
Hikari, a prostitute, arrives at the designated location requested by a client. There, a man wearing a gas mask and holding a rope is waiting for her...

Hikari, a prostitute, arrives at the designated location requested by a client. There, a man wearing a gas mask and holding a rope is waiting for her...
1994-07-30
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0.0A house infested with ghosts. 25-year-old Reiko is toyed with by an evil spirit every night and ascends to heaven. She requests an exorcism investigation and meets a woman. The exorcism hunter is led to the room where the ghost is found, where she encounters something unexpected. Then the blue man's arm suddenly disappears. When she sees him again, an abnormal sensation of a mixture of fear and pleasure awaits... A sex spirit is coming to violate me! What is the secret of the horrifying sex ghost...?
0.0The moment the 180-day abstinence life was released, the woman's body became a sex toy craving pain...
A storm of abuse that continues without rest...
"This world of porn exists to make everyone happy," says Touru Muranishi, 49, Japan's leading pornographer. Acting as producer, director, cameraman and star, his motto is 'real sex with real women in real places'. Despite Japan's stringent censorship laws, Muranishi has been phenomenally successful, making and broadcasting 15 films a month on his own satellite channel. His 'documentary' porn films provide a fascinating insight into male chauvinism in the land of the geisha girl. Heavily made-up glamour models are a definite turn-off. Instead, the women should have the face of a 'princess' and the body of a whore. But despite Touru's insistence on 'real' sex, his films show that in Japan, as in the rest of the world, adult videos reveal male fantasies, not female desire.
5.0High school students Chi-Hyun and Myung-Soo always takes care of their best friend Kyung-Sook, who is terminally ill with leukemia. Kyung-Sook's last wish is to kiss his first love before he dies, but he has never experienced falling in love. For Kyung-Sook, Chi-Hyun and Myung-Soo look for a girl who could become Kyung-Sook's first love. By chance, they meet Kook-Hwa and they succeed in connecting Kyung-Sook with Kook-Hwa. But, Chi-Hyun becomes heartbroken watching Kyung-Sook and Kook-Hwa falling in love.
Film directed by Jean-Louis Koula.
6.9A former Fascist takes his son and escapes across the border into France, where he tries to avoid being recognized and having to pay for his wartime crimes.
0.0Leyla and Tarik are trying to attain each other, but misfortune follows them.
0.0Focuses on the Kwame Nkrumah era in Ghanaian history and paints a portrait of a female African government minister forced into exile after a coup d'état in 1966. Two decades later, she returns to confront the country she left behind.
5.4Ali is the image of modern Africa. He happily returns from a football match on his motorbike but a nasty surprise is waiting for him at his parents' home: he finds Haoua, his bride-to-be, waiting for him. The wedding is celebrated shortly afterwards and the two begin living together under the same roof. They are strangers but cannot stand each other. Haoua is the classic traditional woman who has just arrived from the village, God-fearing and faithful to the laws of tradition. Ali's friends advise him to look for a second wife. He meets Henriette, an uninhibited and provocative city girl, the woman of his dreams. To meet Henriette's constant requests, Ali 'borrows' some money from the coffers of commander Soleymane, but he is discovered and ends up in prison. Henriette is furious and leaves him, whilst Haoua cries for him in despair.
5.8The story of Quincy Bosomfield who is the product of colonial education and has risen to become the district commissioner. In the process, he abandons his African heritage and all that has real meaning to him.
5.8Tourneur, a self-proclaimed cinéaste, feuds with Cinema and his gang, who are obsessed with foreign action movies.
0.0To ease her homesickness Miriam recreates an aspect of home in her suburban British garden. Cultural memory exerts a healing power, combatting cultural appropriation, hostility towards migrants and the rift between Miriam and her Nigerian-British children.
An African mother will do just about anything to protect her child. Bilaly is a simple peasant who is blind. He wants to “know” a woman before he dies, but try as his mother might, she cannot find someone to oblige. She finally gets an idea – an idea that completely stuns the village.