1985-01-01
0
TV adaptation of the novel "Twenty-Four Eyes", combining animation with a few live-action scenes.
In the winter of 2002-'03, as the US was building its case to attack Iraq, people around the world responded with a series fo the largest peace protests in history. Shutdown: The Rise and Fall of Direct Action to Stop the War, is an action-packed documentary chronicling how DASW successfully organized to shut down a major US city and how they failed to effectively maintain the organization to fight the war machine and end the occupation of Iraq. Created by organizers involved with DASW, Shutdown combines detailed information on organizing for a mass action, critical interviews on organizing pitfalls, and the wisdom of hindsight. It is a must-see film for those engaged in the continuous struggle toward social justice.
In March of 2008, 250 veterans and active duty soldiers marked the fifth anniversary of the invasion of Iraq by gathering in Washington, DC to testify from their own experience about the nature of the occupations of Afghanistan and Iraq. Inspired by the 1971 Winter Soldier Investigation held by the Vietnam Veterans Against the War, they too sought to express their opposition to those wars with their first-hand accounts, bearing witness with voices not generally heard. Our documentary is a portrait of three participants. If follows their lives for 6 weeks leading to the even and afterward; an active duty female soldier, a 9 year National Guard Veteran, and a 3 tour former Marine. This is their story.
A frail boy fights to win acceptance from the leader of a street gang.
Renowned artist Krzysztof Wodiczko creates powerful responses to the inequities and horrors of war. This in-depth investigation into the artist focuses on the recurring themes of war, trauma, and displacement in his work. An instigator for social change, Wodiczko’s powerful art interventions disrupt the valorization of state-sanctioned aggression.
The naïve Maris joins the Wehrmacht during the Nazi occupation of the Baltic states, together with his brother and several others from the village. The barracks are in a monastery, and Maris – whom everyone views as a fool – seems to consider his fate a religious calling. Until his eyes are opened by the soldiers’ misbehaviour, and he takes it upon himself to save a young woman.
Twenty-eight people offer their motivations for and methods of resisting the war machine with their tax money. This tightly-paced short film introduces viewers to war tax refusal and redirecting tax dollars to peace, with music by Sharon Jones and the Dap-Kings, Antibalas, Rude Mechanical Orchestra, and First Strike Theatre’s version of “Don’t Pay Taxes” by Charlie King.
The year is 1968. Five teenage boys dream of running a movie theater in which they will not show pro-war films. One summer afternoon Giò, Delfo, Max, Ricky and Paolo learn to become trusted friends, indispensable to one another.
In this black-and-white minimalist short film, a man encounters his lost love in a metaphysical realm. Through symbolic elements like a dove, a fountain, and an angel sculpture, the film explores themes of love and loss. Their poetic conversation blurs the lines between reality and the transcendent. Inspired by ‘Hiroshima mon amour,’ the film invites viewers to interpret the enduring nature of love and the acceptance of loss.
A young glassworker-in-training living with his pacifist father finds his apprenticeship upended by an impending war and the arrival of an army colonel to their seaside town.
A young man walks into a meticulously clean and sterile bathroom and proceeds to shave away hair, then skin, in an increasingly bloody and graphic bathroom scene.
An intimate portrait of American dissenters, who oppose the U.S. invasion and military occupation of Iraq, reflecting on their personal participation as engaged citizens in a time of war. Filmmaker Robbie Leppzer chronicles the story of individuals living in one area of New England, including middle and high school students, college students, teachers, clergy, community activists, and war veterans, as they take part in vigils, marches, theater performances, and civil disobedience sit-ins to protest the war.
A parable of man going through war & peace and finding unity in the end.
A South Shore High School student film that is an allegory on the wastefulness of war and the duplicity of those who wage it. Filmmaker Wayne Williams, who was 17 at the time, cuts back and forth between a chess game and a guerrilla theater war game to underscore the sense of importance of the fighters and the cynicism of those who control their lives - and deaths. The film is part of a series of student films that all won awards at the 1971 Young Chicago Filmmaker’s Festival.
Gavin Stone, a washed-up former child star, is forced to do community service at a local megachurch and pretends to be Christian so he can land the part of Jesus in their annual Passion Play, only to discover that the most important role of his life is far from Hollywood.
In a place taken by poverty, Aparecida lives full of dreams and hope. While her husband leads a bitter life caused by a tragedy from the past, she decides to take an attitude that can change everything: to leave for the big city.