Loading Page
The Blu-ray Experience II: Opera, Ballet & theatre(2010)
Status: Released
Date: 2010-10-26
0%
0 Votes
Languages: German, Italian, English.
Countries:
Germany
ProductionCompanies: 
Movie: The Blu-ray Experience II: Opera, Ballet & theatre
Top 10 Billed Cast
Miah Persson
Self (archive footage)
Christopher Saunders
Self (Archive Footage)
Luca Pisaroni
Self (archive footage)
Ellie Kendrick
Self (archive footage)
Miyako Yoshida
Self (archive footage)
Edward Watson
Self (archive footage)
Anke Vondung
Self (archive footage)
Darcey Bussell
Self (archive footage)
HomePage
Overview
Release Date
2010-10-26
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
DeutschItalianoEnglishKeywords
Similar Movies
0%
Lohengrin(de)
2019-07-05
After Tristan und Isolde (2016), Parsifal (2017) and Die Meistersinger von Nürnberg (2018) this is the fourth installment of the exclusive, multiyear partnership between Deutsche Grammophon and the Bayreuth Festival, in which the Yellow Label is the exclusive audiovisual partner of the mythical Wagner festival, releasing each edition's new production on Blu-ray. This year, we are proud to release on Blu-ray the celebrated production of Lohengrin which was premiered on 25 July 2018, featuring an illustrious cast including Piotr Beczala and Anja Harteros in their house debuts, as well as the acclaimed return of Waltraud Meier to the Bayreuth Festival. The New York Times praised Piotr Beczala’s Lohengrin as “outstanding”, Anja Harteros [making] her impressive Bayreuth debut” as Elsa, and Ortrud “played with dominant presence by the incomparable Waltraud Meier”.
0%
Romeos & Juliets(en)
2012-06-07
From grueling rehearsals to the world premiere, Romeos & Juliets offers an unprecedented behind-the-curtain look at the National Ballet of Canada as ten dancers vie to perform the lead roles on the coveted opening night of "Romeo and Juliet," as envisioned by acclaimed choreographer Alexei Ratmansky in celebration of the company's 60th anniversary.
100%
Sternenhoch(eo)
2019-09-27
Trapped in an abusive marriage, a wealthy German prince desperately seeks a way out. But what appears to be the road to salvation soon turns into a highway to hell. The universal language of music meets the international language of Esperanto in this debut opera by Ivan Acher. The carpenter, forest worker, designer and composer has cleverly blended electro-acoustic and contemporary music to breathe life into Ladislav Klíma’s expressionist novel, The Sufferings of Prince Sternenhoch.
0%
Jenůfa(cs)
2019-10-02
When a beautiful young woman in rural Moravia becomes unexpectedly pregnant, she learns that love is sometimes only skin-deep. Janáček took Gabriela Preissová's grim tale of infanticide and redemption, and condensed it into a masterful, spine-chilling drama. The tragic plight of the protagonists is presented with unsentimental realism that cannot help but trigger a response of deep compassion. Premiered at the National Theatre in the composer's hometown of Brno 115 years ago, the opera took him nine years to complete and is the first in which his distinctive voice can clearly be heard.
0%
Darcey Bussell: My Life on the BBC(en)
2016-12-23
The former principal ballerina tells her story, with historic performances from the BBC archives and candid interviews from throughout her career. Showing how she grew up in front of the camera and mastered television.
0%
Benvenuto Cellini(en)
2015-01-01
With his affinity for the 16th-century sculptor Benvenuto Cellini's advocacy of artistic and personal freedom, Hector Berlioz went straight for the grand gesture with his first completed opera. Returning to it years after initial production debacles, Berlioz stated that he would 'never again find such verve and Cellinian impetuosity, nor such a variety of ideas.' The plot revolves around Cellini's wooing of Teresa, a match frustrated at every opportunity by his rival, the cowardly Fieramosca. Benvenuto Cellini is a pithy work combining romance, excitement, violence, comedy and spectacle; the perfect stage for Terry Gilliam's stylishly colorful and larger than life directing.
0%
Cosi Fan Tutte(en)
1983-01-01
An excellent performance of this delightful opera. The principals are superb, especially the sisters. Bruscantini as Don Alfonso is past his prime, but he knows and understands the role inside out, so one does not even notice his vocal limitations. Araiza is in top form as Ferrando, and Morris makes virile Guglielmo. The only disappointment is Battle as Despina. Unlike her partners, she does not have feel for the Mozart ensemble, and her vocal mannerisms are totally unbecoming. How the producers allowed that to happen is a mystery. Muti's conducting is terrific, much better than on his La Scala video, where he is uninvolved.
0%
Forêt(fr)
Whirlwinds, burning forests, erased cities – the centuries-old artworks housed in the Louvre strongly resonate with our present time. Forêt follows a new generation of Rosas dancers moving amidst these artworks, bridging past and present. Choreographed by Anne Teresa De Keersmaeker and Némo Flouret in 2022, the performance was designed for the Louvre’s Grande Galerie and its famed 'red rooms,' home to Italian masterpieces and 19th-century French Romantic art. Evi Cats captured this performance, with a camera that moves almost imperceptibly between the dancers and the audience, alternating between intimate close-ups and wide shots of the imposing scenery.
0%
Giselle(s) Pietragalla - Derouault(fr)
2025-11-12
Giselle(s) revisits the classic Giselle through the lens of violence against women, giving the famous 1841 ballet a contemporary social and political dimension.
0%
Mea Culpa – A ReadyMadeOpera(de)
2009-10-11
In Mea Culpa, Christoph Schlingensief blurs a delicate line: he ignores the threshold that separates the healthy from the sick. By making his cancer the subject of an opera, premiering on the largest German-speaking theater, he is putting the art district under pressure: a wonderful institution like the Burgtheater must use its artistic resources lavishly to reveal the entire "truth" about us humans. At the end of the day, when the scenery on Janina Audick's revolving stage has finally come to rest, when Isolde's last Liebestad has been sung enchantingly beautifully by Elfriede Rezabek and indescribable jubilation breaks out, then Schlingensief is completely alone with his illness.
0%
Opéra National de Paris: Castor et Pollux by Jean-Philippe Rameau(fr)
2025-01-20
A return to its roots for Castor et Pollux, Jean-Philippe Rameau’s lyric tragedy first performed in 1737 at the Académie royale and inspired by the mythological episode of the Gemini. Rarely performed in its original version – the score was reworked by Rameau himself in 1754 –, this daring work plays on contrasts and expressiveness, as in the famous “Tristes apprêts”. The aria is sung by Télaïre mourning the death of her fiancé Castor, killed in battle, before his twin brother Pollux descends into the Underworld to ask his father, Jupiter, to bring him back to life. While this opera celebrates brotherly love, its prologue poses an essential question for director Peter Sellars: how do you stop a war and its attendant hatred and resentment?
0%
Misty Copeland(en)
2015-11-09
Misty Copeland was promoted to principal dancer at American Ballet Theatre in 2015, becoming the first Black American ballerina to do so in the elite classical company's 75-year history. Misty sheds light on beating all odds through a difficult upbringing and learning ballet at 13 years old. She also expresses the importance of giving back to the communities she hopes to inspire. Friends and colleagues also share their admiration for the prominent dancer and advocate.
0%
Theatre from Mud(en)
2026-02-06
On the 45th anniversary of the Grange Theatre in Vojvodina, its two legendary founders - director György Hernyák and actor Frigyes Kovács - have reunited. It was a unique occasion seeing these two masters create art under the open sky once again. Through this rehearsal process, the documentary draws a vivid portrait of the Grange Theatre’s past and present, the community built around it, and the unique energy that binds Vojvodina Hungarian identity with the troupe’s history. The film is not merely a retrospective; it reveals how liberating and life-affirming theater-making can be, and how the joy of free creation remains indispensable today.
0%
Peter I. Tschaikowski(en)
2024-11-01
A dance story about Tchaikovsky, illuminating the long-hidden moments of his life. Through his compositions, Pyotr Ilyich Tchaikovsky influenced and shaped classical ballet like few other composers. The myth of his music remains unbroken to this day. Cayetano Soto draws an engaging portrait of a man who could not live his life the way he wanted to. In "Tchaikovsky", the view behind the glorious moments of a biography is revealed - in brokenness, courage and genius. Recorded at the Leipzig Opera.
70%
Operette(de)
1940-12-20
A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.
0%
Lucia di Lammermoor(it)
1983-09-28
This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have. (Performance taped November 13, 1982. Broadcasted September 28, 1983.)
100%
Ludwig van Beethoven: Fidelio(en)
2003-10-15
Two years prior to the opening scene, the nobleman Florestan has exposed or attempted to expose certain crimes of the nobleman Pizarro. In revenge, Pizarro has secretly imprisoned Florestan in the prison over which Pizarro is governor. The jailer of the prison, Rocco, has a daughter, Marzelline, and a servant (or assistant), Jaquino. Florestan’s wife, Leonore, came to Rocco’s door dressed as a boy seeking employment, and Rocco hired her. On orders, Rocco has been giving Florestan diminishing rations until he is nearly starved to death. Place: A Spanish state prison, a few miles from Seville; Time: Late 18th century.