Senna: The Test (2017) explores a unique moment in Ayrton Senna's career when, on December 20, 1992, he tested a Penske IndyCar in Phoenix, Arizona. Amid frustrations with McLaren, Senna briefly considered switching to IndyCar, with this test marking his only serious exploration of American racing. The documentary, created by Marshall Pruett and Travis Long, features insights from figures like Emerson Fittipaldi and Rick Mears, capturing this rare event in Senna’s life and his motivations during a challenging period in his career.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
The Mutability of All Things and the Possibility of Changing Some explores our human adaptability in light of catastrophe by way of seminal literature passages implying a transitory social body.
Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.
The inside story of Biden’s rise to the presidency, and the personal and political forces that shaped him and led to his dramatic decision to step aside.
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
A short documentary profiling the lives of three transgender Black men, exploring what life is like living as a Black man when no one knows you are transgender, and their journeys with gender in the years since they transitioned.
In a closed locker room, rugby players perform the last pre-match rituals. Warming up their souls and bodies, all tense in anticipation of the fight.
In 1996 I took the conservatory exam. I missed it. A year ago I was asked to do a masterclass on acting in cinema. I went there. I met a lively, joyful and passionate youth. Among my students there was Clémence. The following year, she asked me to film their last show. I felt her urgency and the fear she had of leaving this mythical place. So I accepted. By filming this youth, I revisited mine.
Bad Boy of Bonsai is an experimental art-house documentary that focuses on Guy Guidry, a Louisiana local, and his passion for bonsai.
"‘F1: How it was’ is a thrilling, action-packed, insightful documentary into some of the sport’s finest races, despite the lack of budget or theme, Duke Video deliver on providing fans with an entertaining documentary that would make the perfect gift this Christmas." - Joshua Suttill, www.readmotorsport.com
The sinking of the RMS Titanic remains one of the most enduring and mysterious tragedies of the 20th century. For decades, investigators and amateurs alike have floated theories for why it occurred and who was to blame for the extraordinary loss of life, but no one answer could fully explain what happened. Until now. To mark the 100th anniversary of the infamous disaster, Smithsonian Channel will premiere Titanic's Final Mystery. The two-hour special investigates a century of theories and uncovers astonishing new forensic evidence that proves the most likely theory for the case.
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
Hedda Hopper plays hostess at a party for her (grown) son William (DeWolfe Jr.). Hopper, attends the dedication of the Motion Picture Relief Fund's country home and goes to the Mocambo. There is also a sequence dedicated to the Milwaukee, Wisconsin world premiere of the first short in this series attended by more that a few film stars.
This documentary follows a group of filmmakers on a journey to capture the unique experiences of the Enlightenment Academy's gap year program in Sudbury, Ontario. The project was initiated by Bach Van Dyke, a self-proclaimed world-famous actor, director, producer, and model, who enlisted the help of a small team to bring his vision to life. Despite Van Dyke's larger-than-life persona, the documentary offers a more grounded perspective on the program and its participants. Viewers can expect to encounter a colorful cast of characters, including Dr. Raymond Cism, a social media-savvy health doctor, and the program's students, Sheen, Jake, and Butch.
Scratches. Cross-outs. Stripes. Arnaud is tirelessly attacking ancient masters' painting reproductions with the tip of his pen. His free and living interlaces highlight shapes and figures.
Growing up in Masbate Province in the Philippines, Jary is neglected and shunned since the moment of his birth for one reason-- his appearance. His older sister, Jessa protects Jary through his early years, then takes him in as a young teen, to raise him alongside her own two children in a fragile house on a hill. Jessa seeks out the medical care Jary has been denied since birth. And more, the support to begin his physical and emotional recovery. Every Day After is a 35-minute documentary film that provides a more nuanced look at the complexities of the healing process we don’t often see. And honors the invisible labor of a sister whose love and action make it possible for Jary to experience the everyday joys and struggles of growing up.
When asked a question on politics, late Palestinian poet Mahmoud Darwish once answered: “I write about love to expose the conditions that don’t allow me to write about love.” In TWO TRAVELERS TO A RIVER Palestinian actress Manal Khader recites such a poem by Mahmoud Darwish: a concise reflection on how things could have been.
Having Cuba as a background, decadent and in crisis, in a black-and-white lacerated by the Caraibic swinging rain, Alex and Edith, a couple in their 30s, live their love story made of small daily gestures, stories from the past, nostalgia, and a deep intimacy.