1952-01-01
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In 1975 French Oscar-winning documentary filmmaker Pierre Dominique Gaisseau traveled to Panama to make a film on the indigenous island-dwelling Kuna people. Accompanied by his wife and their daughter, Gaisseau lived with the Kuna for a year, gaining their trust and filming their most intimate ceremonies. He promised to share the resulting film with the community, but that never happened. Fifty years later, the Kunas are still waiting to discover “their” film, now a legend passed down from the elders to the new generation. One day, a hidden copy is found in Paris…While uncovering this fascinating story with humility and warmth, Swiss-Panamanian filmmaker Andrés Peyrot succeeds in capturing a true sense of culture and place. The result is simultaneously a cautionary tale raising questions around how and why documentaries are made and for whom, and a testament to the power of what it means to see yourself on the big screen.
The one and a half minute short tells the story of a young girl making friends with imaginary crack creatures, formed by cracks in her bedroom wall, before encountering the unnerving "Crack Master".
The young hero, Frederick, is leaving his country home and going to the city to attend the bull fight, and while there he meets and woos a beautiful maiden, forgetting his own little sweetheart at home.
In this recently found and restored banned underground classic from 1984, four girls go into a bathroom to hide in the middle of a war and, after an impulsive act by one of them, they find themselves trapped there. As panic gives way to despair, tragedy approaches
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Constitutionally precluded from claiming any right to self-determination, the Catalans stick to their guns. The separatist movement is gaining ground in Catalonia. Notwithstanding the Spanish Constitution (which states that Spain is indivisible, making any referendum thereby unconstitutional), 2.3 million people voted in the November 2014 de facto referendum. The results speak for themselves: 81% of Catalans are in favour of independence. Seizing this historic moment, filmmaker Alexandre Chartrand gives a voice to the civil society figures who have been propelled to centre stage in national politics.
The authentic story of Maria Zechmeister who lived in an Upper Austrian village and was convicted of the murder of her husband. There was no evidence and no confession. Only rumors. Maria and the witnesses re-enact the trial before the camera. They tell about the marriage, the time the husband was a prisoner of war and his return from captivity. If he really had been poisoned or if she was a victim of injustice remains open. Maria Zechmeister was pardoned after serving 17 years in prison and lives in an isolated house at the outskirts of the village.
Documentary that features interviews with Martin Scorsese, Curtis Hanson, Francis Lawrence, William Friedkin, Guillermo Del Toro, John Carpenter and others as they discuss the films and style of the Master of Suspense.
Film about the influences in director John Boorman's life and work, including family and neighbors and the landscape of the Wicklow mountains surrounding his home in Ireland.
The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. In these postmodern days it has been said that there is no more passé a vocation than that of the professional art critic. Perceived as the gate keeper for opinions regarding art and culture, the art critic has supposedly been rendered obsolete by an ever expanding pluralism in the art world, where all practices and disciplines are purported to be equal and valid. Robert Hughes, however, is one art critic who has delivered a message that must not be ignored.
Welcome to Levittown, New York - America's first cookie-cutter community. From wife-swapping to bomb shelters, to flag burning, Wonderland takes a hilarious and unforgettable look at life in a town where thousands of identical-looking houses were assigned to their residents in alphabetical order.
A six minute film of the funeral of the murdered Metropolitan Emilianos of Grevena, of which all has been lost, save for 17 seconds. Emilianos was murdered on October 1st, 1911.
An extraordinary journey deep into space offering fresh insight into the origins and evolution of the universe.
Focuses on the work of the Air Transport Auxiliary or ATA. By 1941, literally hundreds of RAF fighters and bombers needed to be flown each day between aircraft factories, maintenance depots and RAF aerodromes. This vital task was carried out by the men and women of the ATA, a civilian air force operating from their own pools and stations all over Britain. Essentially a dramatised account of typical ATA deliveries, the film features coverage of the ATA's own fleet of Ansons, as well as being notable for some excellent Spitfire film and very rare footage of the Whitley bomber, including take off and in-cockpit sequences.