own body, Akbari continued to depict her own body as a new medium and new material so that she provided a video secretly as well. In 2012, after Akbari left Iran due to the barred situation of filmmaking and arresting film makers, she uses the video that shoot secretly from her own body in 2007 and juxtaposed with new images and the song of Ahangaran, who was a singer for the war time between Iran and Iraq. As a result of her action and performance, the video project titled In my country, Men Do Have Breasts happened.

min krop, men mit hoved(da)

In, out and about(en)

An exploration of the interconnected experiences of queerness and illness, this film navigates personal and collective journeys through medical spaces, sexual violence, and survival, displays the profound impact on body and identity.

Las mañanitas(fr)

Writing a letter to Paul B. Preciado, trans philosopher and filmmaker, as one would write to a friend. Undertake a healing process as a queer child growing up in a Spanish evangelical family. From Lausanne to New York, Lézio Schiffke-Rodriguez follows in the footsteps of revolutions that invite us to redefine our vision of binary bodies.

Fragments(fr)

Women’s voices rise to deliver testimonies of victims of sexual violence. By reconstructing a story with these fragments of experience, a societal portrait is painted throughout the documentary. Like a mosaic, the pieces stick together to build a unique story that could belong to any human.

CA. CA. (Cannibal Carnival)(en)

A festival of digestion on many scales, from planetary to microbial.

Charm School(es)

Defiant 18-year-old Adela León pushes her father and an unbending headmistress to the limit in this delicious comedy.

Sidewalls(es)

Martin is a neurotic web designer taking baby steps out of the isolation of his one-room apartment and his virtual reality. Mariana is an artist fresh out of a a long relationship. They are perfect for each other, live on the same street, in opposite buildings, but they never meet. Can the movement of a modern city of three million people bring them together?

My Body, My Rules(fr)

Far from the dictates of current female beauty, MBMR focuses on these other bodies, those who take up space, those that stain, biters, those who devour, those who enjoy as they wish, those age and those who are self-transformed, those who are free and wild. Eight people will reveal the magic,cruel, sensuel, powerful relationship they have with their own bodies.The adventure of the film is multiple: the objective is to give voice and images to women whose body or sexuality is seen as non-standard, unseen or without speaking. The film will highlight possible resistance through an intimate portrait gallery, collective experimentations, tantra, exchange of fluids and knowledge, rituals… A strong political and feminist manifest about body politics, female sexuality and its representation, as well as about diversity and various forms of sexual desire.

A Rich Without Money(el)

A poor accountant, in order to raise money for his marriage, finds a second job in a luxury hotel where he accepts to change his name and life with a rich playboy who wants to try if women want him for his money .

Trick or Drink(en)

Adapted from a performance by the same name, fuses autobiographical material with information about how an alcoholic family perpetuates addictive behavior. Elements of Alcoholics Anonymous meetings, such as the “Hi, my name is...” introduction are used along with photo-montage and a disjointed narrative. In addition to being shown at venues such as the Museum of Modern Art and the New Museum, Trick Or Drink has been used regularly by hospitals and alcohol treatment centers throughout the United States.

Eli(pt)

Guilherme struggles with romantic relationships until he meets Eli, but everything starts to change when Lucio discovers their relationship.

Dust(pl)

The film follows the journey of the body and belongings of a recently deceased lonely person.

Prelude to an Announced Death(en)

"Prelude to an Announced Death" (5', 1991) is the artist's final work, completed shortly before his demise. It is one of the rare moments in which França's work in video assumes a quasi-documentary character. Set against a dramatic rendition of "La Traviata" by Brazilian singer Bidu Sayão, the artist's body touches that of his partner, Geraldo Rivello, as the names of all their friends killed by AIDS scroll across the screen above them.

Prion(xx)

A surreal meditation on chronic illness and anxiety, Prion follows a character's struggle with self-acceptance as their fears manifest in the form of a sickly, white deer.

Chasing the Kidneystone(no)

Once 8 year old Simon gets shrunk down to a microscopic level by a talking teddy bear, he ventures into the body of his ailing grandfather in search of the source of his illness.