James
Lily
2025-01-18
0
A masked killer encounters his next victim. She’s not what he’s expecting. Bloodlust becomes blood-romance. They’re meant to be.
A university professor, mistreated by his wife, falls in love with a student who makes fun of him and also scams him.
In a small town on the countryside, every young boy is forced to have the same bowl-head haircut known as the "Yoshino-gari" hairstyle. Then one day, a drastic change occurs when a transfer student with bleached hair comes from Tokyo.
In the tumultuous near-future of Indonesia in 2027, Edwin, a young substitute teacher at a school for juvenile delinquents, must face his own inner demons, which complicate his battle for survival once the school turns into a battleground.
A man, stuck in a dead end job he hates, remembers back to good times he had in the past.
An adaptation of the play "4.48 Psychosis" written by Sarah Kane. The movie consists of scenes that work as a fragmenteded voyage through the mind of a person on a deeply depressive state. Everything is shown in a raw and experimental manner to bring the feelings and emotions in the most pure form to screen.
When an old friend enters her hair salon, a local hairdresser tries to talk to him about his life since their departure while cutting his hair, unaware of his dark secret.
Kylie, a college nursing student troubled and traumatized by the recent events of her passing boyfriend, learns to find peace and strength through an ancient practice from the relationships around her.
A lonely university student develops a romance with a beautiful interesting woman, who turns out to be a cyborg from the future.
Rascal. Joker. Dreamer. Genius... You've never met a college student quite like "Rancho." From the moment he arrives at India's most prestigious university, Rancho's outlandish schemes turn the campus upside down—along with the lives of his two newfound best friends. Together, they make life miserable for "Virus," the school’s uptight and heartless dean. But when Rancho catches the eye of the dean's daughter, Virus sets his sights on flunking out the "3 idiots" once and for all.
Zoë's encounter with a vintage clock triggers a profound exploration of grief and acceptance following the sudden loss of her friend, Teddy. Through her journey, she discovers that true healing lies in embracing the memories they shared and finding comfort in the present, rather than attempting to alter the past.
A desperate student races against the clock to find a specific coffee in order to finish his essay before midnight.
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?
When Aziza finally shares a recurring dream, it’s what she leaves unsaid that reveals her fractured sense of self. Aziza’s dream – in which she must sing a song – takes her on a journey through the post-industrial hills of the American Rust Belt, the eternal fields of Egypt, and the most repressed parts of her mind.
An ultra-realistic, multiplayer FPS game follows a group of mercenaries using baby faces as avatars. Tasked with entering mansions of the rich and powerful, players must explore every rabbit hole before time runs out.
“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?