Kirill can never see his hometown again: he fled Russia when Ukraine was attacked. His friend, Daniel, makes the journey and “cans Moscow” for him. Kirill discovers his “reconfigured” apartment; his bicycle hanging on the wall watches over his remaining comrades. In snowy Moscow, the lights are shining for the holidays. Kirill looks at the images: engulfed passers-by, war posters: “This is not my city”.
Kirill can never see his hometown again: he fled Russia when Ukraine was attacked. His friend, Daniel, makes the journey and “cans Moscow” for him. Kirill discovers his “reconfigured” apartment; his bicycle hanging on the wall watches over his remaining comrades. In snowy Moscow, the lights are shining for the holidays. Kirill looks at the images: engulfed passers-by, war posters: “This is not my city”.
2024-12-02
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Behind his polite exterior lies a formidable leader with a ruthless character, ready to do anything to make China the world's leading power by the People’s Republic’s centenary in 2049. This well-documented portrait of the Chinese president gives an unprecedented insight into his politics and shows how Xi Jinping's personal journey has shaped his choices as he steers China towards world domination.
Ivan Dziuba - literary critic, public figure, academician of the National Academy of Science of Ukraine - belongs to the "sixties". He fully takes care of all the miscalculations and unfulfilled promises of his generation. Reflects on why the illusions were lost and why so few dreams came true ... Let's see and listen to him with his wife Martha, a Lviv woman who was his guardian angel. Together - all life. Exactly as they are, the right is the definition - the conscience of the nation.
Portrait of Augustinas Baltrušaitis, film and theatre director, as well as actor, who fell into obscurity and has now been relegated to the margins of society, as a result of specific political circumstances. Countdown is a film about the limits of memory, the effects of the implacable passage of time, and a hope that surpasses time.
This documentary will provide the first authoritative account of who Vladimir Putin actually is. What drives him, what does he fear, who does he love and hate?
Three months of revolution. From indignant protest to national unity. From pots on their heads to batons and body armor. From the euphoria of victory to the mourning of the fallen Heavenly Hundred. Revolution as an explosion of revived dignity, as the euphoria of freedom, as the pain of awareness at the cost, as the birth of the modern history of Ukraine. This year we have decided not to have an opening film, because all our attention is focused on the changes taking place in our country today. We have asked the directors who filmed the Ukrainian protests to share their best shots with us. The episodes of these upcoming films about the Euromaidan were formed in a kaleidoscope of revolution, which needs no comment. We offer you a chronicle of the Ukrainian protest. Experience the three months of fighting with us, feel and see the revolution through our eyes.
This Rain Will Never Stop takes the audience on a powerful, visually arresting journey through humanity’s endless cycle of war and peace. The film follows 20-year-old Andriy Suleyman as he tries to secure a sustainable future while navigating the human toll of armed conflict. From the Syrian civil war to strife in Ukraine, Andriy’s existence is framed by the seemingly eternal flow of life and death.
This film tells the story of Markus Anatol Weisse, who, astonishingly enough, became an artist, in spite of being only very partially sighted. Markus also builds strange machine-like beings and wishes that he himself were a biological robot, or cyborg.
Max Voronski was on the road to a life of crime until he discovered kickboxing and turned into an aspiring young sportsman, eager to become a world champion. Max has got the talent, but the road to glory is a bumpy one.
Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.
"LIDA" takes place on the day of Lida's 70th birthday. This already special day is made more unusual by the recent arrival of her grandson, Lev, who had immigrated to the United States with his family in 2001. Returning to Ukraine for the first time as an adult, Lev documents his grandmother as she tends to the small homestead and prepares for the birthday celebration in the rural village in Ukraine. By capturing moments of arduous labor, as well as through personal conversation, Lev inquires into his grandmothers relationship to her home, land - and their family.
A portrait of the Larrieu brothers at work shot during the post-production of their film Tralala.
There is a rumor in the Kyiv musical community: once upon a time, in private conversation, Queen Elizabeth II mentioned Valentyn Silvestrov as one of her favorite composers of the modern age. The Royal Press Office hasn’t confirmed it, so no one knows for sure. But the stature of Silvestrov justifies this rumor. Highly respected by the world’s best music professionals, he remains a mystery for a wide audience. The documentary is far from a traditional biopic about a prominent person. It is an observation, a confession and, most of all, a story of great talent set against the backdrop of uncertain times.
The film is a story about the officers, soldiers and seamen who did not betray their oath of loyalty to the people of Ukraine and their first hand accounts about Russia's invasion and annexation of Ukraine's Crimean Peninsula. They continue to fulfill their military obligations on land, on sea and in the air today.
An intimate portrait filmed across 10 years of Mary, a charismatic and complex woman, born and raised in rural Kansas, USA. She runs a curiosity shop out of her front yard, builds giant furniture and dreams of becoming an artist one day.
Sean Penn and Aaron Kaufman’s documentary, shot just before and after Russian invasion of Ukraine on 24th February 2022, and featuring several interviews with Ukraine President Volodymyr Zelensky.
More than twenty years after Vladimir Putin came to supreme power in Russia on May 7, 2000, Russian society is deeply divided. A young, modern generation opposes the growing repression by the regime, which still retains the support of many members of previous generations. Who are these ordinary citizens who dream of living in a different Russia? What price will they have to pay to achieve the freedom and justice they so desire?
Gazprom, an industrial and financial conglomerate created in 1992, is the key weapon in the Kremlin's geopolitical strategy. First producer of natural gas, Russia indeed holds a third of the world's total reserves. Responsible for producing, distributing and selling it, Gazprom is a company like no other, where gas market professionals work, but also ministers, deputies and advisers close to the Russian president. It was during the winter of 2005-2006 that Europe, which buys 30% of its gas from Russia, suddenly became aware of its vulnerability. Comment ? Overnight, Russia had just cut gas supplies to the pro-Western Ukraine of Viktor Lushchenko, who refused to pay tariffs multiplied by five. Since then, the continuous rise in oil prices, coupled with ever-increasing Chinese demand, has confirmed the key role that its hydrocarbons give to Russia.
Together, the three Bertrand brothers work their farm in a small Savoyard village. In 1972, they took the enormous risk to invest in the construction of an ultra modern stable for 82 milk cows. With modern organisation, they hoped to lead a better life. Almost 30 years later, the farm is successful. Their work is meticulous and the milk is graded top quality. The human cost is much more sombre. Indeed these thirty years can be summarised in one word : work. The brothers are bachelors and – each one now over sixty years old – a bitterness when they recall their past. The younger brother says it himself: "It's an economic success, but it's a human failure...".