Silent documentary about the Caracas Carnival.
Silent documentary about the Caracas Carnival.
1909-01-01
0
6.0In 2007 Mobile, Alabama, Mardi Gras is celebrated... and complicated. Following a cast of characters, parades, and parties across an enduring color line, we see that beneath the surface of pageantry lies something else altogether.
7.0The feature-length documentary, TOOTIE’S LAST SUIT explores the complex relationships, rituals, history, and music of New Orleans’ vibrant Mardi Gras Indian culture while telling the story of Allison “Tootie” Montana, former Chief of Yellow Pocahontas Hunters. Celebrated throughout the New Orleans as “the prettiest,” for the beauty and inventiveness of his elaborately beaded Mardi Gras costumes, Tootie Montana masked for 52 years, longer than any other Mardi Gras Indian. Yet Tootie Montana’s contributions to Mardi Gras Indian culture far exceed his artistic innovations and dedication. Through the example of his own achievement, he came to be revered for turning Mardi Gras Indians away from gang-style violence toward artistic accomplishment and competition. In the aftermath of Katrina, TOOTIE’S LAST SUIT bears witness to the Mardi Gras Indians who, in picking up the threads of their torn lives and tradition, are the spiritual healers of New Orleans.
0.0Master baker, owner of Duffryn Bakery, Onllwyn, turns his hand to film-making and captures community events in glorious colour.
A beautifully done video of Burning Man 2001, 2002 & 2003. Lots of people interviews, Center Cafe activity and extensive coverage of artist David Best and the Temple construction and burn. This documentary captures the swirling columns of dust that were created during the intense heat of the 2002 Temple burn.
4.2A film created by Les Blank and Maureen Gosling from footage that was cut from the documentary "Always for Pleasure" (1978) about Mardi Gras in New Orleans.
7.0A documentary portrait of sideshow impresario Wally Shufflebottom, Jr.
0.0200 years of Cologne Carnival! The most colourful and loudest festival in Cologne celebrates a big birthday. In February 1823, a few men from Cologne's upper class founded the so-called 'Festordnende Komitee' - the forerunner of today's 'Festkomitee Kölner Karneval'. This 'big bang' was a reaction to the old festival getting out of hand in orgies and violence. Carnival was in danger. A ban by the Prussian rulers was imminent. The new committee wanted to control the wild goings-on, establish rules and organise the celebrations.
7.3An intense insider's portrait of New Orleans' street celebrations and unique cultural gumbo: Second-line parades, Mardi Gras, Jazz Fest. Features live music from Professor Longhair, the Wild Tchoupitoulas, the Neville Brothers and more. This glorious, soul-satisfying film is among Blank's special masterworks. Preserved by the Academy Film Archive in 1999.
Documentary short that explores the meaning of the locals’ African identity through the Carnival festivities.
0.0Tells the story of New Orleans's black aristocracy as seen through the eyes of an African American debutante and her matriarchal family. This poignant coming of age story opens a lens to the wider struggle of black New Orleans's to shape an upper class society during the rise of the Jim Crow south.
6.0A 2008 short made in accompaniment with Our Beloved Month of August, documenting Gomes's and his crew's hapless search, during 2007's carnival, for one of Arganil's most storied and elusive characters (who does, in fact, ultimately appear as an interviewee/player in the finished film). Paulo "Miller" is known for taking a dangerous jump into the Alva from a bridge each year during carnival, but what this film is about is, in keeping with the free-roving feature, much less the subject himself than Gomes and co.'s inability to pin him down; not only does he not do his famous jump during this year's carnival, but an ostensible technical/audio failure (as with the feature, it's very difficult to say how much of this film is "fact," how much invented) during Gomes's initial on-camera meeting with Paulo "Miller" leads to five minutes of lip-readers attempting to decipher their conversation.
5.8Although it was actually an impersonal commissioned film, the director's style is clearly recognizable. Once again he manages to make something that is normal very strange: the dancing people in costumes are filmed in such a way that they look bizarre and absurd. Jan de Bont's camerawork shows a series of color images of dancing people, edited to the rhythm of the music. Halfway through the film, a lonely clown can be seen among the dancing crowd, accompanied by sad music. This clown is played by Ditvoorst himself.
5.9Conjoined twins Daisy and Violet Hilton were once the cream of the sideshow crop. Taught to sing and dance at an early age, the winsome duo ascended through the early 20th-century vaudeville circuit as a side attraction (working alongside Bob Hope and Charlie Chaplin as well as a memorable turn in the Tod Browning classic "Freaks") before a cascade of unscrupulous management and harsh mistreatment brought their careers (and lives) tumbling down. This engrossing glimpse into a bygone era is filled with fascinating interviews and rare archival footage.
0.0A kaleidoscopic celebration of the 1980 Notting Hill Carnival. Arts Council of Great Britain.
A continuous, extreme show is held, every year, in Tesla Arena in Prague. The visitors can be impressed by shows of dangerous riding on motorcycles, amazing acrobatics on 4 wheel vehicles, etc…
0.0GlitterBomb is a fantastic 32-minute documentary that showcases the best of the 2015 Mardi Gras season. It features interviews with Courtney Act, Bianca Del Rio, Nick Jonas, Alex Greenwich, Dan Murphy and Jake Shears, as well as local identities and international tourists, each sharing their experiences and perspectives on our fabulous Festival celebrations including Harbour Party, Pool Party, Parade and MG Party.
0.01950s Soho beats with far more energy than its 21st century counterpart in this vivid time capsule.
The Other Side of Carnival (2010) is a 45-minute award-winning documentary that explores Carnival's social and economic impact on Trinidad & Tobago. With more than 60 interviews from professors, medical staff, police officers, government officials, students, tourists, every day locals and more, The Other Side of Carnival is able to highlight that while Carnival is an exciting occasion, it is a festival that creates turmoil, which is not widely visible...or is it just simply ignored? Known as "The Greatest Show on Earth", this documentary captures the roots of Carnival and how far some go to keep the original idea alive, and how others attempt to integrate change. Consummating over two years of research and interviews and with the coordination of a multi-national crew (Trinidad & Tobago, US and UK), The Other Side of Carnival does not pass judgment on Carnival in Trinidad & Tobago, but aims to bring an awareness of the type of influence that Carnival has on the population.
10.0Haitian history is presented through an explosion of colour, dance and music, as the country prepares for its legendary carnival.