AQAQUÑI(2023)

Es Para Un Videodiario(es)

Mike is a young student of cinema, who receive the task to make a Videodiary for his fiction production class in the fifth semester of his career; with only a cellphone in hand begins to document his life day after day, without imagining that he will capture important and emotional moments that will remember forever.

La ultima noche de Sonia Martinez(es)

Expedition Killer Whale(en)

A team heads to Antarctica to study killer whales that create waves to wash seals off ice.

Estimada Sa Bastida(ca)

De la idea a la pantalla con Glow Animation Studio(es)

Vendo Mi Arte(es)

Villamarín(es)

Villamarín is a journey of longing and memories of the life of an arranger and guitarist who, after a great career in the artistic milieu, has put aside his career due to limitations. However, his passion for music, the memory of his daughter and the melancholic notes of his guitar keep him more alive than ever.

Male masturbation(en)

Very short educational film made for exclusively educational purposes. The film illustrates male masturbation from the beginning to ejaculation. A production of MEDIA SERVICES HEALTH SCIENCES CENTER SUNY - STONY BROOK.

Mother River(es)

In a remote Peruvian city, lives Honorata Vilca, an illiterate woman of Quechua descent who sells candies more than 20 years ago, with the rain will cry to the sky itself.

Aggregate States of Matters(en)

Aggregate States of Matters highlights the ambiguous relationship between humans and nature. For her new 35mm film shot in Peru, Rosa Barba worked with communities that are affected by the melting of a glacier and geological time becoming exposed. Barba shows the slow disappearance of the glacier and the perception of this fact within the Quechuan population in the Andes. While exploring different local myths, she outlines the possibility of translating ancient knowledge into the present time.

Esperanza(qu)

A day in the life of Esperanza, a Quechua girl who lives in the remote mountains of southwestern Bolivia.

Cat Dylan(es)

Q'eros. Nuestra vida, nuestra herencia(es)

Efímero(es)

Valvidia 1960, El Gran Terremoto(es)

Feriantes de Rivadavia(en)

This short documentary seeks to give voice to an area of ​​work that is not so talked about today, the vendors in the commercial stands in the parks who have seen their field go through a great change after the arrival of the era digital technology driven by the internet, making all items sold physically now much more accessible by getting what they want online, changing the way these products are consumed in their physical format. We went to Rivadavia Park, a place well known for its relationship with fairground vendors and collecting, with the question of knowing how these small businesses continue to operate despite the digital age, which made the consumption of their main products more difficult to see.

Las Gradas(es)

A Thousand Roads(en)

The film threads together four stories, taking us into the life of a stressed-out Mohawk stockbroker in Manhattan; a young Inupiat girl sent to live with her grandmother in Barrow, Alaska; a Navajo gang member who must find his core values in his reservation on the mesas of New Mexico; and a Quechua healer in Peru, attempting to save a sick child. Each story explores what it means to belong to a specific community. A Thousand Roads is a fictional work, produced by National Museum of the American Indian (NMAI) to explore the human context of the NMAI’s collections. The film is striking visually, and presents through its beauty and its stories an imaginative entry into knowing about Native people living in the vast indigenous geography that comprises the Americas. Rather than presenting a conventional historical perspective, the film is composed of short contemporary fictions about individuals, grounding them in emotional truths to which an audience can easily relate.

Yawar fiesta: Fiesta de sangre(es)

An indigenous tradition in the highlands of Peru where three key players take part: a wild condor, a raging bull and brave young men.

Kay Pacha(qu)

Maribel and Carmencita are two indigenous girls who work in Cuzco Central Square, taking pictures with the tourists in exchange of a tip. Leon, Maribel's father does not have a regular job, which causes fights with Ines, his wife and the rest of the family.