Epopeyas de la revolución(NaN)

Glancing At Power(es)

An emotional journey through the film archives of the Mexican Revolution, ranging from Venustiano Carranza's administration to the creation of the PNR party by Plutarco Elias Calles.

Thunder Over Mexico(en)

As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl. This film is the first of several attempts to make a feature-length motion picture out of the 200,000-plus feet of film shot by Sergei Eisenstein, on photographic expedition in Mexico during 1931-32 for Upton Sinclair and a cadre of private American producer-investors. Silent with music and English intertitles.

The History in the Gaze(es)

The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.

Arkhé(es)

“Archeology” and “Archive” share the same roots. Both words come from “Arkhé”, the Greek word for “origin”. In the ruins of buildings, lost forever by earthquakes, as in the depth of the archives, we dig. What happened the morning of the big earthquake? The morning of September 19th 1985 is fading away in our memories. These recordings have never been seen. Unedited images of the catastrophe dug out by the archaeological adventure of an archivist that suffered with them. He dug and suffered until he could no longer see.

Mexico: The Frozen Revolution(es)

A thorough analysis of the socio-politics of Mexico, within the historical context of the Mexican Revolution reality. Includes footage from the 1910s, interviews with farmers, politicians, intellectuals, middle class, union, etc, as well as scenes from the life of an Indian family in Chiapas, their religious rituals, their crops, trials and bilingual schools. The film ends with the slaughter in the Plaza de Tlatelolco in 1968, during the infamous Olympics.

Black Waters(es)

“Aguas Negras” is an experimental documentary about the Cuautitlán River. The film examines the passage of time and the pollution of the river by focusing on conversations with multiple generations of women in the filmmaker's family that have grown up by the river in a municipality identified as having the highest perception of insecurity in the State of Mexico.

Love, Pascual(es)

The hope of a young historian to corroborate the existence of Pascual Vázquez, a supposed general of the Mexican revolution, materializes in Ms. Hilda, Pascual's granddaughter, who offers to tell the stories of her grandfather.

Y vino el remolino (1910-1914)(en)

Chapter 3 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1910 and 1914, and the beginning of the major armed conflict that marked the future of the Mexican nation.

Phantoms of the Sierra Madre(en)

A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.

Spain: The First Globalization(es)

A new reading of the historical period that began with the reign of the Catholic Monarchs (1479-1516) and the discovery of America (1492), as well as an analysis of its undeniable influence on the subsequent evolution of the history of Spain and the world.

México, México: Mexique en mouvement(fr)

"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."

Se está volviendo gobierno (1915-1919)(en)

Chapter 4 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1915 and 1919.

Red Autumn(es)

Historical heritage documentary about the disease that, 100 years ago, occurred during and after the Mexican Revolution. This film presents real testimonies of this cruel pandemic in the indigenous peoples of Mexico in the 20th century.

Two Mules for Sister Sara(en)

When a wandering mercenary named Hogan rescues a nun called Sister Sara from the unwanted attentions of a band of rogues on the Mexican plains, he has no idea what he has let himself in for. Their chance encounter results in the blowing up of a train and a French garrison, as well as igniting a spark between them that survives a shocking discovery.

Amorous Pancho Villa(en)

The assassination of Pancho Villa, on the outskirts of Parral, Chihuahua, plunged the city into mourning, and a wake for the revolutionary hero was held by his closest collaborators. Conspicuous among the mourners were the four women with whom Villa was having intimate relationships at the time of his death. Now that Villa is no longer around to mediate and keep them apart, tensions between the women grow and intensify, with unexpected consequences. An intimate and human portrait of the Centaur of the North.

The Wild Bunch(en)

An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.

Viva Zapata!(en)

The story of Mexican revolutionary Emiliano Zapata, who led a rebellion against the corrupt, oppressive dictatorship of president Porfirio Díaz in the early 20th century.

La guerrillera de Villa(es)

The daughter of Moctezuma(es)

La India María must find at all costs in the recesses of a mountain the Magic Black Mirror of Tezcatlipoca, since the spirit of his great-grandfather Moctezuma II ordered her to find it in to prevent the destruction of Mexico. Alonso, a handsome Spanish archaeologist, Bianchi, an antiquities dealer and Brigida Troncoso - an ambitious governor, are aware of the existence of such mirror, of the mysterious treasure of Moctezuma and of María, so all undertake a frantic chase after her to seize the magic glass and the gold.

And Starring Pancho Villa as Himself(en)

In 1914, the Mexican revolutionary Pancho Villa invites studios to shoot his actual battles against Porfírio Diaz army to raise funds for financing guns and ammunition. The Mutual Film Corporation, through producer D.W. Griffith, interests for the proposition and sends the filmmaker Frank Thayer to negotiate a contract with Pancho Villa himself.