DON GIOVANNI is one of the timeless classics of all opera. Mozart’s music, and the words of his great collaborator Da Ponte, are brought to life in Francesca Zambello’s engrossing production with its rich and colourful designs by Maria Bjornson. The music is memorable, dramatic and enjoyable: from the seductive solo voices of the famous ‘La ci darem la mano’ to the fabulous ensemble as Don Giovanni’s infatuated conquests, vengeful victims and their outraged relatives join forces for justice. And retribution does finally come to Don Giovanni, a serial womanizer and a murderer, with the searing flames of Hell ready to engulf him. Simon Keenlyside heads the outstanding cast at the Covent Garden Royal Opera House, conducted by renowned Mozart expert Charles Mackerras.
Leporello
Masetto
Conductor
DON GIOVANNI is one of the timeless classics of all opera. Mozart’s music, and the words of his great collaborator Da Ponte, are brought to life in Francesca Zambello’s engrossing production with its rich and colourful designs by Maria Bjornson. The music is memorable, dramatic and enjoyable: from the seductive solo voices of the famous ‘La ci darem la mano’ to the fabulous ensemble as Don Giovanni’s infatuated conquests, vengeful victims and their outraged relatives join forces for justice. And retribution does finally come to Don Giovanni, a serial womanizer and a murderer, with the searing flames of Hell ready to engulf him. Simon Keenlyside heads the outstanding cast at the Covent Garden Royal Opera House, conducted by renowned Mozart expert Charles Mackerras.
2008-09-12
9
Don Giovanni (2008) Royal Opera. Mozart / Italian
The story of London's toughest and poorest part as told through the eyes of the iconic band Cockney Rejects.
Grammy award winning maestro of rock Serj Tankian is releasing his first live album that features a full orchestral performance of his critically-acclaimed debut solo rock album 'Elect The Dead'. With The Auckland Philharmonia Orchestra at his side, Tankian's epic songs and operatic vocals take on a whole new sense of grandeur when accompanied with a full 70 piece orchestra.
Based on true story of four friends who decided to take over the city. Giedrius is released after serving a long 12 year sentence for unlawful conduct he did with his friends while being a child.
A documentary film about the conductor Tõnu Kaljuste and his crazy idea of building an opera house on Naissaar; an island, which till now has no regular ferry line, no electricity and only one permanent resident.
On the morning of December 26, 1996, parents John and Patsy Ramsey awoke to find a ransom note for their missing 6-year-old daughter JonBenét before her brutally beaten and lifeless body was found in the basement of their home. Despite media storms, family accusations, false confessions, intruder theories and a grand jury hearing, the case has been unsolved for 20 years. Now, A&E reveals never-before-seen case details, including the first sit-down interview with John Ramsey marking the 20th anniversary of her brutal death, an interview from 1998 with JonBenét’s older brother and exclusive and stunning DNA evidence that sheds new light on swirling allegations that the killer may have been be a family member.
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
Two rival seamen fight for both a promotion to a captaincy in their shipping line and the attentions of a Havana saloon singer. Sparks fly as they both try to out do each other in obtaining what they know their opposite is after. In the end they will need to work together in order to save the day.
Beijing Bubbles is a portrait of the punk and rock scene in Beijing, which as a subculture is barely recognized there. Center stage of the film takes not only the music, but first of all the attitude to life of the young musicians who deny consumerism and pressure to perform well. The Berlin filmmakers Susanne Messmer and George Lindt go on a ramble through the musical underground of Beijing and thereby meet people, who give them naturally and spontaneously an up-front insight in their daily live. Kind of a video diary it gives insight in a counter culture hardly anyone would assume in an authoritarian state like the People's Republic of China.
Is the legend of Chupacabran (roughly translated to getsugare) true? Or is it just folklore? Or a madman in latex suit? When Maria Esperanza's uncle and his goats are assaulted and killed, she collects together a team of crypto zoology student and a Marine to unravel the mystery once and for all
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
After a jeweler hires a private detective to help him find $50,000 missing from his company, he is murdered while attending a society party; and the private eye, aided by his comely secretary, vies with a bumbling police detective to find the murderer among several suspects, including the dead man's daughter, her current husband, her former husband, and an ex-convict.
By the late 50s, camera equipment was affordable and readily available, so amateur "Blue" movies were produced in abundance. This collection turns up the "raunch" factor considerably. The camera lingers on the naked bodies, slowly covering every square inch of fleshy real estate. Bizarre camera angles abound as well as unbelievable close-ups where a crotch or a nipple fills the entire screen. Obviously, there is never a shortage of beautiful models prepared to go before the cameras and leave absolutely nothing to the imagination!
Daniel Cohen, a virtuoso violinist from Belgium, considers himself a citizen of the world, believes in goodness and justice. At the end of February 2022, he comes on tour to Kiev, and this trip changes his life forever. The events of the Special Military Operation lead the musician to the Ukrainian village of Semidveri, where he witnesses inhuman crimes and bloody provocations. Now his main goal is not just to survive, but to convey the truth to the whole world. Truth is stronger than fear.
Wabuu, the small cheeky raccoon, goes on excursions in the forest. His mind is set on nothing but nonsense and practical jokes. Nothing is more fun than to fool the clumsy bear or farmer Alfred’s mean watchdogs. Only once Wabuu goes too far and Wuschel, the small squirrel is missing. Of course Wabuu has not intended that, but this time the other animals are real angry. Wabuu is terribly sorry. He starts looking for his friend Wuschel. But where begin and what to do, if something really mysterious has occurred to Wuschel?
Disciplined Italian composer Antonia Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
Film version of the Rimsky Korsakov opera from the Pushkin story. Motsart i Salyeri (Mozart and Salieri), based on a legend that Salieri poisoned Mozart, meditates on the nature of creativity while introducing, in brilliantly compressed speeches, what was to be one of the important Russian themes—metaphysical rebellion against God.
The Met assembled a vocal dream team for Jonathan Miller’s stylish production of the eternal Mozart masterpiece: Renée Fleming as the Countess, Cecilia Bartoli as Susanna, and Bryn Terfel as Figaro. With James Levine—one of the world’s great conductors of Mozart—in the pit, Bartoli interpolating two rarely heard alternate arias, and Dwayne Croft as the Count and Susanne Mentzer as Cherubino, this is a performance for the record books.
Die Zauberflöte is one of Mozart’s most famous works and one of the most beloved of the entire operatic repertoire. Generations of spectators have been fascinated by the melodies and adventures of Papageno, the Queen of the Night, Tamino, and Pamina, the ordeals faced by the young lovers, and the work’s inexhaustible allegorical depth. The director Romeo Castellucci has deliberately stepped back from the narrative dimension of the opera in order to explore its raw emotion and its philosophical heart. For his part, the conductor Antonello Manacorda brings Mozart’s immortal music to life with the help of an outstanding cast that includes Sabine Devieilhe, one of today’s finest interpreters of the Queen of the Night.
The Met’s spectacular production of Verdi’s Egyptian epic captures both the grandeur and the intimacy of this powerful tale of love and politics. Liudmyla Monastyrska is Aida, the Ethiopian princess-turned-slave in love with the Egyptian warrior Radamès, sung by Roberto Alagna. Olga Borodina is her rival, Amneris, daughter of the Pharao, and George Gagnidze sings Aida’s father, Amonasro, the King of Ethiopia. Principal Conductor Fabio Luisi is on the podium.
An Egyptian military commander, Radamès, struggles to choose between his love for the enslaved Ethiopian princess Aida, and his loyalty to the Pharaoh. To complicate the story further, the Pharaoh's daughter Amneris is in love with Radamès, although he does not return her feelings.
When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.
First staged at the Teatro La Fenice in 1846, Verdi’s ninth opera, Attila, returns to the stage of La Scala on December 7th. Following the inauguration of the 2015-2016 Season with Giovanna d’Arco and in anticipation of Macbeth, with Attila Musical Director Riccardo Chailly continues his study of Verdi’s early works, renewing a successful collaboration with creative director Davide Livermore that began with his acclaimed production of Donizetti’s Don Pasquale for La Scala. In this complex opera Verdi experiments with fresh perspectives, featuring spectacular historical settings, introspective angles and moral uncertainties. Attila demands of its performers not only passion and confidence, but also the ability to find subtle accents and psychological nuances.
The writer Dario Fo applies his inventive genius to Rossini's comic opera in its premiere DVD release. Recorded in 2005 under the musical direction of Maurizio Barbacini, Fo's production brings fresh vitality and colour to the story of Lisetta, and of her father Don Pomponio's increasingly ridiculous attempts to find a husband for her through an advertisement in the newspaper LA GAZZETTA. Filmed using high definition cameras with multitrack sound.
David McVicar's exhilarating new production, with Anne Sofie von Otter in the title role, restores the Opera Comique to Bizet's masterpiece. Philippe Jordan, in his Glyndebourne debut, conducts the London Philharmonic Orchestra, the Glyndebourne Chorus, and a cast which includes Marcus Haddock, Laurent Naouri, and Lisa Milne.
Live performance from the Opéra de Lyon, July 1 2012. Controversial production by Olivier Py.
This 2003 performance of Georges Bizet's 19th century opera Carmen was produced and directed by filmmaker and stage director Franco Zeffirelli, best known to many for the Academy Award-winning big-screen adaptation of Shakespeare's Romeo and Juliet. Shot at the Arena di Verona, the production features Marina Domashenko in the title role and music by the Orchestra of the Arena di Verona under conductor Alain Lombard.
Live performance from Chorégies d'Orange, 11 July 2015.
Martin Kušej's brilliant 2006 Carmen represents a landmark interpretation of a truly timeless opera. Led by Rolando Villazón as Don José and Marina Domashenko in the title role, the virtuoso cast joins forces with the celebrated Staatskapelle Berlin under the direction of the legendary maestro Daniel Barenboim.
The Semperoper caused a sensation in November 2007 when it visited Japan for the first time in twenty-six years. The demand for tickets and the audience's enthusiasm were unprecedented, not least because the company was staging a piece that is performed more authentically in Dresden than anywhere else in the world: Richard Strauss' Der Rosenkavalier, which received its first performance in Dresden in 1911. Leading the ensemble was the radiant-voiced and profoundly thoughtful Marschallin of Anne Schwanewilms.